Molaghat Ba Jadugar

"Meet the Magician" has no cinematic or artistic value at all. It is not even worth criticizing. Here are just a few points to make about it: not every film that makes its audience laugh at any cost is necessarily a comedy. Perhaps you can laugh much more by scrolling through reels and Instagram posts. Of course, thanks to these social networks, the audience's taste has been lowered to such an extent that they easily laugh at any casual and superficial joke; jokes that are mostly sexual and repetitive, which, if they are not sexual, either maneuver on indirect references to old and threadbare criticisms (such as jokes about pre-revolution singers and the music of Los Angeles that seems to have no end) or jokes and sarcasm about officials, which are also lame and repetitive. Iranian cinema, Iranian "comedy" cinema, today is a collection of these same jokes, even the actors are repetitive. They are a series of actors that you see everywhere. Of course, this may not be specifically true of "Meet the Magician," but the general formula here is the same.

"Meet the Witch" has no cinematic or artistic value at all. It is not even worth reviewing the film.

Another Weak Film from Iranian Cinema.

The film has many technical weaknesses, and if it sells well, it is mostly due to the presence of well-known actors and its extensive publicity. Of course, no one knows the budget of these films so that we know how much they have earned. A weak and incredible ending that doesn't end the story and leaves the audience alone with their questions is added to all of this to make "Meeting the Witch" a completely failed repetitive experience, even in front of its counterparts.