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Seses

  • 2024
  • 1h 28min
NOTE IMDb
6,1/10
585
MA NOTE
Seses (2024)
To celebrate Lukas' victory at the martial arts tournament and Tomas' birthday party, their wife's Juste and Ernesta organize a weekend at the summer house with a families. It was suppose to be a quiet weekend at countryside.
Lire trailer1:12
1 Video
7 photos
Drame

Ajouter une intrigue dans votre langueTo celebrate Lukas' victory at the martial arts tournament and Tomas' birthday party, their wives Juste and Ernesta organize a weekend at the summer house with a families. It was suppose to ... Tout lireTo celebrate Lukas' victory at the martial arts tournament and Tomas' birthday party, their wives Juste and Ernesta organize a weekend at the summer house with a families. It was suppose to be a quiet weekend at countryside.To celebrate Lukas' victory at the martial arts tournament and Tomas' birthday party, their wives Juste and Ernesta organize a weekend at the summer house with a families. It was suppose to be a quiet weekend at countryside.

  • Réalisation
    • Laurynas Bareisa
  • Scénario
    • Laurynas Bareisa
  • Casting principal
    • Paulius Markevicius
    • Karolis Kasperavicius
    • Greta Grineviciute
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    585
    MA NOTE
    • Réalisation
      • Laurynas Bareisa
    • Scénario
      • Laurynas Bareisa
    • Casting principal
      • Paulius Markevicius
      • Karolis Kasperavicius
      • Greta Grineviciute
    • 8avis d'utilisateurs
    • 39avis des critiques
    • 80Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 18 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:12
    Official Trailer

    Photos6

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    Rôles principaux26

    Modifier
    Paulius Markevicius
    • Lukas
    Karolis Kasperavicius
    • Paramedic Povilas
    Greta Grineviciute
    Greta Grineviciute
    • Paramedic #4
    Gelmine Glemzaite
    • Ernesta
    Giedrius Kiela
    • Tomas
    Indre Patkauskaite
    • Daiva
    Julius Zalakevicius
    • Judge
    Agne Kaktaite
    • Juste
    Gintare Latvenaite
    • Paramedic #2
    Vladimir Dorondov
    • Paramedic #3
    Kristina Svencionyte
    • Broker
    Gytis Pintulis
    • Vykintas
    Olivija Eva Viliüné
    • Urte
    Aldona Vilutyte
    • Irena
    Raimondas Krilavicius
    • Fighter
    Tomas Viksraitis
    • Assistant #2
    Vasilij Vetrov
    • Competitor's Coach
    Justas Miniotas
    • Martynas
    • Réalisation
      • Laurynas Bareisa
    • Scénario
      • Laurynas Bareisa
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    6,1585
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    Avis à la une

    5Filmoon

    Why it was a long audience torture instead of 15 minutes of meaningful watching

    As usually in all the dramas I wanted to feel both: the depth and the meaning of actions, to find the answers and explanations putting it all together. I really tried. It was so slow and it was hard.

    If you could just separate the picture and the sound parts of this movie, the picture was so much better.

    The dialogues... They were too weak, sometimes with poor articulation.

    In the part with indoor swimming pool it seemed like the actors are just improvising all the text.

    The part with the girl on the shore by the lake seemed to be so important, but the conversations and acting looked unnatural.

    This movie is called Sisters (in Lithuanian), however the most bright line was definitely not about them.

    And the naked scene. Just why?
    4BriedisLT

    Painfully Slow with Little Payoff

    "Seses" (Drowning Dry) feels like a perfect example of everything wrong with Lithuanian cinema today. Once again, we're subjected to endless, pointless shots of people doing nothing-unloading groceries from a car back and forth, lying in bed, scrolling through their phones, and doing headstands for an eternity. This isn't artistic; it's lazy. The first half of this film is so mind-numbingly slow that I found myself checking the time more often than following the story - if there even was one.

