Dracula

This reimagining of Dracula is an excellent addition to the classic story. The performances by the main actors, Zoë Bleu and Caleb Landry Jones, are excellent. Especially newcomer Zoë Bleu is outstanding, delivering an excellent performance and looking stunning on screen. The romance and chemistry between the two in the film's opening act are portrayed in a great and kind of sweet manner. By contrast, the relationship between Jonathan Harker and Mina is left completely unexplored and lacks any real development. Overall, Jonathan's character feels shallow and underdeveloped. Mina's friend Maria, on the other hand, comes across as oddly overacted and doesn't fit the film's historical setting.

The movie boasts impressive visuals. The set design, costumes, and cinematography are beautiful. Only the gargoyles/goblins feel oddly out of place and not particularly well executed for a big-budget 2025 production.

There are a few minor errors-such as modern toy balloons appearing at a 19th-century funfair-that are unfortunate and should have been avoided. Still, these are small criticisms of an otherwise highly enjoyable and well-crafted film that delivers a fresh, visually striking take on the Dracula legend. Recommended!

Luc Besson's Dracula is not a traditional horror film. Instead, it's a dark romantic epic that reimagines the Dracula legend through a poetic and psychological lens. Set in a brooding, visually stunning atmosphere, the film explores eternal longing, forbidden love, and the isolation of immortality.

Rather than focusing on gore or action, Besson's take is intimate and character-driven. Dracula is portrayed as a tragic, timeless figure, torn between his monstrous nature and a deep, lingering humanity. The story unfolds with elegance, blending gothic elements, haunting visuals, and emotional depth - all wrapped in Besson's signature cinematic flair.

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Luc Besson's Dracula is a visually arresting, emotionally charged, and hauntingly original take on the iconic legend. From the very first frame, it's clear that this is not just another vampire film-this is Besson in full command of his craft, blending gothic horror, art-house style, and deeply human storytelling into something truly unforgettable.

The cinematography is stunning-moody shadows, rich textures, and bold color contrasts create a dreamlike atmosphere that pulls you into Dracula's cursed world. The pacing is masterful, slowly building tension while allowing the characters to breathe and evolve. And the music? A hypnotic blend of classical and modern that adds a visceral pulse to every scene.

The performances are outstanding. The lead actor's portrayal of Dracula is both terrifying and tragic, capturing the eternal conflict between monstrous hunger and lost humanity. The supporting cast adds layers of depth, especially the heroine, whose chemistry with Dracula gives the film a beating heart.

What sets this Dracula apart is its ambition. Besson doesn't just retell the story-he reimagines it, fusing romance, philosophy, and horror into a mythic, poetic experience. There are echoes of The Fifth Element in its stylization, but this is darker, more mature, and grounded in emotional truth.

This is a Dracula for the 21st century-mysterious, seductive, and deeply cinematic. Highly recommended for fans of intelligent horror and visionary filmmaking.

Verdict: A modern gothic masterpiece.

This film is utterly tragically beautiful. I must say that i havent been stuck on a movie for decades but this movie changes everything. It has some humor and will be for sure beloved by people who love dark romance. It hasn't been reviewed greatly because some people might find it bold, but i find it very artistic. Nobody ever took this kind of twists in Dracula movies. I think people are right now a bit thrown back by this twist but i can asure you to watch this movie and be impressed by it!

It's been almost 30 years since the last Besson film I was thrilled with. It was The Fifth Element, a daring, dynamic film by a brilliant madman... it was a long wait, but Besson is back. The cast is great, the performances are mostly Oscar-worthy, and his new in-house actor Caleb Landry Jones is a very good replacement for the unique Jean Reno. And he would be a great Joker in the style of Heath Ledger in the event of a prequel. A film with heart and soul made for the audience with an anti-hero who is hard to love, but can be understood, and can be sympathized with. I never liked Coppola's version of Bram Stocker's Dracula, and I really wanted someone to make a better version, but I really didn't expect that someone would be my favorite director from the great nineties (Nikita, Leon). I only hope that I don't have to wait another 30 years for a film this great. 10/10.