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L'évaluation

Titre original : The Assessment
  • 2024
  • R
  • 1h 54min
NOTE IMDb
6,6/10
16 k
MA NOTE
POPULARITÉ
240
74
Elizabeth Olsen, Alicia Vikander, and Himesh Patel in L'évaluation (2024)
In the near future where parenthood is strictly controlled, a couple's seven-day assessment for the right to have a child unravels into a psychological nightmare.
Lire trailer2:26
2 Videos
99+ photos
DrameScience-fictionDrame psychologiqueScience-fiction dystopique

Dans un monde ravagé par le changement climatique, une société utopique optimise la vie, y compris l'évaluation de la parentalité. Un couple heureux est soumis à un examen minutieux par un é... Tout lireDans un monde ravagé par le changement climatique, une société utopique optimise la vie, y compris l'évaluation de la parentalité. Un couple heureux est soumis à un examen minutieux par un évaluateur pendant sept jours.Dans un monde ravagé par le changement climatique, une société utopique optimise la vie, y compris l'évaluation de la parentalité. Un couple heureux est soumis à un examen minutieux par un évaluateur pendant sept jours.

  • Réalisation
    • Fleur Fortune
  • Scénario
    • Nell Garfath Cox
    • Dave Thomas
    • John Donnelly
  • Casting principal
    • Alicia Vikander
    • Elizabeth Olsen
    • Himesh Patel
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    16 k
    MA NOTE
    POPULARITÉ
    240
    74
    • Réalisation
      • Fleur Fortune
    • Scénario
      • Nell Garfath Cox
      • Dave Thomas
      • John Donnelly
    • Casting principal
      • Alicia Vikander
      • Elizabeth Olsen
      • Himesh Patel
    • 97avis d'utilisateurs
    • 81avis des critiques
    • 62Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos2

    Official Trailer
    Trailer 2:26
    Official Trailer
    The Assessment
    Trailer 2:24
    The Assessment
    The Assessment
    Trailer 2:24
    The Assessment

    Photos125

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    + 117
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    Rôles principaux18

    Modifier
    Alicia Vikander
    Alicia Vikander
    • Virginia…
    Elizabeth Olsen
    Elizabeth Olsen
    • Mia
    Himesh Patel
    Himesh Patel
    • Aaryan
    Indira Varma
    Indira Varma
    • Sjohus
    • (voix)
    • …
    Suhayla Balli Al Soufi Del Diego
    • Young Mia
    Angeline Padrón Filippova
    • Amy
    Saida Fuentes
    • Kyra
    • (as Saida Fuentes Quesada)
    Charlotte Ritchie
    Charlotte Ritchie
    • Serena
    Leah Harvey
    Leah Harvey
    • Holly
    Anaya Thorley
    • Amelia
    Nicholas Pinnock
    Nicholas Pinnock
    • Walter
    Minnie Driver
    Minnie Driver
    • Evie
    Malaya Stern Takeda
    Malaya Stern Takeda
    • Catherine
    • (as Malaya Takeda)
    Benny O. Arthur
    Benny O. Arthur
    • Ash
    Thiago Braga de Oliveira
    Thiago Braga de Oliveira
    • Compliance Officer
    Illyassou Balde
    • Chrissie
    Tiby
    • Hawkeye
    Cooper
    • Cooper
    • Réalisation
      • Fleur Fortune
    • Scénario
      • Nell Garfath Cox
      • Dave Thomas
      • John Donnelly
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs97

    6,615.6K
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    Avis à la une

    8vithiet

    Wow, what a great surprise!

    I had heard nothing about this movie except for seeing it on a list of recommended recent sci-fi movies and then seeing the great ratings. I would say it's more "sci-fi ish"; at it's core though it is a fantastic dystopian psychological thriller. All 3 main actors are doing a phenomenal job here (I wish we'd see Alicia Vikander in more stuff!) and it kept me engaged from beginning to end, even the scenes that are less easy to watch. I absolutely recommend it!
    5imdb-23821

    Different but mostly obvious cardboard, overrated

    Given the rating that was 6.9 at the time, I expected much better than I received. In short, You're told that the world has split into two. One where the air is purified somehow and the old which was soiled. Almost nothing is told about this process and the film tries to stick to just one issue. People are limited to having no children unless given permission. An assessor will come to the house to determine whether a child may be produced. In comes Alicia vikander.

