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iHostage

  • 2025
  • TV-MA
  • 1h 40min
NOTE IMDb
5,7/10
11 k
MA NOTE
POPULARITÉ
2 088
485
Admir Sehovic in iHostage (2025)
When a gunman enters an Apple Store in the heart of Amsterdam, the police face a delicate challenge to resolve the standoff. Based on true events.
Lire trailer1:53
1 Video
18 photos
CriminalitéDrameThriller

Lorsqu'un homme armé entre dans un Apple Store au cœur d'Amsterdam, la police est confrontée à un défi délicat pour résoudre l'impasse. Basé sur des faits réels.Lorsqu'un homme armé entre dans un Apple Store au cœur d'Amsterdam, la police est confrontée à un défi délicat pour résoudre l'impasse. Basé sur des faits réels.Lorsqu'un homme armé entre dans un Apple Store au cœur d'Amsterdam, la police est confrontée à un défi délicat pour résoudre l'impasse. Basé sur des faits réels.

  • Réalisation
    • Bobby Boermans
  • Scénario
    • Bobby Boermans
    • Simon de Waal
  • Casting principal
    • Soufiane Moussouli
    • Admir Sehovic
    • Emmanuel Ohene Boafo
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    11 k
    MA NOTE
    POPULARITÉ
    2 088
    485
    • Réalisation
      • Bobby Boermans
    • Scénario
      • Bobby Boermans
      • Simon de Waal
    • Casting principal
      • Soufiane Moussouli
      • Admir Sehovic
      • Emmanuel Ohene Boafo
    • 94avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 1:53
    Official Trailer

    Photos18

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 14
    Voir l'affiche

    Rôles principaux40

    Modifier
    Soufiane Moussouli
    • Ammar Ajar
    Admir Sehovic
    Admir Sehovic
    • Ilian Petrov
    Emmanuel Ohene Boafo
    Emmanuel Ohene Boafo
    • Mingus
    Fockeline Ouwerkerk
    • Soof
    Roosmarijn van der Hoek
    Roosmarijn van der Hoek
    • Bente
    Robin Boissevain
    • Lucas
    Marcel Hensema
    Marcel Hensema
    • Kees van Zanten
    Loes Haverkort
    Loes Haverkort
    • Lynn
    Louis Talpe
    Louis Talpe
    • Winston
    Eric Corton
    • Mark
    Matteo van der Grijn
    Matteo van der Grijn
    • Abe
    Ahlaam Teghadouini
    • Jihane
    Thijs Boermans
    Thijs Boermans
    • Matthijs
    Hylke van Sprundel
    • Wilco
    Zahra Lfil
    Zahra Lfil
    • Nour
    Jasmine Sendar
    Jasmine Sendar
    • Valerie
    Keja Kwestro
    • Sonja
    • (as Keja Klaasje Kwestro)
    Jouman Fattal
    Jouman Fattal
    • Rachelle
    • Réalisation
      • Bobby Boermans
    • Scénario
      • Bobby Boermans
      • Simon de Waal
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs94

    5,711.1K
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    Avis à la une

    6krachtm

    Dumb title, watchable movie

    A suicide bomber takes a hostage in an Apple Store.

    This was based on a real event. Maybe this is riveting to Dutch people, but I found it a bit lifeless in spots. The story is interesting, but the parts that involve the hostages sometimes feel like cheap dramatic reenactments on a TV show. These scenes could have been nail-biters. The intensity just wasn't there, though.

    The scenes with the police were better, I thought. They got to move around more and didn't have to constantly act terrified. More scenes with the police might have helped the movie move along a bit. Some of the scenes with the hostages were tense, though, and I thought they handled one scene in particular well, where there was a potential medical emergency.

    We never really learn a lot about any of the characters, and the drama isn't exactly the most intense thing ever. It's an adequate time-passer on Netflix, though. As a bonus, the English dub is pretty good.
    7finnyvdk

    Good but long movie

    For a Dutch movie, it was really impressive. There are not many Dutch movies that are this strong. The acting of most actors was really good. However, they rushed some scenes and took their time with others.

    Seeing how all of this went from the insider and outsider perspective, instead of only from the media, was a nice point of view. The main parts that were in the media were also in the movie, what I personal really liked.

    However, I would have preferred some scenes to be shorter, and others (like the ending of the movie) to be a bit longer.

    But besides all of this, it was a really good movie. It is something I didn't expect for a Dutch movie!!! Impressive.
    7yorrinkootstra

    Gripping and realistic

    This film manages to capture your attention from the very first moments. It feels tense, raw, and surprisingly realistic-almost as if you are witnessing real events unfold rather than watching a dramatized interpretation. There's an authenticity to the way the story is presented, both in the cinematography and in the pacing of the narrative. The director clearly made a conscious effort to stay as close as possible to the real-life events that inspired the film, and that effort pays off in a big way.

    One of the film's strongest aspects is its emotional impact. The intensity of the storyline is palpable, and it leaves a lasting impression. It's not just a typical thriller or drama; instead, it dives deep into the psychology of the characters and the strange, unsettling circumstances they find themselves in. The story itself is unusual-perhaps even bizarre at times-but it's this very strangeness that makes it so compelling. You find yourself constantly wondering what will happen next, unable to predict the next turn in the plot.

    The main characters are portrayed with nuance and depth. The actors in these lead roles deliver performances that are convincing and emotionally engaging. You can sense their inner conflicts, their fears, and their motivations. It's clear they took the time to fully understand their characters, and that makes their performances feel honest and human. They don't overact; instead, they allow the emotions to unfold naturally, which strengthens the film's realism.

