En mai 2020, un affrontement entre le shérif et le maire d'une petite ville met le feu aux poudres et fait se dresser les voisins les uns contre les autres à Eddington, au Nouveau-Mexique.En mai 2020, un affrontement entre le shérif et le maire d'une petite ville met le feu aux poudres et fait se dresser les voisins les uns contre les autres à Eddington, au Nouveau-Mexique.En mai 2020, un affrontement entre le shérif et le maire d'une petite ville met le feu aux poudres et fait se dresser les voisins les uns contre les autres à Eddington, au Nouveau-Mexique.
- Récompenses
- 1 nomination au total
Avis à la une
I can only tell this is gonna be a very polarising film, people are going to love the ambition from Aster or call it a convoluted mess.
Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.
Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.
I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.
The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.
Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.
I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.
The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
Its thesis is clear. We're all hypocrites. How the old generation has a stick up their ***, too rigid to embrace meaningful change, while the younger generation-damned from birth by social screens, performs outrage on Instagram in hopes of sleeping with Sarah.
Ari Aster skewers each political perspective, which in turn makes up a large majority of unhappy letterboxd reviewers, ironically complementing the film's punchline. No matter where you stand, it's naive to believe stupidity is exclusive to one side.
All in all, it's a film less concerned with who's right and more obsessed with how dumb it all looks from a distance.
Ari Aster skewers each political perspective, which in turn makes up a large majority of unhappy letterboxd reviewers, ironically complementing the film's punchline. No matter where you stand, it's naive to believe stupidity is exclusive to one side.
All in all, it's a film less concerned with who's right and more obsessed with how dumb it all looks from a distance.
In 2019, Ari Aster struck many film fans as the new face of horror and quickly attached him to the genre. In 2025, Ari Aster has departed from that stereotype and is now seen (at least in my opinion) as a director who makes very polarizing and ambitious films that he wants to make. I gotta respect the guy for going out and doing that. Eddington, much like his 2023 film "Beau is Afraid" is that kind of film. It's ridiculously ambitious, busy, and absolutely bonkers. It's something that I feel only Aster could make. I'll agree with the critics when they say Aster covers a lot of subjects but doesn't really commit to most of them. He seems to kind of get lost in the moment of trying to satirize and summarize too many subjects of the COVID pandemic to the point of exhaustion. It's not his most successful film and it's certainly not going to please everyone, but I greatly admire the drive he put into it.
Seemed like an interesting concept and some great actors in the cast. But for me it just didn't work at all. It just seemed like it got lost along the way. There seems like there might have been a good movie in there somewhere, but it just didn't do anything other than just show us chaos. Maybe it's showing that people are messy and full of chaos, but as a movie it was just all over the place and didn't click at all or give any sort of coherent story or message. Many of the characters were not fleshed out and were empty. A miss for me.
This Movie is many things but not a good movie. Yes, that's how i will start my review. This movie has no specific genre, first it's a drama, then it became some dark comedy, then it's a crime thriller, then it's a effing war movie and at the last it's an unfinished revenge thriller. What the eff is this about! I don't know, i have no idea after watching this horrible thing.
Le saviez-vous
- AnecdotesAri Aster wrote a contemporary Western script long before the COVID-19 pandemic began and was initially planning to make it his directorial debut. He tried for quite a few years to get it made, but he ultimately decided to shelve it and make Hérédité (2018) his debut. He confirmed during Beau Is Afraid (2023)'s press tour that this script would more than likely be his fourth feature, and it was updated to fit a post-2020 lens.
- GaffesAt the beginning of the film when Joe is watching a YouTube video on his phone, the dislike count is missing and the Shorts Remix button is visible. Dislike counts were removed. Both features weren't globally launched until 2021, a full year after this movie is set.
- ConnexionsFeatures Vers sa destinée (1939)
- Bandes originalesI Feel Alive
Written by David Carriere, Jane Penny, Riley Tripp Fleck and Jackson MacIntosh (as Jackson Edwin Macintosh)
Performed by Tops
Courtesy of Tops Musique
By arrangement with Terrorbird Media
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Еддінгтон
- Lieux de tournage
- Truth or Consequences, Nouveau-Mexique, États-Unis(as Eddington)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 109 484 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 404 742 $US
- 20 juil. 2025
- Montant brut mondial
- 11 792 349 $US
- Durée
- 2h 28min(148 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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