NOTE IMDb
7,1/10
3,8 k
MA NOTE
Dans une Amérique alternative de 1985, un groupe de super-héros à la retraite enquête sur une conspiration après le meurtre de l'un des leurs.Dans une Amérique alternative de 1985, un groupe de super-héros à la retraite enquête sur une conspiration après le meurtre de l'un des leurs.Dans une Amérique alternative de 1985, un groupe de super-héros à la retraite enquête sur une conspiration après le meurtre de l'un des leurs.
- Réalisation
- Scénario
- Casting principal
Troy Baker
- Adrian Veidt
- (voix)
- …
Grey DeLisle
- Female Citizen #1
- (voix)
- (as Grey Griffin)
- …
Zehra Fazal
- Hira Manish
- (voix)
- …
Phil Fondacaro
- Tom Ryan
- (voix)
- …
Yuri Lowenthal
- Seymour
- (voix)
- …
Long Nguyen
- Attendant #1
- (voix)
Geoff Pierson
- Hollis Mason
- (voix)
- …
Matthew Rhys
- Dan Dreiberg
- (voix)
- …
Jason Spisak
- Doug Roth
- (voix)
- …
Kari Wahlgren
- Sylvia Kovacs
- (voix)
- …
Titus Welliver
- Rorschach
- (voix)
- …
Avis à la une
I'm happy to report that "Watchmen: Chapter II" is just as good as the original.
I love the gritty, real-world feel of the animation: really atmospheric in a feature that contains a lot of brutal violence.
For the final DC Animated Universe movie ever - or so they say - they really went all out, getting Titus Welliver, Matthew Rhys and Katee Sackhoff amongst others to lend their talents to bring a good script and story to life.
The whole cast was great, but Welliver (of "Bosch" fame) deserves special mention for his turn as Rorscach.
If this is indeed the last DC animated feature, they definitely went out on a high.
I love the gritty, real-world feel of the animation: really atmospheric in a feature that contains a lot of brutal violence.
For the final DC Animated Universe movie ever - or so they say - they really went all out, getting Titus Welliver, Matthew Rhys and Katee Sackhoff amongst others to lend their talents to bring a good script and story to life.
The whole cast was great, but Welliver (of "Bosch" fame) deserves special mention for his turn as Rorscach.
If this is indeed the last DC animated feature, they definitely went out on a high.
Alright, let me just say it upfront: Watchmen Chapter 2 kicks ass.
If you thought Chapter 1 set the tone, this one punches you in the face with it and then makes you ask for more. The direction? Flawless. It's dark, intense, unapologetic, and every frame feels like it's ripped right out of the comic and soaked in blood and cigarette smoke.
Let's talk about what works:
Direction - 10/10
The directors clearly know what they're doing. The mood, the pacing, the way scenes unfold-there's a sense of control here. You can feel the tension ramp up even in the quiet moments. No scene overstays its welcome, and the big moments hit hard. They didn't just adapt a comic-they translated it, with all the grit and grime intact.
Voice Acting - 10/10
Spot-on. Every voice matches the character like it's their soul speaking. Rorschach sounds exactly like he should-paranoid, broken, and dangerous. Dan's got that lovable sad sack energy. Laurie? Strong and conflicted. And Sally... yeah, we'll get to Sally. Point is: the voice team nailed the emotional beats. No wooden delivery, no cringe-just good acting.
Animation - 9.5/10
Absolutely gorgeous. This isn't Saturday morning cartoon crap-this is high-end, stylized violence and drama. The fight scenes are brutal and clean, the facial expressions are nuanced, and the lighting is pure noir porn. Every scene feels like it belongs on a giant screen in a dark room with a glass of whiskey.
Sound - 8.5/10
Solid. The score underlines the emotional weight without overdoing it, and the effects during action scenes are crisp and punchy. Sometimes the music swells a bit much, but honestly? It's forgivable.
Editing - 8/10
Clean, sharp, gets the job done. Transitions are smooth, especially when jumping between timelines or memories. Could it be tighter in a couple of scenes? Maybe. But nothing that pulls you out of the experience.
