Une bataille après l'autre
Titre original : One Battle After Another
Lorsque leur ennemi juré refait surface après 16 ans, une bande d'anciens révolutionnaires se réunit pour sauver la fille de l'un des leurs.Lorsque leur ennemi juré refait surface après 16 ans, une bande d'anciens révolutionnaires se réunit pour sauver la fille de l'un des leurs.Lorsque leur ennemi juré refait surface après 16 ans, une bande d'anciens révolutionnaires se réunit pour sauver la fille de l'un des leurs.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 5 victoires et 35 nominations au total
Dijon Duenas
- Talleyrand
- (as Dijon)
Brooklyn Demme
- Sober Rick
- (as Brooklyn Trueheart Demme)
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Résumé
Reviewers say 'One Battle After Another' is a groundbreaking cinematic experience that pushes boundaries and challenges conventions. Many praise the film for its daring and relevant themes, exceptional performances, and unique blend of political intrigue, thrilling action, and dark comedy. The standout performances by the cast, including Leonardo DiCaprio, Teyana Taylor, Sean Penn, and Benicio del Toro, have been particularly highlighted for their depth and emotional impact. Reviewers also commend the film's exceptional technical execution, including its cinematography, soundtrack, and innovative use of VistaVision. While some users noted the film's unconventional tone and pacing, most agree that it pays off in the second half, culminating in a gripping and memorable finale. Overall, reviewers celebrate ‘One Battle After Another’ for its artistic vision, technical prowess, and thought-provoking storytelling, making it a standout film of 2025.
Avis à la une
Engaging, but not as impressive as I expected
The film kept my attention and I genuinely enjoyed watching it, but I walked away feeling like something was missing. I'm still not sure why critics are so ecstatic about it - it's a solid piece of work, just not exceptional in the way the reviews suggest. I don't regret the time spent, yet I don't feel any desire to rewatch it either.
Over hyped - yes. Excellent movie - also yes
Luckly, I haven't read a word about this movie before watching it. Came fresh and got what I knew I am going to get - a Paul Thomas Anderson's film, with all the elements that are tied to this director's creations. He is not my favorite director, and I'm pretty divided regarding his filmography.
One thing that I can say about Paul Thomas Anderson is that his movies stick. Makes me think and are almost always enjoyable. Well, not all of them. There are "Inherent Vice" that made me suffer and also "The Master" I didn't like. And yes, Paul Thomas Anderson's films are always long.
This one is also a long one and not necessarily needed to be that long, but it is one of those things I can live with, because this time his movie is absolutely great. It is not great like the movie critics say it is. It's not perfect and sometimes it feels too stuffed with allegories and subjects that Paul Thomas Anderson tried to get inside, but other then all of those...yeah...it's that good.
It is like America's political atmosphere started to use drugs, from both kinds. Downers and uppers. There are two main characters that are performed by Leonardo DiCaprio and Sean Penn and are representing each one of drugs types. One is pumped and violent and the other is a suspicious stoner, that is sometime very mellow and sometimes paranoic.
Other then that Paul Thomas Anderson talks about America, about treatment to foreigners and especially those who tries to blend in America. He speaks about the fact we all belong to places, culture and personal identity we get from our family and our close (and also not that close) environment.
Everything Paul Thomas Anderson does in this movie is fabulous. Camera work is sensational, the musical score is almost perfect and stressful, and the final car chase scene is one of the best thing I've seen in any movie lately. The best part, off course, will be the actors choices.
What more can we say about Leonardo DiCaprio and his performances? Nothing else. All was already been told. He is perfect. Give him another Oscar. Sean Penn is absolutely terrifying in one of his best performances of latest years. Benicio Del Toro maintained his acting vibe from 'The Phoenician Scheme' and young Chase Infiniti stole everyone's thunder.
This movie gets the jog done. It is interesting, well made and acted and especially very unique, though also very stuffed. I am so happy I managed to enjoy this one without caving into the hype machine around the web. Is stood by itself and made my experience just great and it is another one by PTA that I will remember as one of the better ones.
One thing that I can say about Paul Thomas Anderson is that his movies stick. Makes me think and are almost always enjoyable. Well, not all of them. There are "Inherent Vice" that made me suffer and also "The Master" I didn't like. And yes, Paul Thomas Anderson's films are always long.
