Ajouter une intrigue dans votre langueA merchant's daughter who divorces her family, starts a peony business with minister Jiang Changyang. Amidst political turmoil, she establishes women's shelters, supports Jiang's service, an... Tout lireA merchant's daughter who divorces her family, starts a peony business with minister Jiang Changyang. Amidst political turmoil, she establishes women's shelters, supports Jiang's service, and they develop a romantic relationship.A merchant's daughter who divorces her family, starts a peony business with minister Jiang Changyang. Amidst political turmoil, she establishes women's shelters, supports Jiang's service, and they develop a romantic relationship.
- Récompenses
- 2 victoires et 2 nominations au total
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Zi Yang
• 2025
Xian Li
• 2025
Zheming Wei
• 2025
Yaqin Zhang
• 2025
Jie Dong
• 2025
Mengshi Tong
• 2025
Songyan Tu
• 2025
Mengchen Shen
• 2025
Yue Guan
• 2025
Adeline Xu
• 2025
Miao Tian
• 2025
Yinyue Liao
• 2025
Kun Yang
• 2025
Zicheng Gu
• 2025
Yun Shao
• 2025
Si-si Chen
• 2025
Hanjin Ni
• 2025
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Originally, I was intrigued by the premise of this drama and had high hopes for it. However, the leading actress's makeup was too heavy, and during the emotional scenes, I couldn't help but think of "Lost You Forever" because her acting was strikingly similar. It became so apparent that it was hard for me to enjoy the performance. Additionally, it seems that crews specializing in ancient idolized love dramas struggle to handle business-themed narratives effectively. The plot often feels trivial and overly drawn out, leading to increasing boredom. Furthermore, dramas with female protagonists are becoming standardized and formulaic, which is very similar to other dramas. The pacing is slow and the lack of novelty. The characters' interactions feel stiff and difficult to relate to.
This series truly stands out with its highlights. Unlike other costume dramas, it adopts a bold and unique approach to costumes and makeup. It shuns the extravagant and unrealistic styles typical of ancient immortal dramas, instead focusing on a faithful representation of the attire found in cultural relics. From the characters' hairstyles and makeup to the intricate patterns and styles of their clothing, the presentation masterfully captures the essence of the Tang Dynasty. The creators have also meticulously crafted the settings. In the night scenes, the soft glow of oil lamps creates a captivating ambiance, while the muddy streets effectively transport viewers back to that era. However, despite my appreciation for these artistic choices, I have some reservations about the character portrayals. I find Yang Zi's acting lacking, especially when compared to Li Xian, who clearly outshines her performance.
Apparently, too many fans have come here just to hate Yang Zi. FLOURISHED PEONY is an excellent drama! Don't listen to other if you haven't even try to watch this. Flourished Peony has a strong start. It excels in every aspect, whether it's the pacing, storyline, character design and performance, historical setting restoration, OST, or cinematography. It's TANG DYNASTY. It is truly a masterpiece!
From kneeling and begging for help, to the shock of being exposed, then breaking down in tears confiding in Yulu, and finally erupting in anger and despair upon hearing Liu's father and Liu Chang, exclaiming, "She is not my servant; she is my sister!"-it was all seamless and absolutely perfect. The emotional transitions were executed flawlessly, and Yang Zi's acting is truly the biggest draw of the show. It's so moving; I was completely wrecked and in tears.
Also, passerby's reflection on the depiction of the sensitive topic of domestic violence in #FlourishedPeony and how it reflects the limited protection of women's rights during the Tang Dynasty
"Every word and every action of He Weifang is not to magnify the helplessness of the victims, but to let the audience see the resistance and rebirth after violence. This writing style is not divorced from the historical truth, but also shows the rare modern progress."
Yang Zi's drama will always assure you one thing, SHE WILL NEVER DISAPPOINT YOU when it comes to acting. Sometimes the script aren't that good but it will always be her who will keep the audience watching. When you see her act, you'll want more and more from her. Now that she have her own studio, she can choose whatever drama she wished to be in to. Also, never undestimate her as an actress. Even her "Love Endures" did great despite the lack of promotion and was aired in different countries TV including South Korea and trended on SNS when the twists happened. How versatile Yang Zi is what makes the viewer hooked and stay.
From kneeling and begging for help, to the shock of being exposed, then breaking down in tears confiding in Yulu, and finally erupting in anger and despair upon hearing Liu's father and Liu Chang, exclaiming, "She is not my servant; she is my sister!"-it was all seamless and absolutely perfect. The emotional transitions were executed flawlessly, and Yang Zi's acting is truly the biggest draw of the show. It's so moving; I was completely wrecked and in tears.
Also, passerby's reflection on the depiction of the sensitive topic of domestic violence in #FlourishedPeony and how it reflects the limited protection of women's rights during the Tang Dynasty
"Every word and every action of He Weifang is not to magnify the helplessness of the victims, but to let the audience see the resistance and rebirth after violence. This writing style is not divorced from the historical truth, but also shows the rare modern progress."
Yang Zi's drama will always assure you one thing, SHE WILL NEVER DISAPPOINT YOU when it comes to acting. Sometimes the script aren't that good but it will always be her who will keep the audience watching. When you see her act, you'll want more and more from her. Now that she have her own studio, she can choose whatever drama she wished to be in to. Also, never undestimate her as an actress. Even her "Love Endures" did great despite the lack of promotion and was aired in different countries TV including South Korea and trended on SNS when the twists happened. How versatile Yang Zi is what makes the viewer hooked and stay.
In costume dramas, it's easy to miss important points. The female main character often goes through a lot of suffering that leads to tears, but not many moments create real emotion. Instead, the story relies heavily on suffering rather than meaningful character development.
The predictable plot and weak performances get a lot of praise, but they are confusing and uncomfortable to watch. The excitement around the series makes it hard to enjoy; each episode feels more like a task than fun. I want more depth and authenticity, but instead, I find an experience that only increases my discomfort. It's stressful.
The predictable plot and weak performances get a lot of praise, but they are confusing and uncomfortable to watch. The excitement around the series makes it hard to enjoy; each episode feels more like a task than fun. I want more depth and authenticity, but instead, I find an experience that only increases my discomfort. It's stressful.
The film boasts an impressive texture from start to finish, captivating viewers with its striking visuals. Each scene is enriched by a beautifully crafted setting that immerses the audience in the enchanting world of Flourished Peony, where vibrant flowers bloom and stunning landscapes unfold. However, despite these aesthetic strengths, Yang Zi's performance falls short of the emotional depth the drama requires. Her portrayal lacks the nuance and expressiveness needed to fully engage the audience, particularly due to her technologically enhanced appearance, which seems to restrict her range of facial expressions. Furthermore, the storyline feels predictable and dull, lacking the originality to elevate the drama beyond visual allure.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Flourished Peony
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