Raconte l'histoire de Christy Martin, la boxeuse la plus titrée des années 90.Raconte l'histoire de Christy Martin, la boxeuse la plus titrée des années 90.Raconte l'histoire de Christy Martin, la boxeuse la plus titrée des années 90.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 2 victoires et 1 nomination au total
Walter 'Buddy' Carter
- Walt
- (as Buddy Carter)
Chad L. Coleman
- Don King
- (as Chad Coleman)
6,08.7K
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Avis à la une
Decent Movie
Rating - 6.2:
Overall, this movie does not know what it wants to be, as it tries to be both a sports movie and a hard-hitting drama about trauma, but does not give enough time to be great at either; the first two acts and resolution are just a generic boxing movie, but the third act truly is a powerful drama about trauma and abuse, as Sydney Sweeney delivers a pretty powerful performance in this portion of the movie.
Direction - Decent: The direction on a macroscale is a major issue for the movie because it just feels generic, especially in the first hour and the final 15 minutes; The macroscale direction in the 3rd act is good, but the problem for this movie is that it does not know what it wants to be; The direction on a microscale is pretty generic, a little dull at times because there really isn't that much chemistry in the cast and a lot of the performances feel exaggerated or over-the-top; The storytelling is a major issue for this movie because for Act 1, 2, and the resolution, it is just a generic boxing movie that sprinkles in personal issues; I did enjoy the storytelling in Act 3 because it deals more with the personal issues of Christy, but ultimately in the end, this movie does not know what story it wants to tell (her career or her personal struggles) as it tries to do both when it can't; Tension is pretty predictable and bland for Act 1, 2, and the resolution, but it is very good in the third act because it uses our uncomfortable feelings with what is going on screen to make you feel very uneasy
Story - Pretty Bad: The concept is the life of Christy Martin, but the movie tries to touch on both her boxing career and her personal struggles when it should only really touch on the latter to be profound; The plot structure is a major issue for this movie because it is this generic boxing movie for Acts 1, 2, and the Resolution, but it is a different movie in the third Act; Because of its weird structure, the movie does not know what it wants to be; Character writing is pretty good to good for Christy because it does paint her as a flawed character who projects negativity because of the trauma she receives at home, but every other character is just a generic trope
Screenplay - Pretty Bad: The dialogue is so generic and bland; the humor is decent; the symbolism is profound in act three because of the DV issues they talk about, but it is generic for the most part; the foreshadowing is a massive issue for this movie because it's very obvious where this movie is heading with on the nose roots the movie places throughout the movie; I was shocked that the crowd didn't know things were going to happen because I read this movie like a book
Acting - Pretty Bad: Sydney Sweeney - Pretty Good (Definitely one of her better performances, as she transforms herself for the role; even though the accent work is a little rough at times, and it doesn't really seem like she is doing anything special, she delivers a pretty powerful performance in the third act), Ben Foster - Bad to Pretty Bad (Just such an over-the-top performance that feels like over-acting at times than realistic definitely feels menacing and his lack of chemistry with Sweeney helps, but this is just more how the character is written rather than his performance), Merritt Wever - Pretty Bad (Very subdued and quiet performance; is meant to show lack of emotion and empathy, yet still somehow doesn't feel believable when she does this), Katy O'Brian - Pretty Bad (Just a generic performance; nothing really stands out about it), Rest of the cast - Pretty Bad (There doesn't feel like there is any chemistry between any of the cast members; the background actors just feel generic)
Score - Decent: Standard helps with establishing tone and tension
Soundtrack - Pretty Bad: Generic boxing movie soundtrack;
Cinematography - Decent: Standard; nothing special; what you would expect from a boxing movie
Editing - Decent: Standard; nothing special; what you would expect from a boxing movie
Sound - Pretty Good: Crisp; what you want from a boxing movie
Visual Effects - Decent: helps show gore and injuries; does not age the people well
Makeup - Decent: Helps show gore and injuries; Does not age people well
Costumes - Pretty Good: Gives Christy iconic boxing outfits
Pacing - Pacing is slow in Act 1, 2, and the resolution because of how generic it is; pacing is just right in Act 3 because it helps with building the tension
Climax - Climax is the best part of the love, as it is executed very well, making you uneasy with what is going on; the ending is straight up a Dhar Mann narration
Tone - This movie doesn't know what it wants to be; it tries to be both a sports movie and a hard-hitting drama about trauma, but it tries to play both sides and doesn't do a good job being right for the whole movie
Final Notes - Saw premiere at Austin Film Festival.