This one is also a long one and not necessarily needed to be that long, but it is one of those things I can live with, because this time his movie is absolutely great. It is not great like the movie critics say it is. It's not perfect and sometimes it feels too stuffed with allegories and subjects that Paul Thomas Anderson tried to get inside, but other then all of those...yeah...it's that good.
It is like America's political atmosphere started to use drugs, from both kinds. Downers and uppers. There are two main characters that are performed by Leonardo DiCaprio and Sean Penn and are representing each one of drugs types. One is pumped and violent and the other is a suspicious stoner, that is sometime very mellow and sometimes paranoic.
Other then that Paul Thomas Anderson talks about America, about treatment to foreigners and especially those who tries to blend in America. He speaks about the fact we all belong to places, culture and personal identity we get from our family and our close (and also not that close) environment.
Everything Paul Thomas Anderson does in this movie is fabulous. Camera work is sensational, the musical score is almost perfect and stressful, and the final car chase scene is one of the best thing I've seen in any movie lately. The best part, off course, will be the actors choices.
What more can we say about Leonardo DiCaprio and his performances? Nothing else. All was already been told. He is perfect. Give him another Oscar. Sean Penn is absolutely terrifying in one of his best performances of latest years. Benicio Del Toro maintained his acting vibe from 'The Phoenician Scheme' and young Chase Infiniti stole everyone's thunder.
This movie gets the jog done. It is interesting, well made and acted and especially very unique, though also very stuffed. I am so happy I managed to enjoy this one without caving into the hype machine around the web. Is stood by itself and made my experience just great and it is another one by PTA that I will remember as one of the better ones.
Disappointed
Went to see the movie because of the cast, but the promise, the delivery, and the highly confusing message was disappointing. No coherence anything at all, ended up walking out before the end.
-The movie seems to glorify revolution but "not really" and for no apparent reasons.
Would not recommend.
-The movie seems to glorify revolution but "not really" and for no apparent reasons.
Would not recommend.
I got confused
Yes , during the movie i did kinda get confused in wtf is going on. But the actors in this were top shelf epic. *applause* they made the movie. The script or how they showed this. I really dont know. Maybe thats what the movie did, made us think. But i do have to say, the ending was a great one.
Its worth watchin 8/10.
Its worth watchin 8/10.
This movie belongs to Sean Pean!!
The movie "One Battle After Another", in summary, is about a former revolutionary on a mission to save his missing daughter. Directed and co-written by Paul Thomas Anderson, it's a thrilling political action flick that really shows off, once again, his talent for both writing and directing. However, the movie isn't consistent in its construction; at times it's unconvincing, and other times it feels unfocused. More than once, I had the same reaction I did with last year's "Emilia Pérez": a wildly original story that often seems to jump around without much logic, where anything can happen.
The whole movie basically belongs to Sean Penn as Col. Lockjaw. He totally steals the show with a character who's creepy, unhinged, and downright disturbing.
Like "Emilia Pérez", it's one of those stories you're either into from the start or you just don't care about at all.
The whole movie basically belongs to Sean Penn as Col. Lockjaw. He totally steals the show with a character who's creepy, unhinged, and downright disturbing.
Like "Emilia Pérez", it's one of those stories you're either into from the start or you just don't care about at all.
Why Leo Wants You to Go to the Movies
Why Leo Wants You to Go to the Movies
Leonardo DiCaprio and his One Battle After Another co-stars worship Paul Thomas Anderson and talk about why their film is best experienced communally on a big screen.
Bande-son
Écoutez un extrait de la bande originale ici et continuez à l'écouter sur Amazon Music.
Le saviez-vous
- Anecdotes"Green Acres, Beverly Hillbillies, Hooterville Junction" are lyrics from Gil Scott-Heron's song "The Revolution Will Not Be Televised," which is heard in the film. Each is a reference to a popular 1960s TV series, Hooterville being the fictional community in Les arpents verts (1965) and Petticoat Junction (1963).
- GaffesBob keeps a 1G phone for security purposes. 1G networks were all phased out in the US in the early 2000s. The phones would not work in any era that also had iPhones.
- Citations
Col. Steven J. Lockjaw: I believe she was a sperm thief.
Sandy Irvine: A semen demon.
- Crédits fousAt the end of the credits there is a dedication to producer and assistant director Adam Somner with a photo and sound from a set.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Una batalla tras otra
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 130 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 70 612 905 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 000 387 $US
- 28 sept. 2025
- Montant brut mondial
- 202 212 905 $US
- Durée
- 2h 41min(161 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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