Chime

Kiyoshi Kurosawa, once again, is able to craft a suspenseful, slow-paced, and psychological story using his explorative direction choices on the exercise of horror, dread, and terror.

For 45 minutes, it's atmosphere and it's subtle uses of horror and tension is mundane, yet, purposeful in the good ways to crawl right into your skin. What Kurosawa is great with his horror works is that he doesn't use much gore and rather uses the terrifying atmosphere and concept to craft the dreariness and creepiness within his narratives, and this short succeeds with it. Provided with solid performances and a good pacing.

If you like Kurosawa, I recommend it.

Kiyoshi Kurosawa's latest psychological horror is a masterful exercise in suspense and terror.

Provided you can get onboard with its enigmatic (and nearly incomprehensible) plot, there's much to enjoy here for fans of the director. The running time is short (only 45 minutes), making this something of a compact version of Kurosawa's usual, subtle horror filmmaking. There's a lot of atmosphere and intrigue present throughout, but little to no answers to some of the film's central questions.

While this is certainly a violent little film, it's not focused on gore, but rather its capability to disturb by mere suggestion. It's pretty great to see Kurosawa back at directing unsettling films that turn the mundane into terrifying, and Chime shows he's still got some interesting ideas to share with the rest of us.

Recommended.

Keeping its secrets guarded and living off the shocks of its knife-edge turns, Chime sees Kiyoshi Kurosawa covering more than familiar ground with plenty of desolate moodscapes, recognisable for anyone with even a cursory knowledge of his past output. However, there is something particularly chilling about the oppressive mundanity here, a mundanity to which Koichi Furuya's digital cinematography adds another layer of dread. It's a dreary madness that slowly begins seeping into the life of its character. Despite its skeletal form and brief runtime, the film ends on a fascinating rupture; the previously ambient evil becoming tangible shifts, terrifyingly, within the realm of possibility and the suggestion of this curse being made concrete becomes overbearing. Relishing in the awful psychological residues of violence while suggesting a lucid dream, the kind of fragmented nightmare you are grateful to wake up from but just as terrified to leave so unresolved.

Best part here: It's only 45 minutes. I can't even imagine the horror and the pain i would face if it was longer. And i don't mean, in a good way. Look, i respect Asian horror and there are some great movies. Of course, there are some great movies overall in which some things were unexplained. Some times, ambiguity is even necessary, all the mysteries don't need to be solved.

But, this was too much. This is so cryptic and enigmatic that made me don't care at all, i mean, who are those people and why they suffer? Why should i invest? I am not even sure it's cryptic, maybe there is nothing beneath the surface, maybe it's just a mess, this is too random to be called an enigma.

I gave it 5 stars because it's well acted and well directed. Visually, it's good, i can't rate lower a film when so many aspects of film making are above average.

But, that's it.

I thought I'd give it a try. A 6.8 on the IMDB is pretty good for a horror movie, and I am a vivid Horror fan, but boy was I duped! It started OK. A Japanese town is shown in quite a depressive looking view. But then...... a knive, and another knive, and lots of cans in plastic bags. Why are there so many cans in plastic bags? I just didn't get it. Did I miss the story somewhere. The movie is 45 minutes, so is the story in the missing minutes. What happened? Why. A teacher who hears a noise, am I deaf. What noise. What the f.... did happen in this movie. Yes, a beautiful tree outside the building. Oh that's the end....what happened. What was I watching?