The Game
- Mini-série télévisée
- 2014–2015
- 59min
Un thriller d'espionnage de la guerre froide qui raconte l'histoire des guerres invisibles menées par le MI5.Un thriller d'espionnage de la guerre froide qui raconte l'histoire des guerres invisibles menées par le MI5.Un thriller d'espionnage de la guerre froide qui raconte l'histoire des guerres invisibles menées par le MI5.
- Récompenses
- 2 nominations au total
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I absolutely loved "THE GAME"...while it was on. Why not more than just one season, I'll never know. I love this genre and the 6 episodes drip in espionage as if it was written from the pen of John le Carré's monozygotic identical twin. It has a certified fresh rating of 95% for a reason. I suggest you watch it with closed captions on to help you understand the British accents better. I would also suggest you watch this on your DVD player so you can rewind the parts that might confuse you too much. The show reveals ways in which the USSR would plan out espionage years in advance and how it infiltrated into top positions of government. Deliberately paced and brooding in tone, yet laced with caustic wit, personal tragedy and sinister inference, The Game keeps us wondering how far will a foreign government go to disrupt and destroy our way of life in the west. It is a first rate production of the Cold War terror that we all feared at times growing up in the 60's and 70's.
The premise is this: a Soviet agent holed up as a university professor in England gets called up for a major operation that consists in waking up sleeper cells in numbers for an unstated grievous purpose. He defects and spills the beans to the MI5. The MI5 - represented, for the most part, by the love-child of Morrissey and a flock of cats (Tom Hughes) - expects the worst and stands up to the challenge, monitoring the operation in desperate hope that they may get one step ahead of the Russians. Needless to say, with 6 hour-long episodes, it's easier said than done. All this takes place in the bleak environs of early-1970s London, in cramped spaces, dilapidated housing, and persistent rain (reminiscent of "Se7en"). The series is well-made and entertaining. The pace - initially somewhat pedestrian - quickens by the 4th episode to get you panting by the 5th. At first, the drama seems very facile - seeming to boil down to a personal duel between Tom Hughes's "Joe Lambe" and a KGB killer on the loose in England. But there's enough of side story to this to keep you thinking there's more to it than that. And, frankly, you do get rewarded. On the technical side, the editing is near-perfect and the acting is pretty good, too. I was stuck on Victoria Hamilton' performance in "Mansfield Park," but she's a completely different thing here, with enormous self-assurance and power. Brian Cox is also a perfect hit as the head of MI5 ("Daddy"). If anything, it's Hughes that seems rather odd - his appearance and demeanor is somewhat out of place. On the one hand, this may be a virtue, since he does portray a far less bleak character than it initially appears. On the other hand, he's anachronistic - a poster-boy for the new romantic or a candidate for a remake of "Anna Karenina." The portrayal of "the game" resonates with all that an avid reader of le Carre will know - that it's almost never fun and games, and that it's not about the spectacular at all. The "games" we see played out in the series are not just about espionage - they are also about the personal lives of the characters who either play or get played. While it's not on level with the classic le Carre stuff with Alec Guinness, there's enough substance here to make you hope there's more to come from this source. This is really good enough to see.
I have just finished watching the final episode of The Game, and have to admit feeling on the one hand thoroughly satisfied and on the other, somewhat frustrated. On the positive side, this is a first rate drama with excellent production values - the acting is top notch, the characters well developed yet always leaving a sense that there is much kept hidden, the costumes, locations, cinematography and overall "feel" are spot on. The pace starts slowly - deliberately so - and picks up as the complex plot works its way inexorably towards its ultimate resolution. All in all, the feel is taught, suspenseful and engaging - this is a drama you are compelled to keep watching.
And so to the frustrations - as others have pointed out, there are a number of very glaring screw-ups in plot and "fieldcraft" which seem utterly at odds with the otherwise high quality of the production. I won't repeat all the errors here, but suffice it to say, it was enough to take the gloss off an otherwise exemplary and novel BBC drama. I would, nevertheless, encourage you all to watch it - just cut it a little slack! I for one very much hope there will be further series with this excellent cast. I just hope they spend a little more of the budget ironing out the glitches - if they do, this will be a series to rival the very best spy dramas ever produced.
And so to the frustrations - as others have pointed out, there are a number of very glaring screw-ups in plot and "fieldcraft" which seem utterly at odds with the otherwise high quality of the production. I won't repeat all the errors here, but suffice it to say, it was enough to take the gloss off an otherwise exemplary and novel BBC drama. I would, nevertheless, encourage you all to watch it - just cut it a little slack! I for one very much hope there will be further series with this excellent cast. I just hope they spend a little more of the budget ironing out the glitches - if they do, this will be a series to rival the very best spy dramas ever produced.
I thought this series was a great show and want to know when or if you are making another. I enjoyed watching how the characters were built and unfolded and trying to work out who was what (baddie or goodie) in the characters. Also enjoyed the slower pace of the story as opposed to one and a half hour movies that squeeze as much out of the time as possible without portraying the 'real life' pace and how in 'real life' it is the bringing together of lots of small pieces of information that result in collating the whole picture/story.
Hope you make another one.
Hope you make another one.
The Game is an absolutely first rate Cold War mini-series from the BBC set in the 1970's. The 70's feel is palpably conveyed through the authentic use of the fashions, hairstyles, vehicles and music from that decade. The plot is complex and intelligent with lots of twists and turns and will appeal to Le Carré fans. The acting is absolutely superb all round. The scenes inside the Security Service show that most of the people working there are paper shufflers rather than James Bond action types which is probably a more realistic portrayal. My only gripe is that it was only 6 episodes but as is often the case with the BBC, quality trumps quantity. If I could only have one station on my pay TV service it would definitely be the BBC. The quality of British productions in recent times, both on the big screen (e.g. Tinker Tailor, The Imitation Game, The Theory of Everything) and small screen (The Game, Peaky Blinders, The Honourable Woman), has been absolutely outstanding.
Le saviez-vous
- AnecdotesAlthough set in 1970s London, the show was almost entirely shot in Birmingham. The MI5 headquarters building (both interiors and exteriors) was the recently closed Birmingham Central Library, a much criticised and largely unloved example of 1970s 'brutalist' architecture, which has now (as of 2016), been completely demolished as part of a major city redevelopment scheme.
- ConnexionsReferences Gorky Park (1983)
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- How many seasons does The Game have?Alimenté par Alexa
Détails
- Durée59 minutes
- Couleur
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