Parikrama

The movie was awesome very good narrative plot acting direction was pretty good perfect ending with a question The only problem that I found is the whole movie plot was made in 1977 or 1978 when that mobile phone was not even invented but shown iPhone, iPad, Mobile on everyone's hand and in a remote village whether there is electricity or not is a question a colour crt tv and a table fan is shown in the movie.

Should be more realistic.

But a must watch for those who love art and culture. Have a positive message for the present and future generations how we misuse our nature and it's after effects.

Some films don't just tell a story-they hold your soul captive and whisper truths you didn't know you were seeking. Parikrama is one such film. Delicate yet devastating, poetic yet painfully real, this cinematic experience unfolds like a quiet storm, wrapping around your senses until you are left raw, introspective, and transformed.

Directed with stunning precision and empathy, Parikrama is a triumph of storytelling that dares to linger on the unspoken. It doesn't rely on melodrama to make you feel-it uses silence, the depth of eyes, the weight of stillness. The result is a deeply meditative film that explores loss, memory, and the quiet strength of human resilience.

At the heart of Parikrama lies a haunting tale shaped by nature's fury and the fragility of human existence. But the film doesn't seek pity-it demands awareness. It is not about disaster, but about what follows. It is about what it means to live when everything that defines home is washed away, and how the echoes of what once was can guide, torment, and finally-redeem.

Visually, Parikrama is arresting. Each frame is composed like a painting-subtle, earthy, and rooted in realism. The cinematography captures both the breathtaking beauty and the unforgiving brutality of the natural world. Wide, panoramic shots allow the landscape to speak just as loudly as the characters, while intimate close-ups pull you directly into their inner world. There's a meditative rhythm to the way the film is shot-nothing feels rushed, and yet, every moment is heavy with emotion.

The performances are a revelation. The lead actor delivers a layered portrayal, where most of the dialogue is replaced by raw expression. There's no overacting here, only truth. The supporting cast is equally powerful, bringing depth and dignity to their roles. Notably, one foreign actor plays a pivotal role in the story, creating a bridge between two worlds-art and reality, observer and subject. Their dynamic is tender, unforced, and complex.

What sets Parikrama apart is its ability to take a local tragedy and present it through a universal lens. It speaks to anyone who has ever felt displaced, voiceless, or left behind. Yet, there is no bitterness in its tone. Instead, there is warmth, gentleness, and a quiet defiance that builds with every passing scene.

The sound design is minimal, and rightly so. There's no need for loud background scores or theatrical crescendos. Nature is the soundtrack-flowing rivers, creaking wood, rustling leaves. When music is used, it is subtle and deeply rooted in Indian classical and folk traditions, enhancing the emotional resonance without ever overwhelming the moment.

The screenplay is another masterstroke-measured, lyrical, and deeply observant. The film doesn't follow a conventional narrative arc. It meanders, circles back, and breathes-true to the name Parikrama, which means a sacred, circular journey. It's about coming full circle-not in the physical sense, but in spirit.

This is not a film to watch with distractions-it is a film to sit with, absorb, and carry with you long after the credits roll.

In a time when spectacle often overshadows substance, Parikrama stands tall as a deeply human film-artistic, emotionally resonant, and socially significant. It reminds us of the sacredness of life, the cruelty of loss, and the quiet heroism of continuing despite it all.

This isn't just cinema-it's a prayer. And it deserves to be heard.

Parikrama isn't just a movie, it's a deeply moving experience. Goutam Ghose weaves a powerful story that feels both grounded and timeless. The visuals are stunning, the music soul-stirring, and the performances incredibly natural. It made me pause and reflect on themes of displacement, identity, and humanity. Onek din pore eirokom akta artistic, high depth film dekhlam. Rarely do we see such honest storytelling anymore. It reminds us of the emotional depth cinema is capable of when driven by purpose, heart, and vision. It's a must watch for all, completely changes our perspective towards life. Goutam da has seriously made a master piece!

Parikrama really moved me. There was something very real about the characters like you know them from somewhere. It was powerfull in a quiet way if that makes sense. I got a bit lost in some parts but the emotion pulled me right back in. Khub bhalo hoeche! Every one should be go and watch this movie. Didn't give any spoiler go and experience this unforgettable experience . After 10 years Goutam Ghose comes on Indo Italian movie. So no one miss this opportunity watch his masterpiece on a big screen. He define the Indian culture and connections with water. So guys Parikrama is in yours cinema hall go and watch.

Parikrama felt more like an experience than just a movie. It's slow, deep, and emotionally .powerful. I genuinely liked it because it doesn't try to impress with big drama-instead, it quietly pulls you into the world of the Narmada river and the lives affected by change and displacement.

The bond between the Italian filmmaker (Marco Leonardi) and the village boy Lala (Aaryan Badkul) was the heart of the film for me. Their connection felt natural, honest, and very touching. Chitrangada Singh's role was short but impactful she brought a kind of spiritual warmth to the story.

Visually, the film is stunning. Every frame looks like a painting. The slow pacing might not be for everyone, but I loved it because it gave me time to reflect and really feel the scenes. There's very little music, but even the silence spoke volumes.