    Sure, the film tries to touch on real-life issues, but by the time those moments appear, it's hard to care. The pacing kills any potential it had. The acting, especially with the child actors, is clumsy - characters talk over each other in scenes that clearly weren't reshot. Were these seriously the best takes? It feels like no one bothered to try again, hoping the slow, 'artsy' atmosphere would cover up the lack of effort. But it doesn't.

    The second half does improve slightly, but that's not saying much. Something actually happens then. If this is the direction Lithuanian cinema is still heading-prioritizing empty, indulgent shots over meaningful storytelling - it's no wonder audiences are left disengaged.
    2Devynmetis

    1h28min felt like 4 hours

    Let me start by saying we had very little hopes knowing that lithuanian cinema rarely is climatic. This was anticlimatic times four. The prolonged scenes with no added value, the lack of chemistry between sisters, the acting itself made you question on whether this was the first take, the sound - one microphone shared amongst all 6 main characters? No character development, the random scene qutting just did not make any sense, one or two scenes that were not even close to having a meaningful symbol, and the plot itself makes you feel like you just got robbed - it is painstakingly numb and the directors wish to spice it up or deliver something deeper was again, not in the room. Save yourself the money and your time - skip it.
    6maskatuoklis

    All aboard the (slow) feel train

    When rating movies I usually have two ratings - one for mainstream and one for artsy / Lithuanian movies. It's kinda sad that Lithuanian cinema still hasn't produced anything that would impress me or I wouldn't leave cinema theater without a thought "ok, this was good... for a Lithuanian movie". And this is exactly the case - it's ok for a Lithuanian movie.

    From the script / directing point of view I was annoyed at the start - extremely long, very static scenes that are often associated with classic / old Lithuanian cinema. But after a while I got kinda used to that and thought "if this was the art style for decades, maybe this is / should be the signature of Lithuanian movies?". Similar genre Japanese counterparts are also tend to be this slow, but it's not immediately a bad sign. In this case the slowness did convey the mood pretty well. Oh yeah, I slightly got lost in details, so the script may have been a bit more forgiving (but probably that's my problem).

    Regarding the characters - character development was not that evident, yet I kind of understand that this may have been done in order to convey the ephemeral mood. At least there was no theatrical overacting / weird & unnatural dialogs - this ruins Lithuanian movies way too often. So no criticism regarding the cast.

    Regaring the techical details - I kinda was bummed seeing so much chromatic abberation in the movie. At first I thought maybe this was a cinema hardware bug, but... probably it was just left during the post-process (should have been removed in my oppinion).

    Nevertheless, despite all the mentioned shortcomings, the movie did convey the mood very well - I may have recognized similar situations from my life at some point and left the cinema with an uneasy feeling. This type of movie is not my cup of tea (to say the least), but I do believe that the director (as well as all other cast members) has achieved their goal.
    6rekstytekarolina

    Story was good in theory, but production failed

    When you look back and think of it, story was good and promising. Actors, specially leading actresses (sisters) also did a good job. However, following storyline was too struggling, as shots were put very randomly, it was a chaos. The concept of time-jumping is good, and maybe challenging to produce, and was a good idea for such story, but it was done poorly. Also, i got angry watching the movie because of in-proportionally prolonged scenes that were "empty" anyways. I feel like no thought on how frustrated viewer will be awkwardly watching such empty shots that feel like forever. Also, i missed attention being paid to the dynamics of separate relationships, as there were almost none 1:1 interactions. I feel like this is a missed opportunity.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Selected to represent Lithuania in the race for Best International Feature Film at the 2025 Oscars.

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    Détails

    Modifier
    • Date de sortie
      • 20 septembre 2024 (Lituanie)
    • Pays d’origine
      • Lituanie
      • Lettonie
    • Langue
      • Lituanien
    • Aussi connu sous le nom de
      • Drowning Dry
    • Sociétés de production
      • Trickster Pictures
      • Afterschool Production
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 9 608 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 218 $US
      • 20 juil. 2025
    • Montant brut mondial
      • 313 516 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 28 minutes
    • Couleur
      • Color

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