À sa place

! This film is, without a doubt, one of the best movies I've seen in recent years. From the very beginning, it pulls you into its world with a captivating story and a perfectly paced narrative that never feels rushed or slow. The script is incredibly well-written, filled with emotional depth, clever dialogue, and powerful moments that stay with you long after the film ends.

The performances by the cast are absolutely phenomenal. Every actor brings their character to life in a way that feels completely genuine and believable. The lead role, in particular, is played with such intensity and vulnerability that it's impossible not to be moved. The chemistry between the characters adds another layer of richness to the story, making every scene more impactful.

Visually, the movie is stunning. The cinematography is beautiful, with breathtaking shots and artistic camera work that enhances the mood and tone of the film. The use of lighting and color is thoughtful and deliberate, contributing to the emotional atmosphere in a subtle yet powerful way.

Its nice seeing a moviw from my country. This movie is a powerful exploration of identity, desire, and the roles society imposes. Through the story of two women whose lives intertwine, the narrative blurs the boundaries between self and other, between what is real and what is projected. It examines how longing, perception, and external expectations shape who we believe we are. With subtlety and emotional depth, the work invites us to reflect on the masks we wear and what it truly means to inhabit someone else's place-even if just for a moment. If you're interested in drama and crime movies you should watch this one.

I think this is my favorite Netflix watch this month. I thoroughly enjoyed this film. The pace perfectly matches the main character's personality. While watching it, I believe I found the peace the main character, Mercedes, seeks. The film is subtly profound.

The void and regret she feels are incredibly relatable qualities and I found myself totally immersed in the story and in her personal journey. I enjoyed the timepieces including the furniture and the fashion of the time so beautifully displayed. I look forward to reading more about the real people behind the headlines and will search for more Chilean films.

As chilean I felt so proud of this movie. The story is factual and accurate (except for the main character, that is). The author and the book are one of our dear readings, so I felt moved, and prompt to learn more about the background. Little did I know about Maria Carolina Geel and her own deeds at the time, and how Gabriela Mistral gave her a hand to set her free. Same as in the film, I don't believe that any woman close to the culture can feel uninvited somehow, and being dragged to experience a bit of the same sorority . The movie is pleasure to watch, well written and narrated; calm and introspective. Some criticism can be harsh, but quite real and again, accurate. At some point, there was a fight inside of me with the main character, but I couldn't help being absorbed by a recurrent call for compassion that leaves so much space for self expression. Many arguments were constructed subtlety, yet that wasn't the true intention. Not even the main trigger was relevant. The movie moves on a different layer, far from the mainstream. If you are looking for an experience rather than mere entertainment, this might be your option.

Watched this dubbed version and am now convinced I need to watch it in the original Spanish, which I imagine (I hope!) provides the texture, the sensuality, the richness that is sorely lacking in the English dubbing. Production values are uncommonly high which give the film its consistently stunning appeal. I won't comment on the acting because it was so compromised by the dubbing...why isn't the voice actors' work of a higher caliber, one befitting the story and the production?

An integral storyline is buried until near the end: The writer Geel's criminal act is a 'copycat' of one committed by the more famous Chilean author María Luisa Bombal. The film's title-and indeed, entire narrative-takes on greater resonance when that fact is underscored, which it's not in this film, except for a fleeting reference toward the film's end. The titular phrase, "in her place," makes more sense when that factual, fascinating detail is revealed-too late, unfortunately. Why did Geel follow in Bombal's footsteps, criminally speaking? Was she trying to accrue to herself some of the more famous writer's biographical reality (and allure)--just as Mercedes temporarily takes on aspects of Geel's glamorous, glittery life? There is so much exceptionally rich terrain that was left uncovered by the filmmaker here!