Apocalypse sous les tropiques

From beginning to end, I felt something I hadn't felt in a long time. This documentary brought back memories of the terror Brazil experienced for four years under the previous administration and how we cannot allow that to happen again. It's easy to understand and the narrative is very easy to understand. Petra did a job that many will say is fabricated, but it's the naked truth that needs to be shown to the world, but mainly to show how capable Brazil is of evolving and achieving justice, and that no other country should blackmail an entire nation. Assista e aproveite a história sendo contada.

What an incredible film by Petra Costa! I have to admit, it took me by surprise. I'd read somewhere that it was about the January 8th riots. Nothing could be further from the truth. The events of January 8th only appear in the final 10 minutes of this nearly two-hour film. Instead, it's a deep dive into the role of evangelical Christians in Brazilian politics-specifically, their influence in Jair Bolsonaro's election and their later involvement in radicalization and the attempted coup.

I was expecting something dry and tedious, but what I found was a humble and insightful narrative.

This film far surpasses *The Edge of Democracy*.

Timely and absolutely essential.

First of my twenty films at the 48th São Paulo Film Festival, Apocalypse in the Tropics delivers more than its predecessor, The Edge of Democracy, in addition to consecrating (to keep with the theme) Petra Costa's pair of historical documentaries as masterpieces of Brazilian audiovisual.

In The Edge of Democracy, Petra's life is parallel to democracy in Brazil, and this makes her a co-protagonist of this national story, that goes from Juscelino to Bolsonaro. Here, in Apocalypse, the documentarist initially admits that she is not an expert on Paul or John of Patmos, and she wisely lets the story be told through the eyes of other figures. Some popular figures here and there get lost in a narrative that would gain more strength from their point of view, as the real highlight is the fearsome pastor Silas Malafaia. Using political terms to comment on your church, and religious terms to comment on democracy, Malafaia walks and rules at Alvorada, to the point of repeating Bolsonaro's speech, so that the president would not forget what he had to say, what Malafaia ordered him to say.

Four years of inadmistration are summarized, so that the projection does not become "look, gringo, how we suffered", but rather "look, Brasil, what you went through to get here", and by "here" I mean the real apocalypse.

I loved starting the Festival with this film, I would have liked to have enjoyed it more without the pressure of not catching the train to get home (obrigado, meu amor, por ter me ajudado, sem você isso não teria sido possível). Petra Costa, do more! Brazil will never tire of producing material for your filming (only criticism: Cabo Daciolo was missing, who made a cameo at the beginning of the film, back in 2016, and didn't even say "glória a deux!").

This is a very difficult but very necessary movie, which shows us upfront the destructive foolishness of allowing Christianity to dictate politics, and of enabling dangerous authoritarians to represent people.

Brazil has been - and still is - saddled with multitudes of delinquents with Christian discourse. There is no upside to that obscenity, and we all must strive to get rid of that disease.

The movie is a bit tedious, for sure. So much of what it shows we have painfully watched happens with our own eyes. But perhaps not enough people have the integrity to remember what has happened and how fiercely it must be stopped and corrected.

The new Netflix documentary "Apocalypse in the Tropics" is a chilling, close-up look at Christian Nationalism on the rise, this time in Brazil, which is reckoning with its own version of January 6. With an eerie score, pointed narration, and unnervingly intimate footage, the doc takes you into the backrooms where power, faith, and fascism collide. What's most striking is that unlike the U. S., Brazil seems willing to hold its would-be coup plotters to account. As an American who lived through a real military coup in Thailand, I found this film deeply unsettling and terribly relevant. Watching from abroad, it's impossible not to see the parallels: attacks on democratic institutions, judicial overreach, corporate complicity, and a twisted gospel that weaponizes religion to control women, demonize LGBTQ+ people, and ignore the poor, the sick, and the stranger. This isn't just a Brazilian problem; it's a global one and it may already be too late. This doc is highly recommended and honestly, it's Code Red for democracy everywhere.