Ajouter une intrigue dans votre langueIn 1986 Northern California, Olive Oyl, her brother Castor and friends, go on a camping trip to see the meteor shower with Halley's comet. But the night turns into horror as a meteor transfo... Tout lireIn 1986 Northern California, Olive Oyl, her brother Castor and friends, go on a camping trip to see the meteor shower with Halley's comet. But the night turns into horror as a meteor transforms Popeye, into a unstoppable killing machine.In 1986 Northern California, Olive Oyl, her brother Castor and friends, go on a camping trip to see the meteor shower with Halley's comet. But the night turns into horror as a meteor transforms Popeye, into a unstoppable killing machine.
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Absolutely nobody who puts this movie on is expecting an oscar winner nor anything serious. Why people are hating on this when it's been done deliberately that bad it becomes good and hits all the hilarity you could expect from a movie of this ilk... I'm sorry but this is definitely a 6 and will keep you laughing all the way through just for the sheer hilarity. They nailed this, fun night in. Only idiots would actually expect this to be a serious movie. What's not to like about a old aged pensioner who smokes a pipe fishing getting hit by an asteroid and then turning into a pot smoking serial killing meathead.
This movie isn't your usual horror-it's more about having fun than being scary. It's over-the-top, playful, and designed to entertain. The filmmakers did a great job capturing the 80s vibe, and their Popeye character was surprisingly solid. The deaths were definitely the highlight-bloody, creative, and full of dark humor. The final scene brought a lot of energy. I'd recommend this movie if you're just looking for something light and enjoyable, without expecting any serious scares. It's not trying to be serious, but it's a blast to watch. I had a great time, and it left me smiling. It's the kind of movie you watch for fun, not scares.
Man, is this one a stinker. But I think it is supposed to be intentionally bad in a money laundering scheme by a nefarious criminal organization that loathes us.
It's Uwe Boll bad. It's bow-chicka-wow-wow level of acting. One of the cops clearly just come from a circuit party with his earrings and yellow pseudo-Aviators.
Bernice was okay. But the rest of this trash fire of a movie is just all wrong and not in a remotely so-bad-it's-good-and-comes-back-around-to-bad-and-settles-on-watchable way.
It also fails at capturing the mid-80s.
It's a quick cash grab on expired copyright. Although it really fails to even emphasize the Popeye thing.
Do not pay to see this.
It's Uwe Boll bad. It's bow-chicka-wow-wow level of acting. One of the cops clearly just come from a circuit party with his earrings and yellow pseudo-Aviators.
Bernice was okay. But the rest of this trash fire of a movie is just all wrong and not in a remotely so-bad-it's-good-and-comes-back-around-to-bad-and-settles-on-watchable way.
It also fails at capturing the mid-80s.
It's a quick cash grab on expired copyright. Although it really fails to even emphasize the Popeye thing.
Do not pay to see this.
This film knows exactly knows what it wants to be - a sincere homage to the low-budget horror movies of the '80s - and director, Paul Stephen Mann, has assembled a crew and cast more than capable of helping him achieve this vision.
With references to the video nasties of Raimi, Craven throughout and gore aplenty, the film follows in the tradition of 'good time' horror films, made on a shoestring by fans and for fans. This could be something made by Troma, minus the unnecessary nudity and misogyny.
Mostly practical effects, augmented by some decent CG (especially for the money - the Jurassic World films still can't get anywhere close to what the original film did with a couple puppeteers in veloceraptor leggings), this akin to something made by a young Peter Jackson. Filmed in Scotland in September, mostly during the night, I'm surprised none of the actors died of hypothermia from the no-doubt freezing blood they are frequently drenched in.
The actors all around nail their assignment and the crew are clearly top of their game, particularly the make up and practical effects, recreating both a believable nostalgia for the 80s as well as the numerous injuries and bloody deaths incurred almost every character.
I suppose the question might be, why would people so talented make a 'Popeye' film and not something more 'original'? Particularly when many of the negative reviews seem fixated on this, focussing on what they misunderstand to be flaws in the film (rather than deliberate referential codes) to reinforce an opinion formed before they even saw it.
The answer would be, well, why not? This is clearly the film that Mann wanted to make and the cast and crew have achieved this 100%. Any review that takes the premise of 'why can't this thing be a different thing?' doesn't hold any weight, and perhaps said reviewers would benefit from rewatching the end of Ratatouille. It is always easier to complain from a distance; creating something is hard and making a film is among the hardest. So well done to all involved.
So, if you're looking for knowingly cheesy and bloody (haha) good riff on 80s shlock classics, check this out. It is considerably better than many of the films that followed in the wake of Grindhouse and, at just over an hour, it even excises much of the tedious first acts of too many of the films it homages, so you can get straight to the good stuff. Get the beers in and watch with friends.
