David Brent: Life on the Road

Ricky Gervais. Chances are you'll either love him or hate him. And, basically, your enjoyment of his latest film 'David Brent: Life on the Road' will largely depend on whether you're a fan, or find him excruciatingly annoying. Like most people, they 'found' Gervais during his award-winning BBC sitcom 'The Office' where he played the self-proclaimed 'chilled out entertainer' David Brent (or 'boss from hell' as the rest of the world referred to him as). So, if you're a fan of either the character, or the cringe-worthy humour he specialises in.

There's always that worry when a good show which is usually half an hour is suddenly dragged out for a feature length movie's runtime that it's going to dip in places and fall flat in others. I'm pleased to say that 'David Brent: Life on the Road' does not suffer from this (too much). Yes, I loved The Office and have followed Gervais' career ever since, so I was crossing my fingers for the best. This film does deliver. It serves as a 'sequel' to the part of The Office which was about Brent's life. If you watched the series then you'll know about his dreams and aspirations to become more than the manager of a paper merchant in Slough.

'The Office' was a 'mockumentary' about the life of the workers in Slough and now we have follow-up documentary about – arguably – the 'star' of the fictional show 'David Brent.' We meet him now after he's long since left Wernom Hogg and is now a – much ridiculed – sales rep who travels up and down the country peddling his less-than-necessary wares. However, he still dreams of becoming the next big thing in music and, rather than go on X-Factor as most people who share his ideals seem to, has sunk all his life savings into promoting his own musical band.

What we see is a depressing take on humanity's desire for fame without the talent to back it up. Gervais has already (majorly!) touched on these subjects in his other TV show 'Extras,' but we witness a man who is more ambition than talent. He won't accept that he'll never have the fame and fortune he craves and, even when it's staring him in the face, he will adjust his perception of reality to suit the situation. What we get out of it is the knowing that he'll never be what he wants and, despite probably not wanting to associate with a man like this, we can't quite bring ourselves to hate him because we know that he'll never achieve or 'win' the fame and adulation he craves.

'David Brent: Life on the Road' is a good little compendium piece to 'The Office.' I guess it is a little stretched and sometimes it feels like there should be one or two jokes more than there is, but, overall, it stands up on its own. Sometimes there are more heart-wrenching moments than laughs, but they add depth to the film and make it a little deeper than a straight-up comedy.

Many people have moaned that there are no other 'Office' characters in it from the British version, but the new characters we meet along the way should – slightly – make up for that. I'm sure we've met one or two of them in offices up and down the country from time to time.

Not as good as The Office, but, then again, what is? Still solid. Maybe a feature length Extras next?

"Life on the Road" is a mockumentary sequel to the classic British version of the TV comedy "The Office" (obviously later remade for the US market and featuring Steve Carrell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.

Here in "Life on the Road" we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.

But Brent still harbors a dream of making it big in the rock world with his middle-of-the-road band called 'Foregone Conclusion (2)'. Gathering around him his ethnic rapper 'friend' Dom Johnson (Doc Brown) and a band of session musicians (who can't stand him), Brent cashes in "several pensions" to fund a tour of the venues of Berkshire... or at least, those that will give stage time over to a "shite band". As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.

Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan's Alan Partridge has come closest with "Alan Partridge - Alpha Papa" and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent - as this film makes much clearer - has real mental illness.

Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humor, with the tattooing scene being a high-point. But the result of watching Brent's progressive decline, with his nervous laugh as a constant 'fingernails on chalk board' reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.

As a black comedy its important that it doesn't outstay its welcome, and at 96 minutes it doesn't. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst 'sweet', it is also implausible given what's happened before and I would have suspected the interference of the director in lightening the mood of the writer's original intent. However, as Gervais is both writer and director, there is no such excuse. That's a shame.

So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.

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Continuing his unique brand of horribly awkward humour that made The Office such a success (with remakes in the USA, France, Germany, Canada, Chile, Sweden, and Israel), Ricky Gervais resurrects the phenomenon that is David Brent, idiosyncrasies and all. Following on from the Christmas specials, the hapless eponymous character is still a sales rep for a cleaning supplies company, yet still harbours dreams of going on tour with his band, a resurrected Foregone Conclusion.

This film feels a little unnecessary, but that certainly doesn't detract from its enjoyment levels. After the perfect ending given to us by the Christmas specials back in 2003, the character was at peace and it felt like he had achieved some sort of catharsis. Nonetheless, this is premium Gervais - it probably helps that I binge watched all of The Office in the week before watching this, so was in a real Office-y mood. The humour is on point, from Brent's tics (the perfectly judged nervous laugh, the shifty grins to the camera) to his own form of inadvertently offending people. There's a good amount of pathos, too, with Brent really sinking to new lows over the course of the film. The plot is well-suited to the character, and another highlight is the songs - the standout being 'Please Don't Make Fun of the Disabled' - which are just hilarious when delivered by Gervais.

Ultimately, though, it won't stick in the memory for long and it didn't need to be made - nor are the side characters as compelling as the likes of Tim Canterbury, Gareth Keenan, Dawn Tinsley, and Keith Bishop. It also feels a little sweetened and watered down at times, especially towards the end. It feels a little too perfect and not bittersweet enough. Still, an enjoyable 90 minute diversion for any Office fan, and good fun. 66/100.

I thoroughly enjoyed this movie, many funny moments.

My wife wasn't as enthusiastic and when i asked her why she said she was cringing because of the awkward moments brought on by Ricky's character...David Brent.

The only thing Ricky Gervais has in common with other British comedians is that they love to laugh at themselves...make a goose of themselves....e.g John Cleese...Apart from that he is definitely one of a kind.

The humour is an extension of his character in "The Office", if you liked this series then you will get the humour and will enjoy this movie.

The plot centre's around David wanting to have a shot at fame and self finances a thrown together band and books a week's worth of venues. Barely anyone turns up and even his own band doesn't like him.

The plot is OK...You can tell that David Brant despite all the 'foot in mouth' moments is a genuine tryer and does garner some sympathy towards the end of the movie. its apparent the humour does disguise an individual seeking acceptance and genuine friends.

I had many good laughs - an easy 8/10 for me...

13 years after the end of the beloved sitcom, The Office, David Brent is still stuck in an office, but a documentary crew is filming him again and he decides to go on tour with a band in a last-ditch attempt to live his dreams of being a rock-star. Like most films connected to TV shows, this is annoying since it doesn't connect to the show enough, with Gareth, Tim and Dawn disappointingly absent. Ricky Gervais was never the most impressive actor in The Office, but he gives a good (If often irritating) tragicomic performance here. This film serves as an interesting exploration of the character and has many good laughs and touching character moments along the way; it humanizes David Brent, though don't worry it also embarrasses him and every opportunity. The trouble is, there's a line between comedy and sadism and after a funny first half, the film just gets extremely uncomfortable and stops being enjoyable. The Office was quite depressing. Extras was incredibly depressing. But this- wow. Be warned: you will cringe. A lot. The original show had enough realism and honesty to pull off the cringe, as it felt so truthful but here the uncomfortable stuff goes too far. I can tell Stephen Merchant was the one who added the nuance that made the sitcom so good. With Gervais on his own, there's no-one to stop him from taking the cringe comedy too far. Even so, while he's clearly not as good as he was, there's no denying that this is a funny and often enjoyable road movie with some nice bits of drama.

6/10