    However, not all performances are equally strong. While the lead actors shine, some of the supporting roles come across as a bit stiff or forced. It's not a major issue, but it does occasionally pull you out of the immersive atmosphere the film works so hard to create. These moments are rare, though, and they don't overshadow the overall quality of the production. Still, a little more attention to casting or directing those secondary parts might have made a difference in terms of consistency.

    Despite these minor flaws, the film remains highly recommended. The story is simply too powerful to ignore. It deals with themes that are both deeply personal and universally resonant-fear, trust, isolation, and the complexity of human relationships. These themes are explored not just through dialogue, but also through visual storytelling. The camera work, lighting, and settings all contribute to a feeling of claustrophobia and intensity, reflecting the emotional state of the characters.

    One of the most commendable things about the film is the respect it shows for the real-life events it is based on. Too often, filmmakers feel the need to sensationalize or exaggerate true stories for dramatic effect, but this film avoids that trap. Instead, it tells the story with sensitivity and restraint. It never feels exploitative or disrespectful. On the contrary, it invites the viewer to reflect on what happened and consider the broader implications without pushing a particular message too hard.

    In conclusion, this film is not just another entry in the crowded field of drama-thrillers. It stands out because of its raw emotional energy, its attention to detail, and its commitment to portraying a difficult story with honesty. It's an intense experience-not always easy to watch-but definitely worth your time. Whether you're drawn in by the psychological tension, the human drama, or the strange twists of the plot, you'll likely find something in this film that stays with you long after the credits roll.

    If you're looking for a film that combines strong acting, a fascinating and unusual story, and a commitment to realism, this one is definitely worth watching. It's a haunting reminder of how truth can be stranger-and more powerful-than fiction.
    5hellokutty

    Very avarage movie

    I think the movie does achieve some thrilling atmosphere in the beginning, but fails to maintain that as it gets repetitive. It has some good elements to it, a few good actors (but a weak script), and the setting is good. However, very poor attempts at tough-sounding one-liners are made, as well as powerplay moves that make no sense, which give the movie a cringe vibe. Also, characters are weak and shallow, testosterone-driven, and not in a good way-they come across as thick and egocentric. Shame, it's such an interesting non-fiction event, but it absolutely fails to reach its potential. I'd recommend watching the documentary.
    5bestfootie

    Just plods along. watchable. Shallow.

    Let's get this straight: iHostage is a gloriously chaotic, brainless thrill ride that I can only describe as a "watchable shi* movie" - and I mean that as a compliment. This Dutch Netflix thriller, inspired by the 2022 Amsterdam Apple Store hostage crisis, delivers exactly what you'd expect from a high-octane crime drama: relentless action, sweaty-palm tension, and a premise that keeps you glued to the screen. But don't go looking for a deep plot or clever twists - this movie is as shallow as a kiddie pool and proud of it.

    From the jump, iHostage throws you into the deep end. A gunman storms an Apple Store, takes a Bulgarian dude named Ilian hostage, and demands 200 million dollars in crypto. The setup is simple, and the film leans hard into the claustrophobic vibe of a single-location thriller. Director Bobby Boermans cranks up the intensity with CCTV-style shots and body-cam footage, making you feel like you're right there in the chaos. The action never lets up - from gunfire to tense standoffs to awkward pizza deliveries (yes, really), it's a nonstop adrenaline shot. Loes Haverkort as the negotiator Lynn is a standout, balancing cool-headed smarts with the stress of talking down a volatile gunman. The pacing is so relentless you barely have time to notice the flaws.

    And oh, the flaws. The plot? Basically nonexistent. It's a straight line from start to finish: guy takes hostage, cops try to fix it, rinse, repeat. Don't expect any mind-bending twists or profound character arcs - the script is thinner than an iPhone screen. The gunman's motives? Who cares, apparently, because we never find out. The characters are flat as cardboard, and the dialogue is so cliché it feels like it was ripped from a B-movie playbook. Yet, somehow, this lack of depth works in its favour. IHostage doesn't pretend to be anything it's not. It's not here to make you think; it's here to make your heart race.

    What makes this a 5-star guilty pleasure is how shamelessly it embraces its own absurdity. The tension is real - you'll be on edge wondering if everyone makes it out alive. The action sequences, while not exactly Die Hard-level, are gritty and engaging enough to keep you hooked. It's the kind of movie you watch with a bucket of popcorn, yelling at the screen when something dumb happens, but loving every second of it. For fans of mindless thrillers like Phone Booth or Drop, it's a perfect Friday night flick.

    In short, iHostage is a hot mess of a movie that knows exactly what it's doing: delivering pure, unfiltered chaos with zero pretense. No plot, no twists, just action and tension turned up to eleven. Watch it, love it, forget it by morning.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Due to legal issues with Apple, using the real store where the real-life incident occurred was not possible. The crew, therefore, had to scan the whole area of Leidseplein visible from inside the store and then recreate it in an airplane hangar in Katwijk.
    • Gaffes
      At the beginning of the movie (roughly 16 minutes), the Gunman is holding a dead man's switch in his left hand, but isn't holding his weapon. In the next scene, he is shown holding his weapon in his right hand, and holding the dead man's switch in his left hand.

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    Détails

    Modifier
    • Date de sortie
      • 18 avril 2025 (France)
    • Pays d’origine
      • Pays-Bas
      • Belgique
    • Site officiel
      • Official Netflix
    • Langues
      • Néerlandais
      • Anglais
    • Aussi connu sous le nom de
      • iRehén
    • Lieux de tournage
      • Amsterdam, Pays-Bas
    • Sociétés de production
      • Caviar Films
      • Horizon Film Amsterdam
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 40 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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