Fake

What's wrong with Birdie? I want to shout at and shake her. She really needs to wake up. Great performances, he is right creep and she is annoying.

I feel like I'm wasting my time watching this but I'm extremly curious how this ends. I think I will suffer through all of it to find out.

I feel sorry for her, she doesn't deserve treatment like that. I can't stand his voice. It's unbelievable this is based on true story. I'm sure it didn't have to have so many episodes. I'm getting bored from time to time. Here is valuable life lesson- love is blind! Good luck watching it all. How many lies can someone tell I keep asking myself.

This series about a journalist Birdie (Asher Keddie) who dates a compulsive liar and fantasist Joe (David Wenham) has a great premise but its pace is sluggish. And why all the moody focus on Birdie being devastated, anxious and morose as she reels from yet another betrayal from her deadbeat boyfriend? There needs to be more action. Maybe it would have been better to focus on the search to find fellow victims of Joe, and to find out who he really was. In any case, when Birdie does find out something bad about Joe, she tends to be sad, but then keeps going out with him! After five or six no-shows to family birthdays and weddings, and umpteen cancellations of dates, most people would call it quits, but it defies belief that she would put up with this much rejection and lying. If Birdie had fought back a little more, it would have been a better drama. The series is interesting in that it points out that on dates, we cannot predict who the other person might turn out to be. And that Birdie all too readily believes or forgives her lover's bad behaviour because she fears being alone.

Maybe also it would have helped to see a little of the boyfriend's perspective. How he rationalises being so opaque and stuffing Birdie around.

The production values on this series are good, the story gets you intrigued early on, mainly from the 'what's going on' perspective.

The obvious point that such an educated, successful, attractive woman is so lonely, is something you need to get over, plus the fact that she's so desperate to meet a man, she's prepared to drop all doubts and oddities associated with him, just to get him.

Once the odd behaviours grow the story slowly develops, behind lovely Australian backdrops and city scapes, the heroine's fears and questions pop up and she looks for answers, again why she's so determined to hang onto this man is a bit of a mystery.

Things I found annoying, the need to insert alcohol into many scenes, the fragility of the female character, the sinister male lead, the gay but oh so fun friends, everyone seems wealthy and in luxury, but often unhappy, all very typical of Australian shows, so typical you fight the impulse to fast forward occasionally to get on with the story, so at times it gets 'dull', you want it to develop and it doesn't.

Joe played a slimy creep with a sickening voice, but having come across two of these sort of characters in my time, his role was true to form. A Player of the highest Order. However, Denham really wasn't suited to the role at all. It needed someone less creepy and more 'dashing', thus to avoid the warning bells and red flags that someone like Birdie could be excused for not seeing and acting upon, therefore making it more realistic.

Birdie, Birdie, Birdie - when does stupid become more stupid? You were painful to watch and I wanted to throw my phone away, let alone yours.

All in all, too long and too much of Birdie feeling sorry for herself. I wish I hadn't wasted my time.

The key to this working is a credible male lead ( in what is a difficult nuanced role to pull off convincingly). David Wenham didn't, at all. At almost 60 he is for a start too old, too crepey-skinned. His character was creepy, he was given a lizardy persona, unfortunately Joe was NOT what he must be.

Hot.

Who is craving to get in this creaky, rather plodding, aging, man's bed?

Apparently a whole slew of beautiful intelligent women, all taken in and enraptured to the point of slavish devotion . 60 emails with heart rending tales of seducer Joe!!!

Please. No.

None of us watching Joe were craving to be in bed with him either, btw (imagine here a shudder indicating skin crawling at the thought lol).

The writing was off for Joe, the character needed way more finesse in language, charisma, good looks, and sex appeal, delivered by an actor with compelling, utterly irresistible BDE, and way more sympathetic outside of the scene in the church where we see his pain. That was good, well done.

That first encounter at Atons bar ..."do you want to get out of here?" The look that is then exchanged between them as Joe agrees means, as every single adult watching knows, let's ***k. His sliding off into the night outside was the beginning of a mountain of sleight of hand by Joe's character that was absurdly clunky, as to be an insult to the intelligence.

Asher Keddie is terrific, she holds this together. Her character is far better written and presented than her counterpart, we are provided with sufficient context to see why this one woman with her history anxiety and pressures wanted so much for this to work. She was believable in a narrative where nothing else important was believable.

It's an easy reasonably engaging binge, but could have been so much more immersive, tantalising, heartrending.

A missed opportunity, should have been a 10.