Hostage

Having read a 4* review by Lucy Mangan in The Guardian, I thought I'd give it a whirl.

Save yourself the time: it's soap opera territory, with more holes than a piece of swiss cheese.

I like Suranne Jones, but the plot and the script are so lightweight, and spectacularly predictable.

I really struggled to stay awake.

I don't know why but teenage daughters on tv are the most irritating of all. The kid is in the public eye and yet she acts overly dramatic with her teenage angst making anything and everything difficult for her PM mother. They should have kidnapped her instead. Or better yet, just not have her character in the show.

With the daughter out of the picture, it is a good watch full of suspense.

Did I hate it? No. Would I watch it again? Also no. Nothing really wrong with the show, and it kept me interested enough to see it through. That said, when under review, it really falls apart in an amateurish way. Too many wild plot twists and gaps that felt rushed and uninspired. The ridiculous number of security breaches and oversights made British and French intelligence agencies look like Scooby-Doo. A few characters like the PM's daughter, were incessantly annoying and didn't add anything to the story. I didn't mind the political threads, but they felt tacked on and mostly ended up as red herrings with little connection to the antagonists' actual motives.

All that said, it still managed to entertain me. It's not a show anyone will be talking about for weeks to come, but it's worth a watch if you've got a free night to binge something.

I'm a fan of the lead actress Suranne Jones. I have liked pretty much everything she's been in. Intrigued by British accent of the French President's French husband. Hmmm lots of confusing plot twists. Honestly Netflix has way worse shows.

This last bit is on length required for reviews. Why 300 words?

Hostage kicks off with a high-stakes premise and rarely lets up, moving at a relentless pace that mixes political maneuvering with personal peril.

The story occasionally stretches credibility - there are moments that make you think, "no way this could actually happen" especially in the first couple of episodes. But if you lean into the heightened reality, the series delivers a tense, absorbing ride.

At the centre is Suranne Jones, outstanding as Prime Minister Abigail Dalton. She brings a mix of steel and humanity that makes the wildest twists feel grounded. Julie Delpy is her perfect foil as French President Vivienne Toussaint - cool, enigmatic, and always hinting at deeper motives. Their on-screen push and pull is the show's real power play.

The series looks great, too. Directors Isabelle Sieb and Amy Neil keep the action tight and urgent, while Jeff Russo's score hums with understated menace. It's bingeable television in the truest sense: five hours of fast politics, high drama, and personal stakes colliding.

Yes, some plotting relies on convenience, and a few resolutions arrive too neatly wrapped. But the energy, the performances, and the sheer audacity keep it entertaining throughout.

Not prestige realism, but an unapologetic political potboiler with flair.

Overall: 8/10 - tense, stylish, and far more fun than it has any right to be.