Ajouter une intrigue dans votre langue"Bhaimon Da" tells the biographical story of Assamese filmmaker Munin Barua, exploring his life from his youth to his final days, as well as the challenges faced by Assamese cinema during hi... Tout lire"Bhaimon Da" tells the biographical story of Assamese filmmaker Munin Barua, exploring his life from his youth to his final days, as well as the challenges faced by Assamese cinema during his time."Bhaimon Da" tells the biographical story of Assamese filmmaker Munin Barua, exploring his life from his youth to his final days, as well as the challenges faced by Assamese cinema during his time.
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The film depicts the lives of not only Munin Barua but his whole family, wrapped in the craft of filmmaking. It's a little melodramatic, but it works fine.
I loved three performances in particular - the first being Samudragupta Dutta as Shiv Prasad Thakur. Every time he appeared on screen, his aura filled it. I'm not sure how accurate his portrayal is, but it perfectly reflected the presence of a commanding figure in Munin Barua's life. Then Geetartha Sarma steals the show as Manash 'Rijju' Barua, and Bonodip Sarma does true justice to his respective role.
The BGM, especially the flute piece, was emotional, and the songs do justice to the tone. The entire "Xur Bahini" and Jayanta Hazarika segment was very strong.
That said, the film does have some irregularities in editing and writing. It jumps too often between different scenes with completely different plots, making some points feel abrupt and unexplained. The costume design, while melodramatic, has a few noticeable flaws. The "Hiya Diya Niya" composition part felt cheesy and forced, along with a few scenes in the first half. Also, I missed seeing a few prominent people I was expecting to have a feature.
Overall, it's a very good attempt to pay tribute to perhaps the most visionary director of Assamese cinema. It's not a masterpiece or a perfect biopic, but it has certainly reached a level Assamese movies hadn't touched in a long time.
(PS: My first review on IMDb - wanted it to be for something special. I guess "Bhaimon Da" has filled that void.)
I loved three performances in particular - the first being Samudragupta Dutta as Shiv Prasad Thakur. Every time he appeared on screen, his aura filled it. I'm not sure how accurate his portrayal is, but it perfectly reflected the presence of a commanding figure in Munin Barua's life. Then Geetartha Sarma steals the show as Manash 'Rijju' Barua, and Bonodip Sarma does true justice to his respective role.
The BGM, especially the flute piece, was emotional, and the songs do justice to the tone. The entire "Xur Bahini" and Jayanta Hazarika segment was very strong.
That said, the film does have some irregularities in editing and writing. It jumps too often between different scenes with completely different plots, making some points feel abrupt and unexplained. The costume design, while melodramatic, has a few noticeable flaws. The "Hiya Diya Niya" composition part felt cheesy and forced, along with a few scenes in the first half. Also, I missed seeing a few prominent people I was expecting to have a feature.
Overall, it's a very good attempt to pay tribute to perhaps the most visionary director of Assamese cinema. It's not a masterpiece or a perfect biopic, but it has certainly reached a level Assamese movies hadn't touched in a long time.
(PS: My first review on IMDb - wanted it to be for something special. I guess "Bhaimon Da" has filled that void.)
A very well-crafted tribute to Munin Barua and Assamese cinema. Loved the actors who played Zubeen Da, Jatin Da, and HBS. 👍👏💐
A journey through the great Assamese cinematic era. The movie, themed around giving opportunities to newcomers, is something for which I offer my sincere appreciation. I enjoyed the performances of the actors portraying Zubeen Da, Jatin Da, and HBS.
It was a journey through a significant period in Assamese cinema, effectively showcasing Munin Barua's commitment to providing opportunities for new talent. The transitions between plot points could have been smoother.
I hope Assamese cinema continues to flourish and achieve even greater success.
A journey through the great Assamese cinematic era. The movie, themed around giving opportunities to newcomers, is something for which I offer my sincere appreciation. I enjoyed the performances of the actors portraying Zubeen Da, Jatin Da, and HBS.
It was a journey through a significant period in Assamese cinema, effectively showcasing Munin Barua's commitment to providing opportunities for new talent. The transitions between plot points could have been smoother.
