Bypass

Bypass is not the kind of movie I usually go to, but I'm glad I did. It is a gritty, compelling story about a boy trying to become a man, trapped within a society that marginalises and ignores him. He is trying to do good but outside pressure forces him into bad decisions which cause his life to spiral out of control.

The performances were all superb and the cinematography was impressive. It is a shame that it wasn't available in more theatres, for the beauty of the imagery may lose some of its impact on a small screen. That being said, I will be ordering a DVD when they become available, for this is a film I will want to rematch and share with friends. The film forces the audience to think and consider not only the lives of the characters on screen but their own as well. Post theatre discussions continued for hours. It is a rare film these days that makes the viewer think, and Bypass is one such film.

Is morality a luxury? Bypass provides the platform to reflect upon this. It's a film that at the moment may only be liked if the 'in crowd' say it's cool. It is cool. It's one of those films that in twenty years time film tutors will automatically suggest their more insightful students watch but why wait? It not only washes the viewer into its own world beautifully by its striking cinematography and sound score that slow dive may gleefully dive towards but more importantly it enables its viewer to think. It enables its viewer to ask why. It enables and instigates its viewer to empathize, really empathize, not feel moved then ten minutes out of the cinema lose the feeling and never remember why. Maybe that's too easy, maybe that's what society wants now, quick bursts of highs and lows with no consequence. Every action, even no action brings reaction. The question is, why aren't we pulling over and is morality a luxury? Personally I thought this film was one of the most important I've had the luxury of seeing for quite some time.

George MacKay is still stellar as always. He became that character. His hurt, guilt, confusion, sorrow are all very real in the film and guy feel it. Also his physical transformation as a youth with an undisclosed illness is so heartbreaking. You can see that he slimed down quite a bit to play the role. Unfortunately Duane's "poet/dreamlike/arthouse" sequences, lack of dialogue, lazy directing, terrible editing and drawn out visuals really take you out of the experience and emotion and it just works against the film. I get that the filmmakers wanted to convey the bleakness of it all in a very artistic fashion but it just didn't work story wise. Such a shame because George is such a talented actor.

Bypass does a brilliant job of illustrating the grim reality of what life is like when you don't have money. As the deadlines, debts and obligations mount we see the intense pressure put on Tim as he tries to hold his life together. Duane Hopkins' script shows how the UK is at a turning point, as being working class now is an aspiration rather than a reality for many.

Benjamin Dilloway & George MacKay's time together on the screen is a highlight as the two brothers with different personalities, the older street smart hard man & the younger naive innocent tackle the problems life throws at the family.

Chris Barwell's edit plays with space and time, giving a further sense of the lack of control the characters have over their lives.

A Q&A session with the producer directly after the screening just reinforced my view of the movie. It was very self indulgent and, for me, missed the mark. The film techniques were very obvious and very contrived. The random, untied threads, that came and went without particular reason were nothing other than irritating. The story was a straightforward one and the subject matter interesting. However "Bypass" neither went anywhere worthwhile, nor offered hope or engagement. Rather a disappointing offering. The only thing that made it worthwhile was George MacKay's performance. He clearly inhabited the character; the pity was that for the viewer we didn't get to see inside his head or heart (or maybe he didn't have one).