Ajouter une intrigue dans votre langueA young African American man, reeling from the tragic loss of his wife, travels to rural Maine to seek answers from his estranged mother-in-law, who is herself confronting guilt and grief ov... Tout lireA young African American man, reeling from the tragic loss of his wife, travels to rural Maine to seek answers from his estranged mother-in-law, who is herself confronting guilt and grief over her daughter's death.A young African American man, reeling from the tragic loss of his wife, travels to rural Maine to seek answers from his estranged mother-in-law, who is herself confronting guilt and grief over her daughter's death.
- Récompenses
- 3 victoires et 4 nominations au total
Avis à la une
The director's use of merciless close-ups and hand-held camera actually very soon began to hurt my eyes, turning me off about whatever was happening on screen. We are given about thirty seconds to get to know the soon deceased wife, and so we have little connection with her. The husband is a blank pager as well: other than the fact that he is black (the deceased was white) we know nothing about him. Now I could have been patient and allowed the movie to tell me more about these people, but not through those shaky close-ups. Off it went!
The reviews on it were right. The film is all about David Oyelowo and Dianne Wiest bouncing things off each other, and it's got that going for it, that two such great actors can hold down a film all by themselves, but you do have to like Oyelowo and Wiest a lot to really like the movie.
It's one of those movies that does not really have a point or expresses it in such low key that only someone watching who has been in that position could really reflect on what is going on and fully feel the emotion.
It's not that pin point of a situation. A man loses his wife in a car accident and the only one who can relate is his Mother-In-Law, but she is a pain in the neck even after her child's death (although she's dying from cancer so give her a break). This is a harsh situation while they're grieving
Also thought Rosie Perez was great too in the small role she had. Wish it had more of her because I like seeing her on the screen a lot.
It was good that the director and writer did have three really good actors to implement their material. They were the redeemable factor in the mediocre film.
It's one of those movies that does not really have a point or expresses it in such low key that only someone watching who has been in that position could really reflect on what is going on and fully feel the emotion.
It's not that pin point of a situation. A man loses his wife in a car accident and the only one who can relate is his Mother-In-Law, but she is a pain in the neck even after her child's death (although she's dying from cancer so give her a break). This is a harsh situation while they're grieving
Also thought Rosie Perez was great too in the small role she had. Wish it had more of her because I like seeing her on the screen a lot.
It was good that the director and writer did have three really good actors to implement their material. They were the redeemable factor in the mediocre film.
Sherwin (David Oyelowo) is suffering after the death of his beloved wife. He goes to spend some time with his estranged terminally ill mother-in-law Lucinda (Dianne Wiest). Both are suffering and both are distant from each other.
This has two exceptional movie stars doing emotional material. This should be good, but it feels like it doesn't want to dive into the material. It works around it. I just want the movie to force the issue. It needs to raise the intensity. While it may be realistic, It is not dramatic. This has enough for a short. At a shorten 82 minutes, it still feels way too long.
This has two exceptional movie stars doing emotional material. This should be good, but it feels like it doesn't want to dive into the material. It works around it. I just want the movie to force the issue. It needs to raise the intensity. While it may be realistic, It is not dramatic. This has enough for a short. At a shorten 82 minutes, it still feels way too long.
this is not a movie for the superficial people.this is a wonderful movie foe people WHO really understand the pain,the hard work to understand other people.if you are superficial and looking for a fun movie,move to the next movie.this is not for you.if you are able to go deep inside,to endure the pain,the hurt and the raw understanding if human heart,this is the movie for.you.the actors are very good and they make you feel all their feelings.there is real ending,but you could think of the future of the persons with no difficulty.you do not understand at first what this is all about,but in the end everything comes together and the human process of managing pain is well constructed.it is worth ed all your time.
Le saviez-vous
- AnecdotesComedian Hari Kondabolu filmed several scenes for the film which were later cut. He talks about the experience as a part of his Netflix routine Warn Your Relatives.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Five Nights in Maine?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 15 587 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 059 $US
- 7 août 2016
- Montant brut mondial
- 15 587 $US
- Durée
- 1h 22min(82 min)
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant