Une mère célibataire fait face à une série d'événements malheureux qui la mènent sur un chemin inattendu. Aux prises avec des circonstances indépendantes de sa volonté, elle se retrouve dans... Tout lireUne mère célibataire fait face à une série d'événements malheureux qui la mènent sur un chemin inattendu. Aux prises avec des circonstances indépendantes de sa volonté, elle se retrouve dans une situation qu'elle n'aurait jamais imaginée.Une mère célibataire fait face à une série d'événements malheureux qui la mènent sur un chemin inattendu. Aux prises avec des circonstances indépendantes de sa volonté, elle se retrouve dans une situation qu'elle n'aurait jamais imaginée.
- Réalisation
- Scénario
- Casting principal
Shalèt Monique
- Rayah Dunnam
- (as Shalet Monique)
Avis à la une
I actually really like the story for this movie, more than I thought it would. It was in many ways relatable, and often left me deep in thought about societal ills. For that I give it credit.
The writing is so so. A lot of the dialogue especially was very amateurish and unrealistic. This also made the actors seem worse than they were.
The lead(s) did amazing, absolutely nailed it. A lot of the rest of the cast, especially most if not all of the people portraying police, seemed really poorly acted, however.
That's where I landed on a 6. I think it's a good movie that most people will enjoy, but had too many warts to rate much higher.
The writing is so so. A lot of the dialogue especially was very amateurish and unrealistic. This also made the actors seem worse than they were.
The lead(s) did amazing, absolutely nailed it. A lot of the rest of the cast, especially most if not all of the people portraying police, seemed really poorly acted, however.
That's where I landed on a 6. I think it's a good movie that most people will enjoy, but had too many warts to rate much higher.
I gave Straw a try because of all the hype and, admittedly, because Taraji P. Henson is a phenomenal actress and to her credit, she delivered a strong, committed performance. Unfortunately, that's where the praise ends.
Like many of Tyler Perry's films, Straw falls into the same tired formula: a struggling single mother, dramatic twists that defy basic logic, and a storyline that leans heavily on stereotypes rather than fresh storytelling. The plot was not only predictable, but at times completely unrealistic, even bordering on absurd.
It's disappointing, especially considering the platform and influence Tyler Perry has. There's a clear opportunity to tell deeper, more nuanced stories, especially about Black women, that doesn't rely on trauma, caricatures, or recycled plotlines. But once again, that opportunity is missed.
Let's be honest: aside from Henson's solid acting, this was a painfully poor film. We need to be more open and objective when discussing these movies. Hype doesn't equal quality, and it's okay to say it: Tyler Perry's films consistently falls short.
Like many of Tyler Perry's films, Straw falls into the same tired formula: a struggling single mother, dramatic twists that defy basic logic, and a storyline that leans heavily on stereotypes rather than fresh storytelling. The plot was not only predictable, but at times completely unrealistic, even bordering on absurd.
It's disappointing, especially considering the platform and influence Tyler Perry has. There's a clear opportunity to tell deeper, more nuanced stories, especially about Black women, that doesn't rely on trauma, caricatures, or recycled plotlines. But once again, that opportunity is missed.
Let's be honest: aside from Henson's solid acting, this was a painfully poor film. We need to be more open and objective when discussing these movies. Hype doesn't equal quality, and it's okay to say it: Tyler Perry's films consistently falls short.
Tyler Perry's Straw is an emotional knockout. It's a raw, honest look at how people carry silent pain until something small becomes the breaking point. Taraji P. Henson is phenomenal as always-her performance is layered and deeply moving. Sherri Shepherd is the real surprise here. She is absolutely amazing, bringing heart and depth that lingers long after the credits roll. This film reminds us that everyone's struggle looks different, and sometimes it only takes one moment to unravel it all. It has the heart and weight of an early 2000s classic. The only thing that keeps it from fully landing in that space is the cinematography. While it gets the job done, it doesn't elevate the story the way it could. Tyler has worked with this DP before, and I'd really like to see a stronger visual approach next time to match the caliber of the performances and script. Still, Straw is one of Perry's most honest and powerful films to date.
Taraji p. Henson earned every dollar on this project - she acted her heart out and truly carried the film. The writing still has that signature tyler perry cringe we've all come to expect, but this time it's handled with a bit more finesse and a noticeable step up in overall quality. Honestly, this is the best story he's written in a long while. The pacing kept me engaged, and the twist was genuinely unexpected - it caught me off guard in the best way. I really appreciated how everything wrapped up in the conclusion. If you're hesitant, i say give it a shot. It's worth watching and delivers a solid experience.
I've never seen a Tyler Perry movie before, but this is certainly not what I expected! The movie is absolutely heart-wrenching, with devastatingly emotional performances by Taraji P. Henson and the other actresses. Some of the side characters felt a little off, but not so much as to take away from the main story.
The movie is labelled as a thriller, but it feels more like a horror movie where the villain is America and its many oppressive systems that compound to make life difficult for everyday people.
The movie did feel a little too long at times, with certain elements dragging on unnecessarily long. The twist at the end was unexpected, but welcome, as it added another layer to the main character's actions and led me to revisit some early moments in the movie with a new perspective.
Overall, I thought it was very good, and I would recommend it.
The movie is labelled as a thriller, but it feels more like a horror movie where the villain is America and its many oppressive systems that compound to make life difficult for everyday people.
The movie did feel a little too long at times, with certain elements dragging on unnecessarily long. The twist at the end was unexpected, but welcome, as it added another layer to the main character's actions and led me to revisit some early moments in the movie with a new perspective.
Overall, I thought it was very good, and I would recommend it.
Le saviez-vous
- AnecdotesFilming took place over four days.
- GaffesWhen she went to the bank to cash her check it was closed but they opened the door for her to come in. Then as soon as the drama started there were four customers waiting behind her.
- Bandes originalesLet Her Cook
Written by GloRilla (as Gloria Woods), Jaucquez Lowe, Pooh Beatz (as Darryl Clemons), Squat Beats (as Julius Rivera III), Coupe (as Edward Maclin Cooper III), Isaac Hayes
Performed by GloRilla
Published by CMG the Label Publishing, Artist 101 Publishing Group, 2 Door Publishing, Irving Music Inc., Darryl Clemons Pub Designee, Warner-Tamerlane Publishing Corp. and Winners Circle Worldwide Publishing
Courtesy of CMG Enterprises/Interscope Records under license from Universal Music Enterprises
Contains a sample of "Ike's Mood" by Isaac Hayes
Courtesy of Stax Recordings, a division of Concord
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Détails
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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