Good One

India Donaldson makes a smooth, clever, and captivating indie film debut that I thoroughly enjoyed. In just 90 minutes, she weaves a story about three characters that seems straightforward at first glance, but it's so sharp and engaging that you might not catch the deeper layers unfolding beneath the surface.

Sam (Lily Collias) is a sensible seventeen-year-old gearing up for a camping trip with her dad, his best friend, and his friend's son, who's around her age. When a last-minute argument causes the son to bail, Sam ends up alone with the two older guys on their wilderness adventure in upstate New York. As a grounded young woman on the brink of adulthood, she takes the good-natured teasing from the men in stride, but as the trip goes on, the dynamics shift, revealing more about who these men really are.

Though the two men don't often check in on Sam's feelings, they seem decent enough. Chris has always supported his daughter's queer identity, and she keeps in touch with her girlfriend whenever she can get a signal. Matt tells Sam she's wise beyond her years, calling her a rare "good one" compared to other reckless teens.

Scene by scene, Donaldson skillfully reveals the underlying dynamics, aided by the remarkable performance of Collias. For such a young actress, she brings incredible depth to Sam. As the relationships evolve, her introspection shines through, often conveyed more through her gestures and body language than through dialogue, showcasing a level of confidence and skill that's impressive for her age.

A quiet yet powerful film!

This is a movie worth seeing without being unforgettable. The lead actress portraits her role excellently and the story has a nice reflective pace. There are some attempts to give depth to the other two characters, the dad and his friend, however despite their efforts to sound deep and complex, their interactions end up being lame and basic, due to their limited mindsets and stereotypical 'manly' existential struggles that do not show a glimpse of real self-awareness.

To all the reviews disliking the movie because it's 'too feminist' or negatively biased towards men, as a woman I would like to express that if you were one, you'd be very familiar with these dynamics since an even much earlier age than 17yo, no matter where/how you grew up. You'd be shocked to learn how often these weird interactions happen to all girls and women in the most random contexts, and from people you would never expect. I'm not saying all men are like this thankfully, but it's still too many. I hope this movie stimulates a real reflection on the normalisation of these dynamics in women's experiences.

Good one dad... Not... I liked the subtlety of the facial expressions, the many close-ups, the hints, the looks. When will we be able to stop tiptoeing around men's fragile egos? It's not like they return the favour or care whatever we feel. We're just being emotional or crazy.

This deserves more recognition. It's a precious little gem. I'm sure it's not everybody's cup of tea but I think most women will appreciate what it's trying to say.

I'm starting to feel I might be blessed for not spending that much time with my dad as a kid, if at all. I would have hated being around all this. Although I've witnessed plenty of butthurt behaviour at family gatherings. Always triggered by alcohol of course. Brings out the worst in people.

Before writing this, I checked my calendar and half-planned a trip to a nearby bird sanctuary on the upcoming weekend. That is the effect Good One had on me, although the makers had different plans with the way the film moves from being about a trio nature-hiking to one about relationship dynamics. The shift is sudden and it's only then you realise that the writer had subtly hinted it before. You'd be lying if you say you were seeing it coming. All the cosiness the film had created till then goes away but you still stare into the nature and wonder about things. Good One has a good effect on you and I recommend it. Lead actor is terrific and so are the other two actors. Together, they have renewed my hiking plans.

Written and directed by India Donaldson, the movie follows 17-year-old Sam (Lily Collias) going on an excursion in the Catskills along with her father Chris (James Le Gros) and his friend Matt (Danny McCarthy). A trip to the heart of the woods that naturally exposes each character's anxieties as they tread different paths in their lives. Wiser than her age, Sam is presented as observant whose mood goes from taciturn to enthusiastically playful to earnestly mature. Donaldson's attention to detail traces behavioral nuances that subtly illustrate shadings of perception that never depart from the natural and realistic. Dialogues weaving seamlessly without requiring inauthentic drama allows us to feel not only invested in what is happening, but also part of it.

According to Donaldson, the idea was born from her own experiences growing up and going camping with her father and his friends. Her debut length feature is, at its core, a character study that is interested in an immersive contemplative experience through the eyes of someone whose sensitivity might not be shared, not because of differences in what constitutes moral values, but because of a displacement in presumptions. By reason of the object of perception not being equally perceived, different readings of it are born. A decisive event in the movie articulates this difference in interpellation and renders what came before, our being with these characters and making our own assumptions after the time spent, something needing to be recontextualized.

It would be tempting to see in Good One anything but a reproduction of ideological discourses where the lines between good and evil are clearly drawn, and by doing so, something that voids reality from its complexities. Nonetheless, its non-judgmental approach is more interested in exposition than it is in lecturing. This is a story grounded in believable events and as such, said line could not be further from being drawn no matter how questionable some remarks might be interpreted.