Ajouter une intrigue dans votre langueA man with two quarreling wives faces chaos when his mother brings home an Italian woman as a potential third wife. His current wives, who are sisters, unite against this new threat while vi... Tout lireA man with two quarreling wives faces chaos when his mother brings home an Italian woman as a potential third wife. His current wives, who are sisters, unite against this new threat while village onlookers watch the drama unfold.A man with two quarreling wives faces chaos when his mother brings home an Italian woman as a potential third wife. His current wives, who are sisters, unite against this new threat while village onlookers watch the drama unfold.
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I never review any movie but this one motivated me to write. I would say that it's a complete waste to spend a single penny on this movie because It has no story, full of overacting, and no comedy elements that could make you laugh for a couple of seconds. Kindly refrain yourself from such a trash.
I never review any movie but this one motivated me to write. I would say that it's a complete waste to spend a single penny on this movie because It has no story, full of overacting, and no comedy elements that could make you laugh for a couple of seconds. Kindly refrain yourself from such a trash.
I never review any movie but this one motivated me to write. I would say that it's a complete waste to spend a single penny on this movie because It has no story, full of overacting, and no comedy elements that could make you laugh for a couple of seconds. Kindly refrain yourself from such a trash.
"Saunkan Saunkne 2" proves that not every sequel needs to exist - and in this case, it probably shouldn't have. The first film had its charm, some laughs, and decent chemistry. The second? It's like the writers took leftover jokes from WhatsApp forwards and called it a day.
The plot tries to recreate the chaos of domestic rivalry and "funny" marital drama, but ends up feeling like an overcooked soap opera with a laugh track that forgot to show up. It's a rinse-and-repeat formula: loud arguments, forced romance, and jokes that land with the grace of a tractor falling down the stairs.
Ammy Virk looks like he's running purely on muscle memory. His expressions rarely change, as if even he knows he's trapped in a loop of bad writing. Sargun Mehta and Nimrat Khaira, both talented in their own right, are wasted in roles that revolve around screaming, pouting, and throwing passive-aggressive tantrums like teenagers fighting over a TikTok ring light.
The humor, which is supposed to be the film's lifeline, is painfully outdated. Expect a flood of tired jokes about wives fighting, nosey aunties, and men acting like helpless buffoons caught between two "crazy" women. It's 2025, and we're still being served comedy that feels like it was written in 2004.
To top it off, the film drags. Scenes linger long after the joke has died, resurrected, and died again. The emotional moments are laughably forced, and the ending feels like even the director gave up and just wanted to go home.
Final verdict: Saunkan Saunkne 2 is the kind of sequel that makes you reconsider watching the original in the first place. Skip it, unless you enjoy recycled drama, overacting, and plotlines that go absolutely nowhere.
The plot tries to recreate the chaos of domestic rivalry and "funny" marital drama, but ends up feeling like an overcooked soap opera with a laugh track that forgot to show up. It's a rinse-and-repeat formula: loud arguments, forced romance, and jokes that land with the grace of a tractor falling down the stairs.
Ammy Virk looks like he's running purely on muscle memory. His expressions rarely change, as if even he knows he's trapped in a loop of bad writing. Sargun Mehta and Nimrat Khaira, both talented in their own right, are wasted in roles that revolve around screaming, pouting, and throwing passive-aggressive tantrums like teenagers fighting over a TikTok ring light.
The humor, which is supposed to be the film's lifeline, is painfully outdated. Expect a flood of tired jokes about wives fighting, nosey aunties, and men acting like helpless buffoons caught between two "crazy" women. It's 2025, and we're still being served comedy that feels like it was written in 2004.
To top it off, the film drags. Scenes linger long after the joke has died, resurrected, and died again. The emotional moments are laughably forced, and the ending feels like even the director gave up and just wanted to go home.
Final verdict: Saunkan Saunkne 2 is the kind of sequel that makes you reconsider watching the original in the first place. Skip it, unless you enjoy recycled drama, overacting, and plotlines that go absolutely nowhere.
