Un homme qui assassine accidentellement un tueur en série et un détective qui le poursuit sans relâche.Un homme qui assassine accidentellement un tueur en série et un détective qui le poursuit sans relâche.Un homme qui assassine accidentellement un tueur en série et un détective qui le poursuit sans relâche.
- Récompenses
- 3 nominations au total
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Love the new and innovative ways of this series. A testament to the evolving Korean creativity in entertainment, I really loved the dark humour yet exploration of morals as well as the art house style of this series. Choi Woo Sik plays his character in an excellent way, all of a sudden thrown into the depths of murder and life unfolding in the most unexpected ways his acting in his confusion of it all is great ! The only disappointment I felt with this series was Son Suk ku, I felt his acting was kind of lazy, I did not feel him to be the go getter detective that they say he is. The nerdy mastermind behind the murders was also a really great character in this series. I feel it is well worth a watch.
Darkly humorous, violent, and never boring, A Killer Paradox is a morality thriller like no other. What begins as a comedy of errors and morphs into a deep detective thriller, it's one of the finest series on Netflix. But more important, it showcases actor Choi Woo-shik's talent and his ability to tackle dynamic characters. Darkly humorous, violent, and never boring, A Killer Paradox is a morality thriller like no other. What begins as a comedy of errors and morphs into a deep detective thriller, it's one of the finest series on Netflix. While A Killer Paradox rewards its audience with moments of epic comeuppance, its the way the series complicates the straightforward theme that makes it standout.
This show is really worth watching. The plot is super unique and interesting. It keeps me hooked, with lots of exciting, intense, and also some dark comedic undertones. Although, I'll say, the story kinda dragged in the middle and it got somewhat dull for a while before getting back on track.
The cinematography is also well done. Particularly noteworthy are some scenes that are captured in long one-take shots. The editing choice to sometimes cut back and forth between different times also makes it more fun and engaging to watch.
The actors are great. They play the characters' emotions well, especially the two male leads.
While there are some predictable moments in the story, they don't detract from the overall experience. Extremely recommended.
The cinematography is also well done. Particularly noteworthy are some scenes that are captured in long one-take shots. The editing choice to sometimes cut back and forth between different times also makes it more fun and engaging to watch.
The actors are great. They play the characters' emotions well, especially the two male leads.
While there are some predictable moments in the story, they don't detract from the overall experience. Extremely recommended.
A Killer Paradox starts off with a bang, but ends with a whimper. The first two episodes are really engaging, and keep you guessing to see what will happen next. The cinematography and storytelling is also top notch. The acting throughout is also very good.
Unfortunately, after that the quality quickly falls off and we are left with a run-of-the-mill vigilante origin story.
Episode five deserves commendation. Here, we are shown how an ordinary person suddenly commits a fatal crime of passion, and thus becomes target fodder for our vigilante. It would have been nice to see more episodes like this one.
Unfortunately, after that the quality quickly falls off and we are left with a run-of-the-mill vigilante origin story.
Episode five deserves commendation. Here, we are shown how an ordinary person suddenly commits a fatal crime of passion, and thus becomes target fodder for our vigilante. It would have been nice to see more episodes like this one.
The series is unique to me because the main lead isn't even the center of the story. Most of the time, we were in the point of view of Jang Nan Gam (Son Suk Ku). At the beginning of the episode, we were in the perspective of Lee Tang (Choi Woo Shik). After being chased by the police, we were mostly in the police's point of view. After that, it became more mysterious with the introduction of Song Chon (Lee Hee Joon), who drove the series until the end. For me, that was a unique way of writing the story, and I love it.
The plot is very fresh and interesting. I can't recall when a series or movie had such a refreshing plot, especially in Korean drama or movies where characters can sometimes feel repetitive. The switching of the point of view is truly lovely and unnoticeable. Lee Chang Hee (Director) also directed "Strangers From Hell," and it's no wonder this series turned out to be good. He really did a good job. Additionally, the first few minutes of this series have to be the best-directed sequence of all time.
The transition, THE TRANSITION. It is insanely addictive to watch how they transition from 1 scene in the past to the current scene, or from hallucination scene to reality. And how they project the future character into the past. And they did it multiple time flawlessly.
Furthermore, one aspect that many didn't talk about is the use of background music, which was really good. On top of that, the gorgeous cinematography adds to the overall experience. Let's not forget about the acting; every actor performed a marvelous job, especially Song Chon, who, in my opinion, shone the brightest in this series.
Some say that the pace became stale in the middle of the series because of the addition of two new questionable characters in Busan who were having a crisis, which I understand why it became boring. However, it picked up its pace again after that. Nonetheless, I definitely recommend it.
The plot is very fresh and interesting. I can't recall when a series or movie had such a refreshing plot, especially in Korean drama or movies where characters can sometimes feel repetitive. The switching of the point of view is truly lovely and unnoticeable. Lee Chang Hee (Director) also directed "Strangers From Hell," and it's no wonder this series turned out to be good. He really did a good job. Additionally, the first few minutes of this series have to be the best-directed sequence of all time.
The transition, THE TRANSITION. It is insanely addictive to watch how they transition from 1 scene in the past to the current scene, or from hallucination scene to reality. And how they project the future character into the past. And they did it multiple time flawlessly.
Furthermore, one aspect that many didn't talk about is the use of background music, which was really good. On top of that, the gorgeous cinematography adds to the overall experience. Let's not forget about the acting; every actor performed a marvelous job, especially Song Chon, who, in my opinion, shone the brightest in this series.
Some say that the pace became stale in the middle of the series because of the addition of two new questionable characters in Busan who were having a crisis, which I understand why it became boring. However, it picked up its pace again after that. Nonetheless, I definitely recommend it.
Le saviez-vous
- AnecdotesBased on webcomic "Salinja Nangam" written by Ggomabi & illustrated by Nomabi (published from July 8, 2010 to June 3, 2011 via Naver).
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Murder DIEary
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure
- Couleur
- Mixage
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What was the official certification given to A Killer Paradox (2024) in France?
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