Apocalypse sous les tropiques

This is the stark reality shown to the world. The photography is fascinating beyond its narrative, congratulations!

You can see Petra Costa's dedication to her research in the documentary, even though she brings her vision among the facts shown, she still shows partiality in many cases.

I hope that in this way, with this film by Petra Costa, we Brazilians can learn to be open-minded and that from now on we can open our eyes. Conservatism destroys, we know very well what happened to Germany and its conservatism in 1939.

This document deserves to be seen, not only as a film, but as an account of a nation in trouble!

"Apocalypse in the Tropics" is a powerful and timely documentary that bravely explores the alarming rise of religious fundamentalism within the political sphere - a phenomenon with deep and troubling implications for democracies around the world, especially in countries like Brazil. With her signature sensitivity and courage, Petra Costa delivers a work that is both urgent and poetic, peeling back layers of ideology to reveal how faith, when co-opted by power, can erode institutions and threaten civil liberties. This film is not just a warning - it's a vital act of resistance. Petra once again proves why she is one of the most essential voices in contemporary documentary cinema.

Petra Costa revisits political themes in her new documentary, Apocalypse in the Tropics. This time, the director and screenwriter sheds light on the historical rise of evangelical leaders in Brazilian politics and their impact on the Rule of Law.

Divided into five chapters, carefully inspired by the Bible, the film is a bold, urgent, and at times unsettling portrait of a pendulum nation-one that signals theocracy and flirts with dictatorship, yet boasts one of the most progressive constitutions in the world. An emblematic moment (and perhaps the insight that sparked the production of the film) occurs when the filmmaker is gifted a Bible by a democratically elected congressman inside the Chamber of Deputies.

Once again, Petra exposes her traumas (as she did in Elena and The Edge of Democracy) in a visceral yet beautiful, masterful, and deeply sensitive way.

As a documentary that explores deep religious-political issues, it's no wonder that there will be (and there are already) lots of negative comments about it. However, Brazil (like many other countries) has been split open in two halves of the political spectrum for quite some time now. But what we see in this film (and in Petra's previous one) is that, in Brazilian history, it was always the right wing that resourced to violence to force their ideals. When open violence was no longer an attractive tool, they turned to religion, offering easy, messianic tools to promise solutions to a struggling people often failed by democratic institutions. The poorly educated masses of Brazil are easy prey to evangelical-politician hawks who, deep within, care a lot about their pockets but nothing at all about their flock.

Brazil was never meant to be a country built for itself and its people, and we can see the results now.

What an incredible film by Petra Costa! I have to admit, it took me by surprise. I'd read somewhere that it was about the January 8th riots. Nothing could be further from the truth. The events of January 8th only appear in the final 10 minutes of this nearly two-hour film. Instead, it's a deep dive into the role of evangelical Christians in Brazilian politics-specifically, their influence in Jair Bolsonaro's election and their later involvement in radicalization and the attempted coup.

I was expecting something dry and tedious, but what I found was a humble and insightful narrative.

This film far surpasses *The Edge of Democracy*.

Timely and absolutely essential.