I hope Assamese cinema continues to flourish and achieve even greater success.
Bhaimon Da is a biographical film that chronicles the life of the legendary filmmaker Munin Baruah. The narrative begins with his youth and progresses through various stages of his life until his final days. While the film ambitiously attempts to cover his entire life, this broad scope leads to a disjointed storyline with several unnecessary scenes that could have been omitted for a more focused narrative.
The editing lacks finesse, and the screenplay could have benefited from tighter structuring. The film gains momentum with the entry of Zubeen Garg, adding some much-needed energy. However, the humor is sparse, and the story often jumps between events without clear transitions.
A more effective approach might have been to concentrate on a specific period of Munin Baruah's life, particularly starting from his first film, to provide a more in-depth exploration of his career. The initial portrayal of his early years seems superfluous and detracts from the core story.
Overall, Bhaimon Da is not a bad film, but it falls short of its potential due to its scattered focus and weak screenplay. A more concentrated narrative could have offered a more compelling tribute to Munin Baruah's legacy.
The editing lacks finesse, and the screenplay could have benefited from tighter structuring. The film gains momentum with the entry of Zubeen Garg, adding some much-needed energy. However, the humor is sparse, and the story often jumps between events without clear transitions.
A more effective approach might have been to concentrate on a specific period of Munin Baruah's life, particularly starting from his first film, to provide a more in-depth exploration of his career. The initial portrayal of his early years seems superfluous and detracts from the core story.
Overall, Bhaimon Da is not a bad film, but it falls short of its potential due to its scattered focus and weak screenplay. A more concentrated narrative could have offered a more compelling tribute to Munin Baruah's legacy.
How good Bhaimon Da is ? You can assess and imagine when I say that it's the first Assamese movie of my life which truly made me emotional. The last scene complemented by the last song of the movie presented how truly rich and beautiful Assamese culture is. Loved Bhaimon Da so much.
The movie is a wonderful eye opener to the pain, struggles and immense commitment of every artist who has done his or her part despite so many hurdles.
Thanks to late Bhaimon Sir, Zubeen Da , Jatin Sir, Ravi Sir, every artist and team members who worked so hard and despite facing so many problems, contributed to our beloved Assamese culture.
Thank you so much to the entire 'Bhaimon Da' movie team for the most amazing Assamese film.
God bless 🙏
The movie is a wonderful eye opener to the pain, struggles and immense commitment of every artist who has done his or her part despite so many hurdles.
Thanks to late Bhaimon Sir, Zubeen Da , Jatin Sir, Ravi Sir, every artist and team members who worked so hard and despite facing so many problems, contributed to our beloved Assamese culture.
Thank you so much to the entire 'Bhaimon Da' movie team for the most amazing Assamese film.
God bless 🙏
Bhaimon Da is a respectful and emotionally charged cinematic tribute to one of the most influential figures in Assamese cinema - Munin Baruah. Directed by Sasanka Samir, the film traces the personal and professional journey of the iconic filmmaker, shedding light on his contributions, struggles, and enduring legacy.
The title, Bhaimon Da, affectionately refers to Munin Baruah's nickname, and the film attempts to encapsulate the essence of his persona - warm, humble, creative, and deeply committed to storytelling. From his early days of hardship to his eventual rise as a director who revolutionized Assamese popular cinema with hits like Hiya Diya Niya, the narrative evokes nostalgia while also offering a glimpse into the behind-the-scenes challenges of regional filmmaking.
Bhaimon Da is more than just a film - it is an emotional journey that resonates deeply with both the youth of the 1990s and the older generations who grew up admiring Assamese cinema's golden age. For us '90s kids, the movie evokes a strong wave of nostalgia - from iconic film references to the recreation of moments that shaped our childhood memories.
Kaushik Bharadwaj delivers a standout performance as Jatin Baruah, portraying the visionary Munin Baruah with sincerity and depth. Nilim Dutta's uncanny resemblance to Biju Phukan brings an added layer of realism, reminding viewers of the legends who defined an era.
