L'Affaire Yara: sans le moindre doute ?

Frankly speaking, a good reason to cancel the Netflix subscription.

The documentary exclusively supports the defendant's point of view and ends by claiming that the prosecutor is under investigation for fraud.

The reality is that criminal prosecution in Italy is mandatory when there is a complaint (and the defendant's attorney filed a complaint) but the action ended with the prosecutor's acquittal of all charges.

The evidence brought by the public prosecution in this case is indisputable. The genetic profiles of person of interest 1 and 2 were ascertained well before the people to whom they belong were identified. What is extraordinary in this case is that the genetic profiling of almost 20,000 volunteers made it possible to determine the existence of an illegitimate child, the result of an extramarital relationship of which no one was aware, except the mother of the accused and his natural father, who died 12 years earlier. This illegitimate child was found guilty of killing Yara Gambirasio.

Netflix documentary falsely claims the evidence of the defendant's van, circling 16 times around the gym, was fabricated. The reality is that a video released by investigators showed images shot by 5 different cameras. Only one provided images of such quality as to allow certain identification of the defendant's van. The images shot by the other four cameras only show a van "compatible" with the defendant's one. However, in the entire province of Bergamo (1,060 square kilometers in area and 1,115 million inhabitants) there were only three vans compatible with that of the defendant. The probability that other vehicles, compatible to the defendant's one, were circulating around the Yara gym, on the same day at the same time, thus reducing the identifications from 16 to "only" 5, was considered by the jury to be low and, ultimately, irrelevant. Bossetti's van was indeed circling around the gym when Yara disappeared, as for the evidence presented by the prosecution.

Much emphasis is placed on the trainer's genetic material found on Yara's jacket or on cell phone traces. The jury found these elements irrelevant. Yara and the coach met regularly at the gym. The genetic material may have been deposited on the vest days, or even weeks, before Yara disappeared.

The cell phones do not prove at all that the defendant was at home at the time of Yara's disappearance. No one confirmed his alibi, not even his family, and the defendant has no explanation as to why his van was circling around Yara's gym at the time of her disappearance.

Massimo Bossetti is rotting in jail and deservedly so.

The continuous back and forth between multiple time lines is extremely confusing and irritating. At one point in the 3rd episode I just didn't know what part of the sequence of events was I even seeing anymore.

If you want to go back and forth, then just keep it to 2 timelines OR better just go in a sequential order.

The editor has made a mess of things completely destroying the documentary.

Also wassup with the subtitles and audio translation? Every scene starts off with the original Italian audio and then the English audio cuts in, the screen at the same time shows the original Italian text (name of the person talking on screen), and the subtitles then randomly shows the person's name in between what is being said.

I still completed the series because I really wanted to find out what happened. But my god, the production of this thing is a complete mess.

STOP inserting the original audio language in translated versions.

STOP inserting the original language words on-screen in translated versions.

STOP with the multiple timelines if you don't know what you are doing. You are NOT Nolan.

This show is TERRIBLE to watch. Not because of the story. The story is sad. The production is terrible. It goes back and forth in time. Why??? It's pointless. Tell the story chronologically. Why not?

Plus, either do it all in ENGLISH or don't do it!! Do a version for Italy if you want to hear Italian. It's terrible to hear both English and Italian at the same time. Very hard to listen to.

They flash who the people are for one tenth of a nanosecond in Italian. Put it in ENGLISH. That is who the customers are in THE USA.

The news reporters are in Italian. Why?? Just do it all in one language. This really takes away from the documentary.

The reason i didn't give this a 10 is that I don't really like the way it is arranged. The timeline is confusing and keeps bringing you forward and back many times. I would have preferred a more linear narration. The soundtracks are a little bit offbeat, and it's such a mess because I think that visually a good job has been done, and the sound accompaniment should be fundamental to give authenticity and power to a work of this kind.

This show fulfills a fundamental role, which is to bring to the attention of the general public a version of the facts that is not the institutional one.

Sometimes institutions make mistakes, and sometimes, rather than admitting their mistake, they continue to act wrongfully. This is a pattern that has been repeated many times in history and which could correspond to this tale.

The thing i appreciated most about this miniseries is that it does not try to convince you of Massimo Bossetti's innocence, but simply gives you all the possible elements to doubt the institutions. Doubting institutions is essential to avoid being dominated by them.

This documentary cought my attention, it is heartbreaking as any similar case would be and I was really interested in finding out what happened but on the half of second episode I had to stop watching because of disturbed timeline. Constant back and forth between various years is making me nervous and I can't follow any more what is happening when. Don't understand the reason behind this but I see it often in documentaries lately especially true crimes. It's purpose is I suppose to make dynamics which is fine but should be made moderately. This just confuses, iritates and makes documentary impossible to follow.