NOTE IMDb
5,9/10
13 k
MA NOTE
Après un tremblement de terre dévastateur qui transforme Séoul en territoire hostile, un chasseur intrépide se met en tête de sauver une ado enlevée par un médecin fou.Après un tremblement de terre dévastateur qui transforme Séoul en territoire hostile, un chasseur intrépide se met en tête de sauver une ado enlevée par un médecin fou.Après un tremblement de terre dévastateur qui transforme Séoul en territoire hostile, un chasseur intrépide se met en tête de sauver une ado enlevée par un médecin fou.
- Réalisation
- Scénario
- Casting principal
Earl Baylon
- Nam-san
- (English version)
- (voix)
Andrew Grace
- Sergeant Kwon Ji-hoon
- (English version)
- (voix)
June Angela
- Yeon-su
- (English version)
- (voix)
Liz Burnette
- Teacher
- (English version)
- (voix)
Avis à la une
The genre and style of this movie differs so much from Concrete Utopia, it should not be considered a sequel as much as a spin off. As such it should be evaluate on it's own rather than a comparison to Concrete Utopia.
While the predecessor was more of a allegory of understand humanity, this film is straight out an action thriller. For that it is pretty entertaining and will give you a night of fun with your friends.
The positive notes are the well choreographed fights, which are both fast yet clear. I especially like the incorporation of various techniques including boxing, martial arts, and wrestling. The gun fights scenes were very John Wickesque, with fast reaction, gun changing hands, load and reload.
The weak point is the plot, which is generic and cliche. However, that is expected in action films, the real issue is the creative elements which seems at time to be slow and confusing.
With a runtime of 1 hr and 48 mins, this film can easily be trimmed of 20 minutes for a smoother ride. Some fight scenes were a bit too extended that they become repetitive and some story elements were not necessary in complexity and can be eliminated.
Overall a 6 or 7. But I'll put 7 for the attempted effort in creativity of the plot device, which I will not state as a spoiler.
While the predecessor was more of a allegory of understand humanity, this film is straight out an action thriller. For that it is pretty entertaining and will give you a night of fun with your friends.
The positive notes are the well choreographed fights, which are both fast yet clear. I especially like the incorporation of various techniques including boxing, martial arts, and wrestling. The gun fights scenes were very John Wickesque, with fast reaction, gun changing hands, load and reload.
The weak point is the plot, which is generic and cliche. However, that is expected in action films, the real issue is the creative elements which seems at time to be slow and confusing.
With a runtime of 1 hr and 48 mins, this film can easily be trimmed of 20 minutes for a smoother ride. Some fight scenes were a bit too extended that they become repetitive and some story elements were not necessary in complexity and can be eliminated.
Overall a 6 or 7. But I'll put 7 for the attempted effort in creativity of the plot device, which I will not state as a spoiler.
Badland Hunters: A South Korean dystopian action film which is a sequel to the 2023 film Concrete Utopia , I missed Concrete Utopia and wasn't aware of it's existence until after I watched Badland Hunters. Maybe I would have gotten more context if I seen the originak film first but Hunters is entertaining. World destroyed by mega-earthquakes. Mad Max style settlements plagurd by bandits, a mighty hunter who fights them off. There's also a mad scientist who carries out weird experiments on humans and has an army od super soldiers. We also get to see fast moving quasi-zombies. There's a quest and battles, some good hand to hand fighting and dastardly decapitations. Not to be taken too seriously but it's a goodish SF B movie with a line of humour running through it. Directed by Heo Myung, Screenplay by Kim Bo-tong & Kwak Jae-min. On Netflix. 6.5/10.
Ma Dong-Seok is one of my favorite action stars, almost on par with Jason Statham in my books in terms of entertainment value. His work is usually very enjoyable (the badass punches in Round-up 2, some of the best I've ever seen) action + humor, like almost nobody else.
I was really looking fwd to Badland Hunters, but this turned out to be a let down. The plot is these action movies isn't usually anything new but this had a bunch of stuff going on that didn't add any value...? Action for the sake of it....tsk.
That said, others seem to like it, for a mix of all sorts of action. If you have nothing else to watch, maaaybe check it out? I'd much rather rewatch some of his older content.
I was really looking fwd to Badland Hunters, but this turned out to be a let down. The plot is these action movies isn't usually anything new but this had a bunch of stuff going on that didn't add any value...? Action for the sake of it....tsk.
That said, others seem to like it, for a mix of all sorts of action. If you have nothing else to watch, maaaybe check it out? I'd much rather rewatch some of his older content.
Badland Hunters combines a lot of familiar elements for a post apocalyptic adventure that pushes through any narrative issues with its brutal action and the fact that this is a surprisingly funny film. Despite all the mutant soldiers, gangs and a mad scientist, this is one of the most civilised wastelands put to screen and there's a lot of charm in that.
Ma Dong-seok is obviously very believable with his natural physicality and he has a subtle leading man charm. The best part of his performance is how he's never phased by any of the evil plans he uncovers or the unkillable antagonists he comes up against but a set of stairs knocks the wind out of him and the woman who's constantly flirting with him truly baffles him.
As a stuntman turned director, Heo Myeong-haeng offers further proof that former stuntmen are the best at shooting action sequences. Whilst some of the fights can be too hyper active, for the most part that kind of camera work really works here, accentuating the movements of the performers in a way that enhances every blow. Especially any punch from Ma Dong-seok himself.
Ma Dong-seok is obviously very believable with his natural physicality and he has a subtle leading man charm. The best part of his performance is how he's never phased by any of the evil plans he uncovers or the unkillable antagonists he comes up against but a set of stairs knocks the wind out of him and the woman who's constantly flirting with him truly baffles him.
As a stuntman turned director, Heo Myeong-haeng offers further proof that former stuntmen are the best at shooting action sequences. Whilst some of the fights can be too hyper active, for the most part that kind of camera work really works here, accentuating the movements of the performers in a way that enhances every blow. Especially any punch from Ma Dong-seok himself.
The latest SK actioner or the latest Don Lee trademark, that was the question beforehand. The good news: both. When he dominates the screen, the place rocks, as usual. But that's where the euphoria ends. "When he dominates the screen" is unfortunately not in the usual or desired rhythm. The post-apocalypse is, of course, based on pure CGI in the latest fast-paced filming, obviously. The story is rather hare-brained, nothing new, no aha effect. A half-baked mix of end times, dystopia, action, mad scientist, zombie horror, mutant horror and comedy elements. Half of the actors indulge in overacting. After all, such a crude mixture has a way of not being boring. And the gorehounds are also treated to a few brutal gore, especially in the finale. All in all, a can, not a must.
Le saviez-vous
- AnecdotesHeo Myeong-haeng's directorial debut.
- GaffesIn the overhead shot of the residents walking out of the building, four soldiers are standing at attention. However, as Su-na walks out and down the stairs there are now only three. Then in the next cut of Su-na talking to the commander and female host there are four guards again.
- ConnexionsFollows Concrete Utopia (2023)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Thợ Săn Hoang Mạc
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39:1
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