Direction - Decent: The direction on a macroscale is a major issue for the movie because it just feels generic, especially in the first hour and the final 15 minutes; The macroscale direction in the 3rd act is good, but the problem for this movie is that it does not know what it wants to be; The direction on a microscale is pretty generic, a little dull at times because there really isn't that much chemistry in the cast and a lot of the performances feel exaggerated or over-the-top; The storytelling is a major issue for this movie because for Act 1, 2, and the resolution, it is just a generic boxing movie that sprinkles in personal issues; I did enjoy the storytelling in Act 3 because it deals more with the personal issues of Christy, but ultimately in the end, this movie does not know what story it wants to tell (her career or her personal struggles) as it tries to do both when it can't; Tension is pretty predictable and bland for Act 1, 2, and the resolution, but it is very good in the third act because it uses our uncomfortable feelings with what is going on screen to make you feel very uneasy
Story - Pretty Bad: The concept is the life of Christy Martin, but the movie tries to touch on both her boxing career and her personal struggles when it should only really touch on the latter to be profound; The plot structure is a major issue for this movie because it is this generic boxing movie for Acts 1, 2, and the Resolution, but it is a different movie in the third Act; Because of its weird structure, the movie does not know what it wants to be; Character writing is pretty good to good for Christy because it does paint her as a flawed character who projects negativity because of the trauma she receives at home, but every other character is just a generic trope
Screenplay - Pretty Bad: The dialogue is so generic and bland; the humor is decent; the symbolism is profound in act three because of the DV issues they talk about, but it is generic for the most part; the foreshadowing is a massive issue for this movie because it's very obvious where this movie is heading with on the nose roots the movie places throughout the movie; I was shocked that the crowd didn't know things were going to happen because I read this movie like a book
Acting - Pretty Bad: Sydney Sweeney - Pretty Good (Definitely one of her better performances, as she transforms herself for the role; even though the accent work is a little rough at times, and it doesn't really seem like she is doing anything special, she delivers a pretty powerful performance in the third act), Ben Foster - Bad to Pretty Bad (Just such an over-the-top performance that feels like over-acting at times than realistic definitely feels menacing and his lack of chemistry with Sweeney helps, but this is just more how the character is written rather than his performance), Merritt Wever - Pretty Bad (Very subdued and quiet performance; is meant to show lack of emotion and empathy, yet still somehow doesn't feel believable when she does this), Katy O'Brian - Pretty Bad (Just a generic performance; nothing really stands out about it), Rest of the cast - Pretty Bad (There doesn't feel like there is any chemistry between any of the cast members; the background actors just feel generic)
Score - Decent: Standard helps with establishing tone and tension
Soundtrack - Pretty Bad: Generic boxing movie soundtrack;
Cinematography - Decent: Standard; nothing special; what you would expect from a boxing movie
Editing - Decent: Standard; nothing special; what you would expect from a boxing movie
Sound - Pretty Good: Crisp; what you want from a boxing movie
Visual Effects - Decent: helps show gore and injuries; does not age the people well
Makeup - Decent: Helps show gore and injuries; Does not age people well
Costumes - Pretty Good: Gives Christy iconic boxing outfits
Pacing - Pacing is slow in Act 1, 2, and the resolution because of how generic it is; pacing is just right in Act 3 because it helps with building the tension
Climax - Climax is the best part of the love, as it is executed very well, making you uneasy with what is going on; the ending is straight up a Dhar Mann narration
Tone - This movie doesn't know what it wants to be; it tries to be both a sports movie and a hard-hitting drama about trauma, but it tries to play both sides and doesn't do a good job being right for the whole movie
Final Notes - Saw premiere at Austin Film Festival.
Great Performances
Sydney Sweeney and Ben Foster did incredible jobs on this film. I love to see actors stretch themselves and they both do that. The movie could've paced faster but the performances were worth it. Lots of solid supporting actors as well. Overall, it was a gripping tale that shares the many challenges of this athlete. Well done!
Pugilistic Purgatory
In the last 30 years there has been at least one pugilistic film released every year. Movies about female boxers are still rare. 2000 gave us Michelle Rodriguez in Girlfight. Hilary Swank won a Best Actress Oscar for her role in Clint Eastwood's Million Dollar Baby in 2004. In 2014 India gave us Mary Kom. Last year (2024) we had The Fire Inside, a biopic about Claressa "T-Rex" Shields. And now, just in time for award season we have Sydney Sweeney bringing the story of Christy Salters to the screen.
