Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
IMDbPro

Silence of the Prey

  • 2024
  • 1h 37min
NOTE IMDb
3,8/10
303
MA NOTE
Silence of the Prey (2024)
Horreur

Dans un effort désespéré pour assurer un avenir à son enfant, une mère immigrée sans papiers accepte un emploi de concierge. À son insu, l'homme âgé cache une horrible vérité.Dans un effort désespéré pour assurer un avenir à son enfant, une mère immigrée sans papiers accepte un emploi de concierge. À son insu, l'homme âgé cache une horrible vérité.Dans un effort désespéré pour assurer un avenir à son enfant, une mère immigrée sans papiers accepte un emploi de concierge. À son insu, l'homme âgé cache une horrible vérité.

  • Réalisation
    • Karyna Kudzina
    • Michael Vaynberg
  • Scénario
    • Karyna Kudzina
    • Saro Varjabedian
  • Casting principal
    • Monte Bezell
    • Michael Doyle
    • Lorianna Izrailova
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,8/10
    303
    MA NOTE
    • Réalisation
      • Karyna Kudzina
      • Michael Vaynberg
    • Scénario
      • Karyna Kudzina
      • Saro Varjabedian
    • Casting principal
      • Monte Bezell
      • Michael Doyle
      • Lorianna Izrailova
    • 19avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos23

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 19
    Voir l'affiche

    Rôles principaux8

    Modifier
    Monte Bezell
    Monte Bezell
    • Andres
    Michael Doyle
    • Brandon
    Lorianna Izrailova
    Lorianna Izrailova
    • Mary
    Karyna Kudzina
    Karyna Kudzina
    • Nina
    • (as Karina Bezell)
    Chris LaPanta
    • Luther
    Rebecca Packer
    Rebecca Packer
    • Anna
    Tim Shelburne
    Tim Shelburne
    • Justin
    Brandon Soto
    Brandon Soto
    • Illegal Immigrant
    • Réalisation
      • Karyna Kudzina
      • Michael Vaynberg
    • Scénario
      • Karyna Kudzina
      • Saro Varjabedian
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    3,8303
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    6tchitouniaram

    Not good , but not as bad

    Not very good , but not as bad as the rating suggests ))) My point is simple : if I watched the film to the end and didn't spend significant amount of time on the phone either ) It means , that the film was reasonably captivating ... Story was used before many times , acting definitely amateurish , effects are half decent , but , to be reasonably objective , I can not judge it too harshly : for a very simple reason , this is a first attempt of this team to produce a movie .And that fact alone , makes me wonder what they will do with bigger budget and better actors ?Overall , not a must see , for sure , but ok for a one time watch.
    9beryozkadesign

    Ohhhh brrrr!

    Honestly, I just signed up on this platform to leave a review because this movie just won't let me rest! I lived in Belarus for a while, and it was especially fun to recognize familiar places and the atmosphere, though the movie itself is far from 'fun' 😂. It seriously got on my nerves! The plot is super intense at times, gave me chills, and that guy in the costume with horns - absolutely terrifying! Every time he showed up, I almost jumped out of my seat! 😱 But at the same time, everything is shot so well, visually it's amazing. I'm giving it 9 out of 10, because there were a couple of moments that could have been developed more, but it's still a solid film! Now I'm just sitting here, trying to process what I just watched 😅.
    7Reviews_of_the_Dead

    Poignant Message and Creepy Atmosphere

    This a movie that I got the chance to see via screener takes to Shirly from Studio Dome / The Horror Collective. I was looking through the press material and seeing that this was horror, I was down. This being a 2024 release was something else working in its favor. Other than that, I came into this one blind.

    Synopsis: in a desperate bid to secure a future for her child, an undocumented immigrant mother takes a caretaker job. Unbeknownst to her, the elderly man conceals a horrifying truth.

    We start this off with a car traveling down a road going through the woods. Mary (Lorianna Izrailova) is driving. She is giving background information to where she is taking Nina (Karyna Kudzina) and her daughter, Isabella. These two are from Belarus. It sounds like they fled to America as Nina spoke out against the government so she would be imprisoned. Mary is taking her to a place where they put undocumented immigrants until they get on their feet. There are good number who come through here.

    There is an odd scene where they stop off and we hear a scream in the distance. I wasn't sure if this was human or a dog. We do see someone flee out of the woods, forcing Nina and Isabella back to the car. A group follows this person from the woods. Mary gets them started once again.

    They arrive then at the cabin belonging to Luther (Chris LaPanta). We learn about him and how his family has lived here for generations. They came over with the pilgrims. Luther's ancestor, with others, created this settlement known as New Plymouth. They were stricter with their beliefs so that caused them to break away. Luther lives off the land and his place doesn't have all the basic amenities you'd expect. There is a wrinkle here. He doesn't allow people with children to stay with him. Mary asks for an exception here. This older man does agree.

    We then see Nina and Isabella settle in. There are growing pains as Nina looks or touches things that she shouldn't. Luther is stern with her. Things do take a turn when Andres' (Monte Bezell) car breaks down and he needs help. When he first showed up, Luther went into town. Nina flees into the house with her daughter to hide. Andres shows up again later and is knocked out by Luther. He doesn't trust outsiders but relents hearing Andres' story. It will take time to fix his car, so he allows him to stay. Luther plans a party to invite his neighbors and friends over. It is from here we see the truth of their way of life and things that Nina has been seeing.