And now, Sally Jupiter...
Jesus Christ. I don't know who decided to make Sally the goddess of seduction in this one, but they deserve a raise and a bottle of champagne. She's magnetic every time she's on screen. The animators really leaned into her presence-every glance, every strut, every camera movement around her feels intentional. You can feel the room stop when she walks in. The way they framed her, especially during the flashback scenes, is pure cinema. She's not just eye candy-she's the whole damn dessert tray.
And yeah, let's be honest: the butt shots? Yeah, they're there. Tastefully framed, but not shy either. It's provocative without being sleazy. She owns her sexuality in a way that feels both empowering and thematically relevant, especially given her role in the Minutemen and her complicated legacy. Beautifully done.
---
Final Thoughts:
If you're a fan of the original Watchmen or even just good adult animation, you owe it to yourself to watch this. It's raw, visually stunning, and filled with layered performances and storytelling that actually respects your intelligence. It's not just a nostalgia trip-it's a real adaptation that understands the soul of the source.
Also... more Sally, please.
8/10. Would watch again. With whiskey.
If you thought Chapter 1 set the tone, this one punches you in the face with it and then makes you ask for more. The direction? Flawless. It's dark, intense, unapologetic, and every frame feels like it's ripped right out of the comic and soaked in blood and cigarette smoke.
Let's talk about what works:
Direction - 10/10
The directors clearly know what they're doing. The mood, the pacing, the way scenes unfold-there's a sense of control here. You can feel the tension ramp up even in the quiet moments. No scene overstays its welcome, and the big moments hit hard. They didn't just adapt a comic-they translated it, with all the grit and grime intact.
Voice Acting - 10/10
Spot-on. Every voice matches the character like it's their soul speaking. Rorschach sounds exactly like he should-paranoid, broken, and dangerous. Dan's got that lovable sad sack energy. Laurie? Strong and conflicted. And Sally... yeah, we'll get to Sally. Point is: the voice team nailed the emotional beats. No wooden delivery, no cringe-just good acting.
Animation - 9.5/10
Absolutely gorgeous. This isn't Saturday morning cartoon crap-this is high-end, stylized violence and drama. The fight scenes are brutal and clean, the facial expressions are nuanced, and the lighting is pure noir porn. Every scene feels like it belongs on a giant screen in a dark room with a glass of whiskey.
Sound - 8.5/10
Solid. The score underlines the emotional weight without overdoing it, and the effects during action scenes are crisp and punchy. Sometimes the music swells a bit much, but honestly? It's forgivable.
Editing - 8/10
Clean, sharp, gets the job done. Transitions are smooth, especially when jumping between timelines or memories. Could it be tighter in a couple of scenes? Maybe. But nothing that pulls you out of the experience.
And now, Sally Jupiter...
Jesus Christ. I don't know who decided to make Sally the goddess of seduction in this one, but they deserve a raise and a bottle of champagne. She's magnetic every time she's on screen. The animators really leaned into her presence-every glance, every strut, every camera movement around her feels intentional. You can feel the room stop when she walks in. The way they framed her, especially during the flashback scenes, is pure cinema. She's not just eye candy-she's the whole damn dessert tray.
And yeah, let's be honest: the butt shots? Yeah, they're there. Tastefully framed, but not shy either. It's provocative without being sleazy. She owns her sexuality in a way that feels both empowering and thematically relevant, especially given her role in the Minutemen and her complicated legacy. Beautifully done.
---
Final Thoughts:
If you're a fan of the original Watchmen or even just good adult animation, you owe it to yourself to watch this. It's raw, visually stunning, and filled with layered performances and storytelling that actually respects your intelligence. It's not just a nostalgia trip-it's a real adaptation that understands the soul of the source.
Also... more Sally, please.
8/10. Would watch again. With whiskey.
The animated Watchmen movies are the epitome of "let's just get it done". They're doing Alan Moore's Watchmen -- just about.