As a filmmaking student and passionate cinephile, I walked into Saunkan Saunkne 2 hoping to witness a laugh riot or at least a sensible continuation of what was once a beloved Punjabi comedy. Instead, what I got was 2 hours of cinematic torture wrapped in loud background music, lazy storytelling, and painful overacting.
The theatre was 90% empty on just Day 2, evening show - and now I know exactly why. This isn't a movie; it's a masterclass in how to destroy audience expectations.
Plot (or lack thereof): There is no story. None. Just a series of half-baked scenes stitched together in the name of humor. The writers seemed to have run out of ideas before they even started. There's no arc, no conflict worth investing in, and not a single thread that holds the film together. It feels like a rejected ticktok reel script, that someone decided to stretch into a full-length film.
Performances: Sargun Mehta, Ammy Virk, and Nimrat Khaira - all talented actors - are utterly wasted here. Their characters are loud, caricatured, and painfully one-dimensional. You can almost sense the boredom in their performances, as if they too know they've signed up for a sinking ship. The chemistry? Non-existent. The timing? Off. The acting? Forced.
Direction: Completely directionless. Literally. It's as if the director just showed up on set and said, "Do whatever you want." Scenes are dragged for no reason, jokes are repeated (and still not funny), and there's zero emotional depth. No character development, no buildup, no payoff.
Music & Editing: The songs are shoved in randomly to stretch the runtime. Editing feels like it was done in a hurry - abrupt cuts, disjointed sequences, and transitions that make no narrative sense. It's all noise, no soul.
Verdict: Saunkan Saunkne 2 is a disaster in every department - a perfect example of how not to make a sequel, or any movie for that matter. As a film student, it was more like a lesson in what to avoid at all costs - weak script, over-reliance on star power, no direction, and absolutely zero respect for the audience's intelligence.
Save your money. Save your time. Watch paint dry - it'll be more entertaining than this mess.
The theatre was 90% empty on just Day 2, evening show - and now I know exactly why. This isn't a movie; it's a masterclass in how to destroy audience expectations.
Plot (or lack thereof): There is no story. None. Just a series of half-baked scenes stitched together in the name of humor. The writers seemed to have run out of ideas before they even started. There's no arc, no conflict worth investing in, and not a single thread that holds the film together. It feels like a rejected ticktok reel script, that someone decided to stretch into a full-length film.
Performances: Sargun Mehta, Ammy Virk, and Nimrat Khaira - all talented actors - are utterly wasted here. Their characters are loud, caricatured, and painfully one-dimensional. You can almost sense the boredom in their performances, as if they too know they've signed up for a sinking ship. The chemistry? Non-existent. The timing? Off. The acting? Forced.
Direction: Completely directionless. Literally. It's as if the director just showed up on set and said, "Do whatever you want." Scenes are dragged for no reason, jokes are repeated (and still not funny), and there's zero emotional depth. No character development, no buildup, no payoff.
Music & Editing: The songs are shoved in randomly to stretch the runtime. Editing feels like it was done in a hurry - abrupt cuts, disjointed sequences, and transitions that make no narrative sense. It's all noise, no soul.
Verdict: Saunkan Saunkne 2 is a disaster in every department - a perfect example of how not to make a sequel, or any movie for that matter. As a film student, it was more like a lesson in what to avoid at all costs - weak script, over-reliance on star power, no direction, and absolutely zero respect for the audience's intelligence.
Save your money. Save your time. Watch paint dry - it'll be more entertaining than this mess.
I rarely write reviews, but this movie compelled me to break that habit - not because it was extraordinary, but because it was extraordinarily bad. Without exaggeration, this was the worst movie I have ever watched in my entire life. I've sat through some mediocre films before, but this one truly set a new low. It was so unbearable that, for the first time ever, I walked out of the theatre before the interval. That in itself says a lot.