With over 100 characters woven into the narrative, each role - no matter how big or small - is played with dedication, bringing the story to life in an authentic and respectful manner.
The surprise introduction of Zubeen Garg's character is a highlight that received spontaneous applause from the audience - a perfect cherry on top of this heartfelt tribute.
Bhaimon Da is a proud celebration of Assamese cinema's soul, leaving viewers with misty eyes, warm hearts, and a renewed appreciation for its cultural legacy.
However, the film is not without its shortcomings (my personal view only): 1. Excessive Depiction of Alcohol Consumption: A notable flaw is the overuse of liquor scenes, which feel unnecessary and repetitive. While a few may have served the plot, the frequency with which characters are shown drinking tends to dilute the emotional gravity and can be off-putting for family audiences.
2. Incomplete Character Arc of Ravi Sharma: The movie initially establishes that actor Ravi Sharma is reluctant to work in Hiya Diya Niya. However, though the film later shows him working in the movie, it completely skips over how he was eventually convinced. This missing transition affects narrative continuity and leaves a noticeable gap in character development.
3. Underutilization of Iconic Assamese Artists: Despite being a film that celebrates Assamese cinema and its legacy, Bhaimon Da surprisingly sidelines two of its most respected veteran actors - Abdul Mazid and Chetana Das. Their minimal screen presence feels like a missed opportunity to honor and fully utilize their stature and experience, especially in a film that otherwise draws heavily from regional nostalgia.
The title, Bhaimon Da, affectionately refers to Munin Baruah's nickname, and the film attempts to encapsulate the essence of his persona - warm, humble, creative, and deeply committed to storytelling. From his early days of hardship to his eventual rise as a director who revolutionized Assamese popular cinema with hits like Hiya Diya Niya, the narrative evokes nostalgia while also offering a glimpse into the behind-the-scenes challenges of regional filmmaking.
Bhaimon Da is more than just a film - it is an emotional journey that resonates deeply with both the youth of the 1990s and the older generations who grew up admiring Assamese cinema's golden age. For us '90s kids, the movie evokes a strong wave of nostalgia - from iconic film references to the recreation of moments that shaped our childhood memories.
Kaushik Bharadwaj delivers a standout performance as Jatin Baruah, portraying the visionary Munin Baruah with sincerity and depth. Nilim Dutta's uncanny resemblance to Biju Phukan brings an added layer of realism, reminding viewers of the legends who defined an era.
With over 100 characters woven into the narrative, each role - no matter how big or small - is played with dedication, bringing the story to life in an authentic and respectful manner.
The surprise introduction of Zubeen Garg's character is a highlight that received spontaneous applause from the audience - a perfect cherry on top of this heartfelt tribute.
Bhaimon Da is a proud celebration of Assamese cinema's soul, leaving viewers with misty eyes, warm hearts, and a renewed appreciation for its cultural legacy.
However, the film is not without its shortcomings (my personal view only): 1. Excessive Depiction of Alcohol Consumption: A notable flaw is the overuse of liquor scenes, which feel unnecessary and repetitive. While a few may have served the plot, the frequency with which characters are shown drinking tends to dilute the emotional gravity and can be off-putting for family audiences.
2. Incomplete Character Arc of Ravi Sharma: The movie initially establishes that actor Ravi Sharma is reluctant to work in Hiya Diya Niya. However, though the film later shows him working in the movie, it completely skips over how he was eventually convinced. This missing transition affects narrative continuity and leaves a noticeable gap in character development.
3. Underutilization of Iconic Assamese Artists: Despite being a film that celebrates Assamese cinema and its legacy, Bhaimon Da surprisingly sidelines two of its most respected veteran actors - Abdul Mazid and Chetana Das. Their minimal screen presence feels like a missed opportunity to honor and fully utilize their stature and experience, especially in a film that otherwise draws heavily from regional nostalgia.
Le saviez-vous
- AnecdotesThis film is based on the life of Assamese director Munin Barua.
- ConnexionsReferences Bowari (1982)
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Détails
Box-office
- Budget
- 40 000 000 ₹ (estimé)
- Durée
- 2h 39min(159 min)
- Couleur
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