I knew nothing about Christy Salters going into my screening. This naïve, rambunctious scrapper from West Virginia started her pugilistic journey by entering a local strong man contest in 1989. She kept boxing around the area where she lived winning small purses. By 1995 she was being scouted, taking an offer Jim Martin (Ben Foster) to train her. He got her fights, and she continued to get noticed until she got a meeting with the infamous Don King (Chad L. Coleman), at which point her career skyrocketed.
This is a movie about Christy taken in by a less than scrupulous man, about Christy who preferred women at a time when that was frowned upon, about Christy who is constantly at odds with her religiously snobbish mother Joyce Salters (Merritt Wever). Joyce does everything in her power to come between Christy and her real love Rosie (Jess Gabor). We follow the twists and turns of Christy's life, and the painful existence that attached itself to her.
Sweeney and Foster electrify the screen with their performances. Sure, at times it does feel like another boxing biopic. At other times it is engaging, like riding a roller coaster of emotions with the title character. Sweeney conveys the full range of those emotions, sometimes with just her eyes. Foster embodies the creepy Jim without any sense of self-consciousness. I have always liked Ben Foster no matter what the roll. This is a good bad one for him. And the final act is worth it when it comes. You just wait and see what hits you.
I knew nothing about Christy Salters going into my screening. This naïve, rambunctious scrapper from West Virginia started her pugilistic journey by entering a local strong man contest in 1989. She kept boxing around the area where she lived winning small purses. By 1995 she was being scouted, taking an offer Jim Martin (Ben Foster) to train her. He got her fights, and she continued to get noticed until she got a meeting with the infamous Don King (Chad L. Coleman), at which point her career skyrocketed.
This is a movie about Christy taken in by a less than scrupulous man, about Christy who preferred women at a time when that was frowned upon, about Christy who is constantly at odds with her religiously snobbish mother Joyce Salters (Merritt Wever). Joyce does everything in her power to come between Christy and her real love Rosie (Jess Gabor). We follow the twists and turns of Christy's life, and the painful existence that attached itself to her.
Sweeney and Foster electrify the screen with their performances. Sure, at times it does feel like another boxing biopic. At other times it is engaging, like riding a roller coaster of emotions with the title character. Sweeney conveys the full range of those emotions, sometimes with just her eyes. Foster embodies the creepy Jim without any sense of self-consciousness. I have always liked Ben Foster no matter what the roll. This is a good bad one for him. And the final act is worth it when it comes. You just wait and see what hits you.
Good, not great
I saw this film at the AFI Film Festival in Hollywood. The true story of Christy Martin (Sydney Sweeney) who popularized women's boxing. Some of the initial boxing montages are unnecessary (you will get the point that Christy was good quickly) but recommended for Sweeney's performance and especially Ben Foster's performance as her jerk of trainer/husband. Direction and cinematography were adequate. Bottom line: a good film but not an outstanding one.
More depth & entertaiment than Smashing Machine Shockingly
I saw this as the amc mystery movie...I was planning to see it weeks ago as well...and i would've never thought in a million years I wouId say this ls actually better than Smashing Machine, Its boxing but the fights are better, longer and smoother, the story is slightly thin but stiII becomes entertaining, Sydney Sweeney can ACT...it's just better than Smashing Machine...I can compare both films because it's has two actors stepping out their comfort zone, but Sydney definitely stepped out of hers, and she still nailed it...I never heard about this female boxer until I saw this film...it's pretty brutal for a story, but now im interested in this real life boxer's story.
Le saviez-vous
- AnecdotesSydney Sweeney gained 30 pounds to play boxer Christy Martin. She also went through about 3 1/2 months of training, which involved weight-training in the morning for an hour, kickboxing midday for about two hours, and weight-training again at night for an hour. She said in an interview with W magazine, "My body was completely different. I didn't fit in any of my clothes. I'm usually a size 23 in jeans, and I was wearing a size 27. My boobs got bigger. And my butt got huge. It was crazy! I was like, Oh my god. But it was amazing. I was so strong, like crazy strong."
- ConnexionsReferenced in CTV News at Noon Toronto: Épisode datant du 4 septembre 2025 (2025)
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 952 677 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 310 888 $US
- 9 nov. 2025
- Montant brut mondial
- 1 981 962 $US
- Durée
- 2h 15min(135 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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