    She then proceeds to act like a child for much of the rest of the movie. At times it is incredibly silly and not believable. The actors do a fantastic job in selling the concept, but but she goes in and out of character at times that you don't know which version she is and the characters are understandably confused. Some of the reactions of the adults supposedly treating a child are understandable because they aren't dealing with a child. The test is inherently itself, not fair but you're asked to go along with it. But there was one absolutely ridiculous test, in which the answer is blatantly obvious to everyone but the tested person. Perhaps they thought it was a good idea on paper but it was executed so painfully that it was difficult to watch. There are also many holes in this script.

    Minnie driver steals the show in the one scene that she appears. But in the end, which is rushed badly, you get to find out some answers which is standard dystopia. I didn't find redeeming qualities about this film whatsoever. The moral of the story is raising children can be a difficult experience. And the rest of the science fiction element is completely unexplored. It's only there to create cool effects and provide a reason for the assessment.

    I completely admire the fine performances by the actors. But this bit of silliness is 2 hours of time. I really wish I had back. If you're a fan of frilly artistic portrayal with lots of diversity as part of our future, you might appreciate this. But it is completely superficial.
    5Silicone54

    Not very rewarding

    The 3 leads are pretty good in their roles but story just didn't gel together for me. Very little is known of the dystopia, the cause, the effect the hope. The entire focus is really on the assessment of the couple's readiness for raising a child. A few sprinkles of insight into their work life doesn't do much to round out their characters. Virginia the assessor of the couple is quite erratic and throws every cliche of bad childish behavior to test the couple. This was mildly interesting but it grew tiresome.

    I didn't expect the story to continue where I had thought it should have ended. Just delivered more dialogue that no longer mattered to me as I had already mentally checked out. I think the premise and the awkward start of the movie could have been a rating of 7. By 1/2 way through the movie lost its mojo and slid down to a 5.

    Watch it if you like the lead actors but the story might grind on you.
    7brentsbulletinboard

    The Prospects of Judgmentalism

    It often feels like we're constantly being assessed, evaluated on everything from our creditworthiness to our work performance to our scholastic achievements. But imagine what it might be like if we were scrutinized on highly personal matters, with intrusive investigations into our most highly intimate concerns. Such is life in director Fleur Fortune's debut feature in a dystopian version of Earth of the future. With the planet devastated by environmental decline, human society has been drastically reorganized into the old world and the new world. The former is a pathetic wasteland where individuals struggle to live out short lives under horrific conditions. The latter, meanwhile, is a sanctuary for the fortunate, with clean air, clean water and a comfortable way of life, but there's a trade-off: Residents must abide by litany of stringent laws, rules and regulations in which they're under constant assessment, including in matters of their so-called private lives, where the risk of being reassigned to the old world looms for even the smallest of violations. This intensive surveillance involves essentially everything, including such basic considerations as the ability to have children, a strictly regulated undertaking for which would-be parents are rigorously evaluated by government-appointed assessors on their qualifications to assume this role. So it is for Mia (Elizabeth Olsen) and Aaryan (Himesh Patel), a couple looking to become one of the privileged, who are placed under the microscope by their evaluator, Virginia (Alicia Vikander). The assessor takes up residence with the couple for a week to scrutinize their suitability, engaging in rounds of intensive questioning, role playing exercises and other unannounced tests to see if they meet the requisite standards. But are they up to it? The process pushes the limits of the couple's coping abilities, exposes long-hidden secrets and pushes the envelope of their tolerance levels for their circumstances, all in the name (supposedly) of determining whether they would make acceptable parents. And, as the evaluation unfolds, it raises questions about whether the assessment is truly everything it appears to be. This inventive social sci-fi offering raises an array of probing, thoughtful questions, both for the characters, as well as audience members, particularly where matters of personal privacy and societal judgmentalism are concerned. The narrative is purposely designed to keep viewers guessing, placing them squarely in the shoes of the protagonists and nudging them to ask themselves what would they do under conditions like these. It's an approach that generally keeps us hooked as the story plays out, despite some occasional lapses in pacing and a few sequences in which the action feels a little over the top (especially in the role playing segments). But the payoff is ultimately worth it, one that makes us question whether the constant evaluations to which we're subjected in today's society are everything they're allegedly cracked up to be. This German production with dialogue in English is an intriguing examination of what we allow ourselves to be put through to see if we measure up to expectations that ultimately aren't necessarily our own, particularly in matters that fundamentally aren't anyone else's business. Think about that the next time you feel you're being unduly judged, a consideration that's taken on new weight in today's day and age - and that this cautionary tale might be giving us a preview of what could possibly lie ahead.
    8johnalagoz