    That is where I'll leave my recap and introduction to the character. Where I want to start is that I like the set up here. I'm not an expert by any stretch, but I did pick up on things through this opening dialogue between Nina and Mary. Then I noticed things that Luther said. I won't reveal what I thought, but what I will say is that the alternate title to his is Harvest. There were cool images used that I was a fan of. It also made me think of mythology of rural areas like this that works as well.

    Now that I've set those aspects up, let me delve into what I can. Nina is an undocumented refugee fleeing to the United States for political reasons. She has a daughter, so she needs to be careful. She is a bit too trusting, but there's not a lot she can do either. This is something that she talks to Andres about, who is also an immigrant to the US. What I'll say here is that this is poignant to the times. Nina is white and from Eastern Europe. There is a bit less racism when it comes to Luther and his friends. They still don't understand the difference between Ukraine, Belarus and Russia. I found that interesting. The idea of undocumented individuals is a hot button topic as well, regardless of where they're from. I should also end this section by saying that it is interesting that Kudzina co-directed, co-wrote and stars in this. It makes me think she is pulling from stories that she knows as this is claiming to be based on a true story. I wonder how much of this specific movie is true. There is text at the end about people going missing, especially undocumented individuals. I'd bet that is where realism comes from.

    I think then I'll shift over to Luther and his friends. We get the idea from the first time we meet him that there's something off about him. LaPanta does well at giving us that there is anger there. He is doing a nice thing for Nina and her daughter. I can't hate him for expecting certain things. For most of what we see, it isn't bad. Where I have problems is this tea that he is giving her that makes her drowsy. She doesn't want to take it. What is good is that it does seem to cure this cough that she can't shake. It makes you question what we're seeing. As this goes on though, we see there are racist beliefs that Luther along with Brandon (Michael Doyle), Anna (Rebecca Packer) and Justin (Tim Shelburne) share. They also might be a cult that do rituals as well. I thought LaPanta was great here and these other cast members round out what you'd expect of his group.

    Since I'm not going to spoil things, I'll shift over to the rest of the cast. There isn't much here. The little girl who takes on the role of Isabella is good. She doesn't fully understand what is happening around her which felt real. Bezell is good as this 'forbidden fruit' to tempt Nina. She wants to leave with Andres, but without knowing the truth, she feels indebted to Luther. That felt real as well. I also thought that Izrailova and the rest of the cast rounded this out for what was needed.

    All that is left then is filmmaking. I thought that the cinematography was good. They set up that this cabin is in the middle of nowhere. With the help of Andres, we know that there are few people close by and it isn't easy to get away. I also believe that things that happen could be due to that isolation as well. I like the fuzzy focus we get when Nina is drugged. That was a good touch to simulate what she is seeing and feeling. We don't get a lot in the way of effects, but we don't necessarily need them. There is great masks and things worn using deer skulls as well as antlers. I like that aspect. That worked what was needed. The soundtrack also works for what was needed.

    In conclusion, I rather enjoyed what this movie was doing. This is going to be dated bringing up the war in Ukraine, but I like how they correlate to this group here in the US. We have an interesting commentary on immigrants and how people like this can disappear if they aren't careful. There are stakes with Nina and her daughter being taken in by a man they don't fully know in Luther. I thought that this was well-made. There are elements that are a bit generic and I don't know if this one is enough to fully stand out amongst them. I still enjoyed my time here. The isolated feel was great along with things they did with the cinematography and framing. I'd recommend giving this a viewing if the things that I've said pique your interest as this was a decent independent film.

    My Rating: 7 out of 10.
    7jmarques-24218

    This movie was relevant and still underrated

    I have watched big budget films 90 minutes long that were so unbearable and boring I had to skip through them to get to the end. This film appeared to be low budget, one location and tight. I believe the main character was also the writer. I watched the entire film it was truly a horror story had all the elements. Watch it. It was well written well acted.overall well done. Why does this have to be so long what more do I have to say. I don't understand why it got so many bad reviews the acting was great I recommended to friends and most people that are into horror liked it but had questions....end.
    3panta-4

    Boredom will kill you before anything else!

    I chose to watch it as it was available for free and because the poster was not too bad. Written by Karyna Kudzina and Saro Varjabedian, the movie's plot was predicated on dubious assumptions - at the end credits there was the information about 85,000 missing children but this movie does not make chidren even a subject of discussion! Perhaps missing someone else... like mothers, could be relevant for the story! Even though the story moved at a very slow pace, it ended up being just watchable - that is, if you could get beyond how boring it was! The lack of anything really exciting or frightening made watching "Silence of the Prey" a bit tedious.

    Vous aimerez aussi

    Bag of Lies
    3,8
    Bag of Lies
    You Can't Run Forever
    4,5
    You Can't Run Forever
    New Life
    5,6
    New Life
    Menace en eaux profondes
    4,1
    Menace en eaux profondes
    Les Intrus
    4,6
    Les Intrus
    Humane
    5,5
    Humane
    La Dernière Plongée
    4,7
    La Dernière Plongée
    Deadbolt
    4,6
    Deadbolt
    Lowlifes
    6,2
    Lowlifes
    Sting
    5,7
    Sting
    Last Straw
    5,5
    Last Straw
    Les Guetteurs
    5,7
    Les Guetteurs

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Citations

      Andres: Don't kill me with this kindness.

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 14 mai 2024 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Amazon
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Saagi vaikimine
    • Société de production
      • Savant Artists
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 300 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.