Ajouter une intrigue dans votre langueDetectives are thrust into a chilling hunt for "Mr. Shiny"-a sadistic serial killer from the past whose return marks the beginning of a new wave of grotesque, otherworldly crimes tied to a d... Tout lireDetectives are thrust into a chilling hunt for "Mr. Shiny"-a sadistic serial killer from the past whose return marks the beginning of a new wave of grotesque, otherworldly crimes tied to a dark cosmic force.Detectives are thrust into a chilling hunt for "Mr. Shiny"-a sadistic serial killer from the past whose return marks the beginning of a new wave of grotesque, otherworldly crimes tied to a dark cosmic force.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Avis à la une
The trailer made this look like it was a hardcore, disturbing horror film. It was not. It's all framed within a fake true crime episode and we truly don't get to see much of the action, more so we have it described to us. Color me disappointed, but not entirely.
I will give the film props. It does the true crime bit pretty well. The acting is mostly good, there's a certain authenticity that's upheld throughout. They did a fine job of making this fake mocumentary look as real as possible. I appreciated that.
On the flipside, the film delivers some great unintentional comedy along the way. Things definitely intended to be scary made my whole theater crack up at how silly it was and some of the dialog was outright bad. Not a deal breaker though.
The story also becomes a snoozer about two thirds of the way through. For a film that's only about 90 or so minutes long, that's not great. It felt like the story really goes nowhere at the end. I would elaborate but spoilers.
Overall, I couldn't recommend spending money on it, but it wasn't the worst thing I've seen and it was creative on a few fronts. With some tighter writing and editing, I'm positive they could come out with a sequel to this and it would be a good flick. As it stands though, the film was just ok for me.
2.5 sacrifices out of 5.
I will give the film props. It does the true crime bit pretty well. The acting is mostly good, there's a certain authenticity that's upheld throughout. They did a fine job of making this fake mocumentary look as real as possible. I appreciated that.
On the flipside, the film delivers some great unintentional comedy along the way. Things definitely intended to be scary made my whole theater crack up at how silly it was and some of the dialog was outright bad. Not a deal breaker though.
The story also becomes a snoozer about two thirds of the way through. For a film that's only about 90 or so minutes long, that's not great. It felt like the story really goes nowhere at the end. I would elaborate but spoilers.
Overall, I couldn't recommend spending money on it, but it wasn't the worst thing I've seen and it was creative on a few fronts. With some tighter writing and editing, I'm positive they could come out with a sequel to this and it would be a good flick. As it stands though, the film was just ok for me.
2.5 sacrifices out of 5.
The vibes of Fincher's Zodiac combined with Lovecraftian cosmic horror, expertly presented in a found footage/true crime documentary format. It's unsettling, interesting, and compelling, with some great practical effects and an intriguing antagonist. I absolutely love found footage horror, I think it's a sub-genre that, when put in the right hands, can lead to some truly creative filmmaking. This is now a new favorite of mine, and has the potential to become a classic of the genre.
Strange Harvest is a fascinating hybrid on paper a horror mockumentary that merges the unsettling realism of true crime with the creeping dread of a slasher film. Directed by Stuart Ortiz (Grave Encounters), the film chronicles the return of a long-dormant serial killer known as "Mr. Shiny," who resurfaces in Southern California's Inland Empire after a 20-year absence. Told through interviews with detectives, witnesses, and survivors, the story unfolds much like a Netflix docuseries or an Investigation Discovery special, but with the menace of a fictional monster lurking between the lines.
If you're a fan of the ID Channel or Netflix crime documentaries especially those built on talking head interviews, crime scene photos, and slow burn narrative reveals this movie is squarely in your wheelhouse. Ortiz nails the structure of a prestige docuseries, right down to the ominous voiceovers, grainy police footage, and staged reenactments that look just believable enough to make you forget you're watching a scripted film. The two lead detectives, played with grit and weary realism, give the story a grounded center, and the Inland Empire setting brings a sun-bleached, suburban eeriness to the proceedings.
That said, while the format is well executed, it's also limiting. There's a compelling protagonist here, and Mr. Shiny himself is an intriguing, cryptic villain-but the rigid docu-style storytelling keeps them both at arm's length. We're always watching them through someone else's filter, rather than fully inhabiting their world. The horror elements, when they arrive, are effective but sparse, sometimes feeling like they're spliced in rather than organically growing from the story.
This is where Strange Harvest may divide audiences. For true crime devotees, the authenticity and attention to procedural detail will be a treat. For horror fans looking for immersive tension or sustained scares, the docu-style pacing might feel like a slow drip that never fully erupts. And for viewers like me, who see the potential in the premise but want more than just a convincing imitation of a streaming documentary, it's hard not to wish the film broke free of its own structure.
Ultimately, Strange Harvest is a well crafted experiment that succeeds at what it's trying to do-recreate the feeling of a prestige true-crime do, but in doing so, it may have boxed itself in. It's a film that feels almost too convincing for its own good, leaving you wondering if the same story might have worked better told without the mockumentary constraints.
