National Theatre Live: Vanya

Wow. An amazing night in Liverpool. After seeing Vanya on stage I was not sure it would transfer to the big screen. How wrong I was. Andrew Scott's performance is as beautiful and heartfelt on screen as it was in the theatre. Watching it again transported me back to the theatre performance and the camera work brought the excellence of Scott's acting into sharp focus, I cannot remember what I paid for the theatre tickets but with train fares and other expenses it was in the hundreds. Full marks for the National Theatre for making this master class in acting and direction available to all, everywhere and at an affordable price. A must see. I am going again!

I've never seen anything like this before: Andrew Scott plays every role in an adaptation of Chekhov's Uncle Vanya and delivers an astonishing performance. One quickly becomes accustomed to the conceit of one actor utilising a multiplicity of gestures, inflections, body language and mannerisms to depict different characters; Scott's exceptional skills in carrying this off have to be seen to be fully appreciated.

The adaptation of Chekhov's material is expertly devised and although there are many, many laughs in this production, what really strikes home is the deep emotional intensity of the performance. Scott is in tears at several points and it is both heartbreaking and exhilarating to witness.

Anyone who has the slightest interest in the theatre should make it a point to catch this film. Wonderfully filmed, with expressive and thoughtful camera work, it is an undiluted triumph for all concerned.

Andrew Scott is earth-shattering in this extraordinary performance of Vanya, seamlessly morphing from one character to the next, until the only character in the play becomes an amalgam of all of the human tragedy and pain and anger and despair, in a myriad of embodiments. This is a performance like none I have ever seen. Every character becomes just a facet of a single creature, a hybrid of Vanya, and Sonya, and Alexander and all the rest. Andrew Scott is merciless in high-jacking your attention, and your emotions, your entire being, and submerging you inside this extraordinary Chekov tragedy. Andre Scott's acting is a gift for anyone taking the trouble to see.

Absolutely Stuning Performace.

Scott's portrayal is wry, confiding, often archly funny, and at times, wrenchingly sad. His ability to evoke deep emotions while maintaining the play's comedic elements is truly remarkable. This performance is a testament to Scott's extraordinary talent and a must-see for any theatre lovers.

Andrew Scott's portrayal in the modern rendition of Anton Chekhov's "Uncle Vanya" at the Duke of York's Theatre is nothing short of a theatrical marvel, showcasing why he is considered one of the greatest actors of his generation. Scott, who already has a remarkable career filled with iconic roles, delivers a performance that is both profoundly moving and breathtakingly brilliant.

Scott's ability to convey the complexities of Vanya's despair, frustration, and fleeting moments of hope is a testament to his extraordinary talent.

What makes Scott's performance stand out is his incredible range and his ability to inhabit not just Vanya, but the entire ensemble of characters. With minimalistic staging and simple costume changes, Scott transforms seamlessly between characters, each distinct and vividly brought to life. His transitions are so fluid and convincing that the audience is effortlessly drawn into the world of the play.

Scott's Vanya is a tragic figure, yet he infuses him with a wry humor that underscores the absurdity and futility of his plight. Scott's portrayal captures the essence of Chekhov's writing, balancing the tragedy with moments of comedy that feel authentic and raw.

The emotional depth Scott brings to his performance is nothing short of astonishing. There are scenes where his portrayal of Vanya's anguish and despair are so visceral that one can hear a pin drop in the theatre. Scott's face becomes a canvas for a myriad of emotions, each flicker of doubt, anger, and sorrow communicated with breathtaking clarity.

One particularly powerful scene is Vanya's confrontation with Professor Serebryakov, where Scott's intensity reaches its peak. The palpable tension and raw emotion during this confrontation are masterfully executed, leaving the audience at the edge of their seats. It's in these moments that Scott's brilliance truly shines, as he navigates the character's internal turmoil with both power and sensitivity.

Scott's impeccable timing and delivery make every line resonate with the audience. His interpretation of Chekhov's dialogue is both modern and timeless, breathing new life into the classic text. Scott's understanding of the rhythm and cadence of Chekhov's writing allows him to deliver lines with a natural ease that feels both spontaneous and meticulously crafted.

The comedic elements of the play are handled with a deft touch, and Scott's ability to find humor in the midst of tragedy adds a layer of complexity to the character of Vanya. His performance is a masterclass in balancing the light and dark elements of the play, making the audience laugh even as they empathize with Vanya's suffering.

Scott's "Uncle Vanya" is not just a performance; it is a singular theatrical experience that leaves a lasting impact on me. His ability to engage and connect with the viewers creates a sense of intimacy that is rare in large theatre productions. Scott breaks the fourth wall effortlessly, drawing the audience into Vanya's world and making them complicit in his journey.

The production's minimalistic set and lighting design serve to highlight Scott's extraordinary talent. With little more than a few props and subtle lighting changes, the focus remains squarely on Scott's performance. This stripped-down approach enhances the raw emotional power of the play, allowing Scott's interpretation to take center stage.

To enjoy this version of Uncle Vanya, two conditions are essential:

• to be familiar with Anton Chekhov play;
• to be familiar with Andrew Scott manner to build his characters - his Hamlet can be useful prepair -.

Because , at first sight, it is a provocative version- one actor plays all the characters . The manner to do that is not real surprising - the accent on humor sides of each character was present in other adaptations. And Mr. Scott knows to use each nuance in fair - precise manner, fair reminding the play itself and its versions.

But, obvious, it is only an experiment, perfect for Andrew Scott who use, in brilliant way, entire liberty offered by lines , meanings of words and context.

Iloved the final of play, maybe little strident in this case but beautiful crafted.

So, no doubts, Andrew Scott deserves his Vanya and this play is the precious pledge for it.