From the very beginning, the movie felt like a confusing mess. There was no proper storyline to speak of - just a series of disconnected scenes strung together without any coherent plot, purpose, or character development. It felt like the filmmakers were making it up as they went along, assuming that the audience wouldn't notice or care. Unfortunately for them, viewers do notice. And we do care - especially when we've spent our hard-earned money and valuable time on a ticket expecting at least the basics of entertainment.
Adding to the misery was the acting. I can honestly say that I've seen better performances in school plays. The expressions felt forced, the dialogue delivery was awkward, and there was absolutely no chemistry between the actors. It's baffling how a cast with such potential could end up delivering performances this hollow and lifeless. Whether it was poor direction, bad casting, or a combination of both, the end result was painful to watch.
Let's talk about humour - or rather, the complete absence of it. The movie tried to be funny at times, but not a single joke landed. The punchlines were predictable, recycled, and at times, downright cringe-worthy. The audience, including myself, sat in silence through what I assume were supposed to be "comic" scenes. A few even chuckled, but not out of amusement - out of disbelief at how absurd and unfunny everything was.
And then there's the hype. Prior to watching, I noticed glowing reviews on platforms like BookMyShow, and I was genuinely excited. But after sitting through this disaster, I cannot help but wonder whether some of those reviews were artificially inflated or worse - paid for. The gap between public reviews and the actual quality of the film is just too wide to ignore. It feels like a clear case of overhyping a substandard product to drive initial footfall, which in itself is deeply unethical.
To make matters worse, the movie was also visually unpleasant. The cinematography was dull, the editing was choppy, and the background score felt out of place in several scenes. Rather than enhancing the experience, the technical aspects made it even harder to sit through. It felt more like a student film project than a professionally made theatrical release.
By the time I left the theatre - well before the interval - I had a splitting headache and a strong sense of regret. Regret that I had wasted not only my money but also my time and energy on something so poorly made. If there had been any redeeming quality - even just one scene that stood out - I might have stayed and given it a chance. But unfortunately, the film offered nothing worth holding on to.
In conclusion, I strongly advise fellow moviegoers to stay away from this film. It is a complete waste of time, money, and patience. There are far better ways to spend your day than subjecting yourself to such a frustrating cinematic experience. I hope the makers take this feedback seriously - not out of malice, but in the hope that they will do better in the future. Because cinema deserves better, and so do audiences.
From the very beginning, the movie felt like a confusing mess. There was no proper storyline to speak of - just a series of disconnected scenes strung together without any coherent plot, purpose, or character development. It felt like the filmmakers were making it up as they went along, assuming that the audience wouldn't notice or care. Unfortunately for them, viewers do notice. And we do care - especially when we've spent our hard-earned money and valuable time on a ticket expecting at least the basics of entertainment.
Adding to the misery was the acting. I can honestly say that I've seen better performances in school plays. The expressions felt forced, the dialogue delivery was awkward, and there was absolutely no chemistry between the actors. It's baffling how a cast with such potential could end up delivering performances this hollow and lifeless. Whether it was poor direction, bad casting, or a combination of both, the end result was painful to watch.
Let's talk about humour - or rather, the complete absence of it. The movie tried to be funny at times, but not a single joke landed. The punchlines were predictable, recycled, and at times, downright cringe-worthy. The audience, including myself, sat in silence through what I assume were supposed to be "comic" scenes. A few even chuckled, but not out of amusement - out of disbelief at how absurd and unfunny everything was.
And then there's the hype. Prior to watching, I noticed glowing reviews on platforms like BookMyShow, and I was genuinely excited. But after sitting through this disaster, I cannot help but wonder whether some of those reviews were artificially inflated or worse - paid for. The gap between public reviews and the actual quality of the film is just too wide to ignore. It feels like a clear case of overhyping a substandard product to drive initial footfall, which in itself is deeply unethical.
To make matters worse, the movie was also visually unpleasant. The cinematography was dull, the editing was choppy, and the background score felt out of place in several scenes. Rather than enhancing the experience, the technical aspects made it even harder to sit through. It felt more like a student film project than a professionally made theatrical release.