If you're a fan of the ID Channel or Netflix crime documentaries especially those built on talking head interviews, crime scene photos, and slow burn narrative reveals this movie is squarely in your wheelhouse. Ortiz nails the structure of a prestige docuseries, right down to the ominous voiceovers, grainy police footage, and staged reenactments that look just believable enough to make you forget you're watching a scripted film. The two lead detectives, played with grit and weary realism, give the story a grounded center, and the Inland Empire setting brings a sun-bleached, suburban eeriness to the proceedings.
That said, while the format is well executed, it's also limiting. There's a compelling protagonist here, and Mr. Shiny himself is an intriguing, cryptic villain-but the rigid docu-style storytelling keeps them both at arm's length. We're always watching them through someone else's filter, rather than fully inhabiting their world. The horror elements, when they arrive, are effective but sparse, sometimes feeling like they're spliced in rather than organically growing from the story.
This is where Strange Harvest may divide audiences. For true crime devotees, the authenticity and attention to procedural detail will be a treat. For horror fans looking for immersive tension or sustained scares, the docu-style pacing might feel like a slow drip that never fully erupts. And for viewers like me, who see the potential in the premise but want more than just a convincing imitation of a streaming documentary, it's hard not to wish the film broke free of its own structure.
Ultimately, Strange Harvest is a well crafted experiment that succeeds at what it's trying to do-recreate the feeling of a prestige true-crime do, but in doing so, it may have boxed itself in. It's a film that feels almost too convincing for its own good, leaving you wondering if the same story might have worked better told without the mockumentary constraints.
True-crime programs on TV wish they could be this good.
Like Grave Encounters (2011) before it, Strange Harvest dissects a type of TV program and creates an imitation even better than the original. This is Le silence des agneaux (1991) as an episode of Détectives médicaux (1996), a sinister episode of New York - Police judiciaire (1990) taken to its horrific logical extreme.
I saw Strange Harvest at the Nevermore Film Festival. It's a simple, low budget portrayal of a straightforward premise (at least until the end), yet masterfully executed. Peter Zizzo and Terri Apple are quite believable as average suburban police detectives pursuing what they uncover to be an extraordinary crime spree. By telling the story in chronological order, the audience knows what the detectives knew at the time and share their confusion in trying to make sense of the crimes, the lack of evidence, and their frustration in trying to identify the perpetrator and track him down because he disappears like a ghost. Each crime is different, and one in particular in a swimming pool is as diabolical as the traps in the Saw (2004) movies.
Le Projet Blair Witch (1999), the mother of all found footage films, used its documentary film style to seem totally real. Strange Harvest creates a similar fake reality that makes the audience feel like they're learning about an incident that really happened. The story's simplicity and its streamlined portrayal make it all the more convincing. I've watched a lot of big budget horror movies that aren't nearly as compelling as Strange Harvest.
There's an extra scene after the credits, be sure to stay for that.
Like Grave Encounters (2011) before it, Strange Harvest dissects a type of TV program and creates an imitation even better than the original. This is Le silence des agneaux (1991) as an episode of Détectives médicaux (1996), a sinister episode of New York - Police judiciaire (1990) taken to its horrific logical extreme.
I saw Strange Harvest at the Nevermore Film Festival. It's a simple, low budget portrayal of a straightforward premise (at least until the end), yet masterfully executed. Peter Zizzo and Terri Apple are quite believable as average suburban police detectives pursuing what they uncover to be an extraordinary crime spree. By telling the story in chronological order, the audience knows what the detectives knew at the time and share their confusion in trying to make sense of the crimes, the lack of evidence, and their frustration in trying to identify the perpetrator and track him down because he disappears like a ghost. Each crime is different, and one in particular in a swimming pool is as diabolical as the traps in the Saw (2004) movies.
Le Projet Blair Witch (1999), the mother of all found footage films, used its documentary film style to seem totally real. Strange Harvest creates a similar fake reality that makes the audience feel like they're learning about an incident that really happened. The story's simplicity and its streamlined portrayal make it all the more convincing. I've watched a lot of big budget horror movies that aren't nearly as compelling as Strange Harvest.
There's an extra scene after the credits, be sure to stay for that.
This mockumentary gave me the creeps beyond creeps. This film was so detailed and elaborate that it made my skin crawl. The crime scenes shown in this film were so vile and disturbing that this film will leave you feeling uneasy and looking over your shoulder. This film blends horror with true crime, creating a chilling experience.
Le saviez-vous
- GaffesDuring one of the scenes mimicking a local TV broadcast, the temperature appears as 74°C, which would be about 165°F.
- Crédits fousThere's a bonus scene after the credits.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 223 208 $US
- Week-end de sortie aux États-Unis et au Canada
- 223 208 $US
- 10 août 2025
- Montant brut mondial
- 223 208 $US
- Durée
- 1h 34min(94 min)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant