My Sweet Pepper Land

What's the Kurdish word for 'spaghetti?' "My Sweet Pepper Land" is a classic Spaghetti Western set in a remote corner of Iraqi Kurdistan. Upright stalwart hero, distressed damsel, band of lawless ruffians to be dispatched, and, as an interesting twist, a group of well armed feminist freedom fighters who don't like anybody very much. It's a culturally interesting story, flawed by several gratuitous episodes of cruelty to animals being passed off as entertainment-- kind of wrecked the film for us. The high point was the female lead, Golshifteh Farhani (as Govend) playing a melodious Kurdish-6 pan drum. Along with the other music, that made for a much better than average soundtrack.

Although classed as a Comedy (it has its moments) at the 2014 Palm Springs International Film Festival, it isn't.

Kurdish director Hiner Saleem's My Sweet Pepper Land is set in the newly autonomous state of Iraqi Kurdistan which is facing fundamental existential challenges from neighbouring Turkey, Iran and Syria as well as the local chieftains who are yet to come to terms with their newly elected democratic government and rule of law. The picture opens with a darkly comical scene involving the newly autonomous state's first legal execution by hanging of a prisoner which undergoes a muddled process.

The movie is about the struggle faced by the two protagonists - yesteryear war hero turned reluctant policeman Baran (an intense Korkmaz Arslan) and a schoolteacher striving to educate the kids Govend (a radiant Golshifteh Farahani) - at a remote village of Qamriyan on the Turkish border. Both Baran and Govend chose the remote village over lucrative careers in urban areas to escape the hounding to get married from their respective homes. The village has only two telephones and a bar/eatery named "Pepper Land" and by virtue of being on the border between Iraq and Turkey is notorious for smuggling and other illegal activities. These activities take place under the patronage of the local warlord Aziz Aga who is a powerful man and controls the village with his army of trigger-happy, lecherous goons.

The village is also steeped in conservative tradition and misogynistic ideas. Both Baran and Govend find themselves at loggerheads with Aziz Aga who wants to lord over the village and find their new ideas of rule of law and education for children as threats to his control over the village. We also see a budding romance between Baran and Govend as they stand by each other in their struggle. There is also an all-women band of armed Kurds waging war against Turkey for liberating the Kurds across the border.

What follows is an aesthetically mounted Western-esque adventure set in the breathtaking rocky remoteness of the border village. The story is set to happen in 2003, immediately after the death of Saddam Hussein whose regime had brutally oppressed the Kurdish regions and the region was given autonomy and democracy under the new establishment. While the horse riding, gun toting adventure is the mainstay of the movie, there are subtle indicators to the backwardness of the region, struggles faced by the few modernists, lack of rule of law and other challenges faced by the people inhabiting this region.

Arslan, with his an invincible and rugged looks, is convincing as the yesteryear war hero-cum-present day law enforcer, Baran who is chivalrous and enjoys Elvis, Bach and Mozart. The immaculate Golshifteh Farahani is completely natural as the modern teacher determined to bring education to the kids of the village despite the odds she has to face from her own family and the local goons. Both Arslan and Farahani share a comfortable chemistry and have a significant screen presence which aids the movie a great deal.

While by no means an epic or even an extraordinary movie, the director, Hiner Saleem, deserves plaudits for narrating an entertaining story which presents a contemporary take on the Western genre with elements of dark humour and setting it in such remote lesser known lands. The movie also boasts of some excellent technical credits including first-rate cinematography which captures the mountainous landscapes in their bleak, yet, beguiling beauty and a charming score comprising of diverse influences. My Sweet Pepper Land was presented as an entry under the Un Certain Regard category of the Cannes Film Festival, 2013 and since then, been a part of several international film festival including the Bangalore International Film Festival (BIFFES-2013).

I loved this very real "western"... "the good and the bad", a courageous movie that tells us the REAL LIFE in those very far countries. I realized, with drops, that people always have this type of extreme life. I was telling me "it was the similar in Nevada" 200 years ago... Have to be seen by all...

The idea and story are good. The landscape tells a lot itself. Movie starts very promising, especially when the old mum is presenting potential brides :) The role of woman is also depicted very well. She was empowered by her family and made her own choice to work where she feels needed.

Movie overall is beautiful and is worth to watch. But the tools used to reveal the characters are too western. I did not meet my expectations of seeing anything about brave Kurds, about their moral codex, love and war. To me, director failed to find a equilibrium between grotesque (first part of movie) and Kurds' traditions.

"My Sweet Pepper Land" follows the formula of the classic western, with a rugged good guy trying to protect a damsel in distress from the inevitable evil rich guy. There's obviously nothing wrong with that, if that plot's good enough for Sergio Leone it's good enough for anyone. On the other hand though, this is hardly a creative film. People seem to really dig the combination of western storytelling (in various meanings) with the unlikely setting of a mountain in Iraqi Kurdistan, the movie mostly thrives on that...gimmick, for lack of a better word. You get a lot of insight into Kurdic history, a subject I knew very little about, apart from that the movie isn't very special. The plot is predictable (granted, all westerns tend to be), there's not a lot of suspense even though they're really trying, and even the standard final showdown is really more of an anti-climax. "My Sweet Pepper Land" is an interesting watch, but not always a superbly entertaining one.