À la recherche de la magie de Noël

For me the premise seems common with several others and the story doesn't really stand out. There are no great highs or lows or surprises.

What does stand slightly apart is Paul Campbell. He is not your soft cuddly leading man. "Prickly". Yes that describes Harrington and Campbell fits the part. So the relationship with Lyndie Greenwood's April is not quite typical. It is in some ways, but a little more complicated. The biggest difference is that the antagonism lasts throughout much of the movie. For a while it gets suppressed and things look good. The conflict that all romance stories need comes not so much from secrets or misunderstandings as from the character himself.

I found the movie a little slow at times. Or maybe I should say deliberate. There is a place for that, but in this case, it didn't work for me personally. When the movie's story doesn't have any big hooks for me, I look to the relationship. In fact, in this genre, the relationship is always important. Because of the things I describe above, I didn't get invested in the relationship. Did I really want this for April?

BTW pet peeve: no texts, but at least two significant handwritten notes are too small and too quick to read for anyone without great eyes or without pausing. Why is this fault so common?

Magic In Mistletoe (2023) -

I liked the strength of Lyndie Greenwood as April, and she was witty and cool too, but I am starting to get tired of Paul Campbell as a leading man. His character of disgraced writer Harrington was a knob and took far too long to mellow or redeem himself. Perhaps Paul needs to take a different role within these films now? I've noticed his name as a screenwriter, maybe that could be his place going forward?

As the film started off I certainly thought that April would have been better off with "Harry's" best friend Chris (Oliver Rice) or even Lindsay (Amy Trefry), but I supposed that the point was for Harry to be a bit temperamental. I just felt that April deserved someone easier to deal with in the first place.

The concept of trying to rebuild someone's career after a badly thought out social media comment was very relevant in a world where cancel culture is rife and nobody ever seems to consider that maybe there was something else behind it, so I thought this look from the other side was on topic to balance the scales.

I did feel that they should have just asked Harry why he made the comment in the first place and maybe given him more of a chance to explain his sudden change of heart towards the season, perhaps pushed him to open up sooner.

And I do get annoyed when people hate on Christmas because they've lost someone. You should never do that and those that you lose would never want that. It seems like the stupidest reason to me.

Despite the fact that at the start I had been concerned by Mr. Campbell's involvement it did turn out to be quite a charming story and production in the end.

It was a mostly well put together piece and I liked the fact that they actually paid out for a decent amount of extras this time.

There was a bit too much of an obsession with Cinnamon though and I was hoping that April's final outfit/costume would have been a little bit nicer. His was definitely lame.

I wouldn't necessarily rush back to watch it again, because there are some absolute Christmas Crackers out there the deserve my time more, like have you seen 'Catch Me If You Claus' (2023) or 'To All A Good Night' (2023), but I wouldn't be annoyed if I did record it again in a few years time forgetting that I'd already seen it.

6.47/10.

After Campbell's hilarious Three Wise Men an a Baby I had high expectations on a fun quick-witted flick. The movie was unfortunately low on the comedy, higher on tropes.

The premise was slightly different than normally in Hallmark Christmas films, with the prickly novelist and the competent (and not bungling) PR person. This should've translated in more sparkly banter than there was.

Lyndie Greenwood's female lead was radiant, but Paul Campbell's character felt a bit bland in comparison: sympathetic, but not with the same energy levels. I couldn't really picture those two as a couple.

It was a pity that the novel they talked about sounded much more exciting than this movie.

The story is about Harrington, (Paul Campbell) a writer of bestselling Christmas fantasy novels that are based on his hometown of Mistletoe. After the death of his parents he has become a cynical recluse, he no longer believes in the magic of Christmas and views it as just a way for people to make money. He posts his feelings on social media which creates a lot of negative backlash. The timing couldn't be worse because it coincides with the release of his latest Christmas fantasy book. The publishing house sends a publicist, April (Lyndie Greenwood) to do damage control and save book sales and Harrington's career. Her plan is for Harrington to return to his hometown in order to restore his love of Christmas by showing him how much his books mean to his fans and also the town of Mistletoe. Harrington is anything but cooperative, and she threatens him with a lawsuit to make him cooperate. As April takes Harrington on a schedule of events coinciding with Mistletoe's Christmas Festival, she sees a softer side of him, and sees how the town really loves him. Harrington starts to warm up to what Christmas really means and also warms up to April too. However, several conflicts arise due to emotional memories from his past. The question is will Harrington overcome these obstacles and will his love of Christmas and trust in people be restored?

Lyndie Greenwood is a delight as the charismatic and always way too prepared April ( I'd like to see her in more Hallmark movies). Paul Campbell is perfect in the role of the the moody and cynical and wise cracking Harrington. Greenwood and Campbell have great chemistry together and the dialog is witty. The movie is a little slow paced at times, yes it's predictable, and the ending is a bit rushed. But overall, its an enjoyable and entertaining movie.

I know I sound like the grinch but this is the worst hallmark Christmas movie I've ever watched...my wife and I watch alot but this guy and the leading lady would never make it in the real world...he's flat and drab in acting and is way below her pay grade...no chemistry at all. Most of these movies are around 5 with an occasional 7...maybe cause I'm a guy but I watch alot of these and this one was a bomb...if the guy could be replaced with most dudes they use it actually might have a half life...and the script of getting upset with the leading lady twice proves to me he's a turkey and she needs to find a better human being.