By the time I left the theatre - well before the interval - I had a splitting headache and a strong sense of regret. Regret that I had wasted not only my money but also my time and energy on something so poorly made. If there had been any redeeming quality - even just one scene that stood out - I might have stayed and given it a chance. But unfortunately, the film offered nothing worth holding on to.
In conclusion, I strongly advise fellow moviegoers to stay away from this film. It is a complete waste of time, money, and patience. There are far better ways to spend your day than subjecting yourself to such a frustrating cinematic experience. I hope the makers take this feedback seriously - not out of malice, but in the hope that they will do better in the future. Because cinema deserves better, and so do audiences.
THIS IS MY FIRST TIME WRITING A MOVIE REVIEW CAUSE MY EXPERIENCE WAS SOO BAD
"Saunkan Saunkne 2" proves that not every sequel needs to exist - and in this case, it probably shouldn't have. The first film had its charm, some laughs, and decent chemistry. The second? It's like the writers took leftover jokes from WhatsApp forwards and called it a day.
The plot tries to recreate the chaos of domestic rivalry and "funny" marital drama, but ends up feeling like an overcooked soap opera with a laugh track that forgot to show up. It's a rinse-and-repeat formula: loud arguments, forced romance, and jokes that land with the grace of a tractor falling down the stairs.
Ammy Virk looks like he's running purely on muscle memory. His expressions rarely change, as if even he knows he's trapped in a loop of bad writing. Sargun Mehta and Nimrat Khaira, both talented in their own right, are wasted in roles that revolve around screaming, pouting, and throwing passive-aggressive tantrums like teenagers fighting over a TikTok ring light.
The humor, which is supposed to be the film's lifeline, is painfully outdated. Expect a flood of tired jokes about wives fighting, nosey aunties, and men acting like helpless buffoons caught between two "crazy" women. It's 2025, and we're still being served comedy that feels like it was written in 2004.
To top it off, the film drags. Scenes linger long after the joke has died, resurrected, and died again. The emotional moments are laughably forced, and the ending feels like even the director gave up and just wanted to go home.
Final verdict: Saunkan Saunkne 2 is the kind of sequel that makes you reconsider watching the original in the first place. Skip it, unless you enjoy recycled drama, overacting, and plotlines that go absolutely nowhere.
P. S. If they make a part 3, we riot.
"Saunkan Saunkne 2" proves that not every sequel needs to exist - and in this case, it probably shouldn't have. The first film had its charm, some laughs, and decent chemistry. The second? It's like the writers took leftover jokes from WhatsApp forwards and called it a day.
The plot tries to recreate the chaos of domestic rivalry and "funny" marital drama, but ends up feeling like an overcooked soap opera with a laugh track that forgot to show up. It's a rinse-and-repeat formula: loud arguments, forced romance, and jokes that land with the grace of a tractor falling down the stairs.
Ammy Virk looks like he's running purely on muscle memory. His expressions rarely change, as if even he knows he's trapped in a loop of bad writing. Sargun Mehta and Nimrat Khaira, both talented in their own right, are wasted in roles that revolve around screaming, pouting, and throwing passive-aggressive tantrums like teenagers fighting over a TikTok ring light.
The humor, which is supposed to be the film's lifeline, is painfully outdated. Expect a flood of tired jokes about wives fighting, nosey aunties, and men acting like helpless buffoons caught between two "crazy" women. It's 2025, and we're still being served comedy that feels like it was written in 2004.
To top it off, the film drags. Scenes linger long after the joke has died, resurrected, and died again. The emotional moments are laughably forced, and the ending feels like even the director gave up and just wanted to go home.
Final verdict: Saunkan Saunkne 2 is the kind of sequel that makes you reconsider watching the original in the first place. Skip it, unless you enjoy recycled drama, overacting, and plotlines that go absolutely nowhere.
P. S. If they make a part 3, we riot.
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Détails
Box-office
- Montant brut mondial
- 641 178 $US
- Durée2 heures 22 minutes
- Couleur
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