Cinq ans après Jurassic World Dominion, une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois énormes créatures préhistoriques pour une avancée médicale révol... Tout lireCinq ans après Jurassic World Dominion, une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois énormes créatures préhistoriques pour une avancée médicale révolutionnaire.Cinq ans après Jurassic World Dominion, une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois énormes créatures préhistoriques pour une avancée médicale révolutionnaire.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 2 victoires et 2 nominations au total
- Brooklyn Pedestrian
- (non crédité)
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Jurassic Meh: Dinosaurs Deserve Better
When Scarlett Johansson was announced as part of the cast, I had high hopes for a standout performance, especially given her strong track record and the charisma Chris Pratt brought to the previous Jurassic World films. Unfortunately, the film doesn't give her much to work with, and her potential feels underutilized.
What really lets this movie down is its tone. The signature humor that helped balance the tension in earlier films is noticeably absent. Even worse, the horror and suspense hallmarks of any good dinosaur movie are dialed way down, leaving the action feeling flat.
The story itself is a mess. It stumbles at the start, never quite finds its rhythm, and ends without impact. The plot feels disjointed, and the characters are poorly developed, you never feel emotionally invested in what's happening.
And then there's the CGI. For a franchise known for groundbreaking visual effects, this entry is shockingly subpar. The effects are shabby and unconvincing, which really takes you out of the experience.
Bottom line: it's a missed opportunity in almost every way. Still, if you're a fan of the series or just want to see dinosaurs on screen, it's worth a one-time watch, just lower your expectations.
Honestly, the first half felt all over the place
Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.
It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.
paycheck project
I'm genuinely furious
There's hardly any plot to speak of. Instead of a coherent story, we get a pathetic excuse for intrigue - something about "collecting blood samples." The rest is just empty space, disconnected scenes, and aimless noise. It feels like the writers just gave up, hoping that big names and dinosaurs would carry the film.
But even the dinosaurs are missing. What we get instead are grotesque mutant creatures that inspire neither fear nor awe - only disgust. Where's the grandeur of the ancient world? Where's the spirit of adventure? Everything is drowned in a CGI mess.
And let's not forget the behavior of the main characters. It's not just stupid - it's insulting. It feels like they're competing to see who can make the dumbest decision every minute. Watching it is physically painful.
And then there's the architecture and technology. Are you kidding me? You're on an island full of predators, and everything makes noise - doors bang, systems whir, everything clatters. It's as if the designers intentionally made it easier for dinosaurs to find and eat everyone. Total nonsense.
In conclusion: this film is hollow, annoying, and completely disrespectful to the audience. No plot, no sensible characters, no proper dinosaurs. Just noise, stupidity, and monstrosities. A "rebirth"... into something much, much worse.
Cartoony Style, No Substance
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
Bande-son
Le saviez-vous
- AnecdotesJonathan Bailey not only stars as Dr. Henry Loomis, but also contributes to the film score. He plays clarinet in several orchestral tracks and performs the solo heard during the scene when his character touches a dinosaur for the first time.
- GaffesIn the service station on the island, the family escape down a drain after seeing the water flow down the grid, but the tunnels themselves are completely dry and free of water. For a sewer, it is awfully big for rainwater and awfully clean for a sewer- especially in a tropical climate.
- Citations
Dr. Henry Loomis: We don't rule the Earth. We just think we do.
Dr. Henry Loomis: And sure, we're changing the environment, but that makes us the ones to worry about, not the planet. When the Earth gets tired of us, believe me, it will shake us off like a summer cold.
- Crédits fousAt the very end of the credits, nature sounds from the island are heard.
- Bandes originalesMovin' On Up
Written by Bobby Gillespie, Andrew Innes, Robert Young
Performed by Primal Scream
Courtesy of Reprise Records/Creation Records
Licensed by Warner Music Group Film & TV Licensing/Sony Music Entertainment UK Limited
Meilleurs choix
The Year in Posters
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Jurassic World: El Renacer
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 180 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 339 640 400 $US
- Week-end de sortie aux États-Unis et au Canada
- 92 016 065 $US
- 6 juil. 2025
- Montant brut mondial
- 868 901 354 $US
- Durée
- 2h 13min(133 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1