With references to the video nasties of Raimi, Craven throughout and gore aplenty, the film follows in the tradition of 'good time' horror films, made on a shoestring by fans and for fans. This could be something made by Troma, minus the unnecessary nudity and misogyny.
Mostly practical effects, augmented by some decent CG (especially for the money - the Jurassic World films still can't get anywhere close to what the original film did with a couple puppeteers in veloceraptor leggings), this akin to something made by a young Peter Jackson. Filmed in Scotland in September, mostly during the night, I'm surprised none of the actors died of hypothermia from the no-doubt freezing blood they are frequently drenched in.
The actors all around nail their assignment and the crew are clearly top of their game, particularly the make up and practical effects, recreating both a believable nostalgia for the 80s as well as the numerous injuries and bloody deaths incurred almost every character.
I suppose the question might be, why would people so talented make a 'Popeye' film and not something more 'original'? Particularly when many of the negative reviews seem fixated on this, focussing on what they misunderstand to be flaws in the film (rather than deliberate referential codes) to reinforce an opinion formed before they even saw it.
The answer would be, well, why not? This is clearly the film that Mann wanted to make and the cast and crew have achieved this 100%. Any review that takes the premise of 'why can't this thing be a different thing?' doesn't hold any weight, and perhaps said reviewers would benefit from rewatching the end of Ratatouille. It is always easier to complain from a distance; creating something is hard and making a film is among the hardest. So well done to all involved.
So, if you're looking for knowingly cheesy and bloody (haha) good riff on 80s shlock classics, check this out. It is considerably better than many of the films that followed in the wake of Grindhouse and, at just over an hour, it even excises much of the tedious first acts of too many of the films it homages, so you can get straight to the good stuff. Get the beers in and watch with friends.
I was lucky enough to see a preview of this film before the UK release date at the group that I attend at b-team.
Surprisingly it was all filmed in Scotland although made to look very much like Northern California. It also has a nod to a Stranger Things vibe with it being in the 1980s and odd things occurring.
The main guy in question Popeye!, played by Tony Greer is very much a mutant that you do not want to mess with.... particularly if you are trying to get to your car keys.... Trying to be vague here so I don't spoil it. It also left you feeling like you'd think twice going on a camping trip or hooking up with a crush too while camping.
The plot is easy to follow and the characters are really relatable as well in their own right, some stereotypes like any horror but mostly relatable characters.
Big shout out to Lt. Lang played by Stephen Corrall, I really believed your character's portrayal of the sense of urgency to get to the problem at hand with regards to helping out Olive Oyl.
I like the fact that some Easter eggs were put into the movie as well to keep it intriguing. Such as notable nods to Freddy Krueger, Evil Dead and The Walking Dead.
The 8/10 I've given, only constructive criticism is: I felt the character's needed a little bit more character progression with regards to getting to know them as I felt some were killed off too soon.
All in all, a brilliant b-movie with a lot of laughs, downright gore and edge of your seat stuff.
Surprisingly it was all filmed in Scotland although made to look very much like Northern California. It also has a nod to a Stranger Things vibe with it being in the 1980s and odd things occurring.
The main guy in question Popeye!, played by Tony Greer is very much a mutant that you do not want to mess with.... particularly if you are trying to get to your car keys.... Trying to be vague here so I don't spoil it. It also left you feeling like you'd think twice going on a camping trip or hooking up with a crush too while camping.
The plot is easy to follow and the characters are really relatable as well in their own right, some stereotypes like any horror but mostly relatable characters.
Big shout out to Lt. Lang played by Stephen Corrall, I really believed your character's portrayal of the sense of urgency to get to the problem at hand with regards to helping out Olive Oyl.
I like the fact that some Easter eggs were put into the movie as well to keep it intriguing. Such as notable nods to Freddy Krueger, Evil Dead and The Walking Dead.
The 8/10 I've given, only constructive criticism is: I felt the character's needed a little bit more character progression with regards to getting to know them as I felt some were killed off too soon.
All in all, a brilliant b-movie with a lot of laughs, downright gore and edge of your seat stuff.
Le saviez-vous
- AnecdotesThe license plate on Castor Oyl's car features the same number as the car in A Nightmare on Elm Street.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Aussi connu sous le nom de
- Разрази меня гром
- Lieux de tournage
- Uphall, Écosse, Royaume-Uni(Uphall industrial estate, Broxburn EH52 5NT)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 £GB (estimé)
- Durée
- 1h 13min(73 min)
- Couleur
- Rapport de forme
- 2.37:1
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