    Very well done but difficult to watch, not for everyone

    The Assessment is a Sci-fi drama Starring Elizabeth Olsen and Himesh Patel as Mia and Aaryan, a couple who want a child in the future are given a 7 day test by an assessor,(Alicia Viklander) who make the test possible and if no slip ups occur a baby will be gifted, but the expected-to-be parents see that this is harder than they expected.

    Given strength by strong acting and unique premise, The Assessment is something I didn't really expect plot-wise but I think it was made brilliantly. The film is set in a format of Days 1-7 and each one is as different and engaging as the other. Honestly I was expecting this to reuse sci-fi tropes from the past, but I got to say that this is so original and unexpected I think it was done super well! The way everything connects and what the couple have to do is portrayed so well to the point that this might be what the most likely cause of creating children will be in a effected world of climate change.

    Performances do not disappoint, Elizabeth Olsen and Himesh Patel were so good they probably could've been on their own with a entirely different plotline and it would have been just as captivating. But Alicia Viklander is also very good and to be honest, she's very good at the whole sci-fi genre and to see her here was a delight. Just everyone involved did their best and I really appreciate that with a film that doesn't really rely on CGI to be as creative as it is.

    However, the film is graphic in some places in terms of sex and disturbing interactions from Alica Viklander's character acting like a child in a older woman's body gave me Poor Things vibes. But that doesn't matter really and it's essential to the plot but this is definitely for an older audience and I can definitely imagine this being an easy R or 15/18 in the UK if anyone is interested.

    Overall, while some characters don't have much resolved plotlines the ones that do are created and performed so well it's hard to find anything bad about The Assessment. Definitely a one you must go and see when it comes out in mid 2025 I would highly recommend this amazing and creative piece of art when it hits cinemas.

    Grade: A+

    London Film Festival October 19th.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Fleur Fortune and production designer Jan Houllevigue intentionally used minimal wood furniture and wood accents as part of the set because there are no forests left in this timeline. Instead everything was made of concrete and stained glass and purposefully given a "70s retro feel" to make it feel more relatable to audiences, versus the obvious sci-fi look - white, minimal, clinical - which would have come off as too futuristic.
    • Bandes originales
      Pretty Fly - Part 1 and 2
      From La nuit du chasseur (1955)

      Composed by Walter Schumann

      Published by Bourne Co.

      US PRO: ASCAP

      ISWC#: T9032707145

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    Détails

    Modifier
    • Date de sortie
      • 8 mai 2025 (France)
    • Pays d’origine
      • Royaume-Uni
      • Allemagne
      • États-Unis
    • Sites officiels
      • deadline hollywood
      • multiple sources in references
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Assessment
    • Lieux de tournage
      • Arico Viejo, Tenerife, Canary Islands, Espagne(on location)
    • Sociétés de production
      • Augenschein Filmproduktion
      • Number 9 Films
      • Project Infinity
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 279 328 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 152 905 $US
      • 23 mars 2025
    • Montant brut mondial
      • 279 328 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 54min(114 min)
    • Couleur
      • Color

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