Nothing is egregiously erroneous here (no needless modifications to the plot; no misunderstandings of the characters vis-a-vis how "cool" we're supposed to think they are; none of Snyder's blunders, basically). It's just that everything is rushed through, the voice actors just sort of read the lines, and the cel-shaded animation, while it sometimes resembles Dave Gibbons' art to a T, is so stiff that it makes me miss the presentation of the Snyder film.
And that's mainly with regard to the characters; the backgrounds are often downright terrible (more noticeably so in this film than I can recall in Chapter I). There are moments where the CGI landscapes and models look more like something from Myst than Watchmen.
The MO of these movies is encapsulated in the scene where Dan "Nite Owl II" Dreiberg learns of the original Nite Owl, Hollis Mason's death at the hands of the knot-top gang; we here expect the scene where he has a moment of weakness and beats up a random knot-top in a way that would've previously seemed more befitting of Rorschach.
But when Rorschach says the line that is meant to lead into that sequence, Dreiberg replies "We don't have time". And so the scene is skipped. If only there was a way to experience this story in a way where, much like in the eyes of the mighty Dr. Manhattan, time is no issue.
Nothing is egregiously erroneous here (no needless modifications to the plot; no misunderstandings of the characters vis-a-vis how "cool" we're supposed to think they are; none of Snyder's blunders, basically). It's just that everything is rushed through, the voice actors just sort of read the lines, and the cel-shaded animation, while it sometimes resembles Dave Gibbons' art to a T, is so stiff that it makes me miss the presentation of the Snyder film.
And that's mainly with regard to the characters; the backgrounds are often downright terrible (more noticeably so in this film than I can recall in Chapter I). There are moments where the CGI landscapes and models look more like something from Myst than Watchmen.
The MO of these movies is encapsulated in the scene where Dan "Nite Owl II" Dreiberg learns of the original Nite Owl, Hollis Mason's death at the hands of the knot-top gang; we here expect the scene where he has a moment of weakness and beats up a random knot-top in a way that would've previously seemed more befitting of Rorschach.
But when Rorschach says the line that is meant to lead into that sequence, Dreiberg replies "We don't have time". And so the scene is skipped. If only there was a way to experience this story in a way where, much like in the eyes of the mighty Dr. Manhattan, time is no issue.
The story for Watchmen chapter 2 was not what I expected and very well written.
This was one of the best visual styles in an animated movie this year and an example of this is the comic books scenes. Also, it makes it look like the comic just jumped into movie form
I loved the villain in the movie and I thought he was very menacing.
The scenes on Mars where a little boring.
I found all the characters in the film to be really really intriguing.
I love the way the mystery was ended.
The voice acting in the film was really really good and every character had a standout moment.
Rorschach had some of the best scenes in the film.
This was one of the best visual styles in an animated movie this year and an example of this is the comic books scenes. Also, it makes it look like the comic just jumped into movie form
I loved the villain in the movie and I thought he was very menacing.
The scenes on Mars where a little boring.
I found all the characters in the film to be really really intriguing.
I love the way the mystery was ended.
The voice acting in the film was really really good and every character had a standout moment.
Rorschach had some of the best scenes in the film.
I am a big Watchmen fan read the book, watched the 2009 movie, watched the TV series, anyways this movie is great example for how to make a faithfull movie to a source material; there are some small changes like modifying some scenes either by cutting some of it or adding some or changing the timline of the story, but these changes are pretty small and doesn't effect on what the story meant to show, actually liked the art style here and how we see the art style differs whether it's in the present or a memory or from parallel story of the pirate; ofcourse like most adaptations it doesn't match the book quality, but it doesn't mean it's not worth watching, because I think that this is actually pretty great adaptation and the best that we actually had until now and I think it's one of the best movies of the year; my only complaint here will be that the animation quality just drops in some shots which was alittle bit disappointing, but that happened in few times and it wasn't that big problem especially that the animation quality was pretty great in the most of the movie. So yeah that is my thoughts on Watchmen Chapter 2.
Le saviez-vous
- AnecdotesThe final film in the long-running DC Universe Animated Original Movies line.
- ConnexionsFollows Watchmen: Chapter I (2024)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39:1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant