Pushkara

Pushkara (Odia movie)

Rating: 3.5/5

I watched Pushkara in Bangalore today evening with my family. The movie is an adaptation of Odia novel Nadabindu.

What I liked:

1) Sabyasachi's career-best performance stands out throughout the film. Supriya, Ashrumochan and Choudhary Bikas Das also did quite well. Nobody could have played Sunanda better than Supriya. Kudos to her.

2) Original story based on a novel and the direction and treatment are honest without any commercial masala 3) Odia culture and Puri provide a great value addition to the screenplay 4) Despite a tragedy, the film manages to touch heart strings of audience and evokes strong emotions

Areas of improvement:

1) Screenplay was a bit slow in the first half 2) The transformation of Nilakantha to Pushkara should have been explored a bit more and shown 3) Due to budget constraints, the funeral setup looked a bit haphazard. It could have been shown in a more realistic way.

4) The movie at times gave the feeling of a TV serial, especially the scenes after Nandu's death where her family members were mourning felt very cringe to me

I would urge fellow Odias to watch the movie in large numbers and support good Odia films. It is critical to keep Odia cinema vibrant so better films can be made in future.

Thanks for reading.

My first Odia movie in Hall. I enjoyed every second of this authentic odia movie. The drama, screen play and direction is also very detailed represented by the director.

Especially Sabyasachi Sir's acting and performance really touched my heart and soul. I saw some of his movies in television He came ever time stronger with his new projects. I think "Puskara" is his career best performance.

They really tried to show eastern Region culture of Odisha in this movie. I can recommend this movie to all movie lovers. Please come to the Hall and see this amazing movie.

All the actors did very well.

Jai Jagganath 🙏

The story is 10 on 10, classic and represented the culture. In odia it is after years you will fins such type of raw story. It is about to bring the lost era of odia cinema. The essence of soil is clearly visible in the story. However direction would have been much better to justify more emotions to the story. Some cinematographic deficiency can be observed as well. Screenplay and other details are would have been better. Can be explained in little more detail so that it would have been a masterpiece. Overall the movie is a piece of art. It will left you in thoughts of life and its outcome. Will have a divine impact as well as peaceful feeling.

If u are only reading reviews and deciding to watch or not, Stop right here, book your tickets and go. No review can give justice to this master piece. Natural acting of all actors, screen play of the beautiful subject which is from the odia novel "Nada Bindu", the beautiful locations of Puri, The to the point BGM and the Last 20min PreClimax are the essence of the film.

No language can make you feel the emotions better than odia language, if you are a true odia. This feeling is driving the movie which is taking over the emotions of every viewers. This movie will surely be remembered as one of the best movies of Ollywood industry ever made.

I smell some national awards flowing to odisha as this movie deserves everything.

When I first saw the movie still of Pushkara featuring Sabyasachi on temple stairs, I sensed it is going to be a unique Odia film. After watching it at Cinepolis in Esplanade, Bhubaneswar, I was truly impressed.

The cinematography, screenplay, music, and dialogues were exceptional, beautifully showcasing Odia culture with references to Boita Bandana, Sahi Jatra, Swarga Dwar, and the Puri accent.

Pushkara is a must-see for all, not just Odia viewers. It's thoughtfully subtitled in English, offering a glimpse of our beautiful state.

The casting was spot on. Sabyasachi Mishra delivered a versatile performance, and Supriya Nayak was delightful as Sunanda. Her character was well-defined and equally important.

The story unveils in layers, with some predictability but still holding the audience's attention. It evoked grief, suspense, drama, humor, and tragedy. The brilliant climax was as praised as described.

The audience laughed and related to the portrayal of Odia sons and daughters' complex relationship with their fathers. Many felt it was a personal failure not to meet their father's expectations. Tears flowed during the end credits, but Sabyasachi's in-person gracious entrance, thanking the audience, was a fitting conclusion.