En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.
- Récompensé par 1 Oscar
- 46 victoires et 116 nominations au total
Demián Bichir
- Bob
- (as Demian Bichir)
Quentin Tarantino
- Narrator
- (voix)
- (non crédité)
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Take a look back at Samuel L. Jackson's movie career in photos.
Histoire
Le saviez-vous
- AnecdotesAfter the script leaked online, writer and director Quentin Tarantino did not want to make this movie. However, after they did a brief reading of the script in Los Angeles, the cast was stunned and got excited for the film, and with Samuel L. Jackson persuading him to do this movie, Tarantino accepted.
- GaffesWarren says that he and Smithers fought against each other during the Civil War at the Battle of Baton Rouge. The battle took place in 1862, African-American troops first saw combat in 1863.
- Citations
Oswaldo Mobray: The man who pulls the lever that breaks your neck will be a dispassionate man. And that dispassion is the very essence of justice. For justice delivered without dispassion is always in danger of not being justice.
- Crédits fousThe credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone.
- Versions alternativesFrom the week of December 25th to 31st 2015, the film was shown exclusively in a 'Roadshow' version at 100 locations across North America (about half of them were 70mm film projection, the other half digital). This version played without previews and ran 187 minutes, including a 4-minute Overture and a 12-minute Intermission. The 'Multiplex' version (digital only) runs 167 minutes, and was shown from January 1, 2016 onwards. In addition to not having the Overture and Intermission, it removes approximately six minutes of footage that Quentin Tarantino felt played better in the 70mm format.
- ConnexionsFeatured in Celebrated: Kurt Russell (2015)
- Bandes originalesRegan's Theme (Floating Sound)
Written by Ennio Morricone
(from the motion picture "L'Exorciste II : L'Hérétique (1977)")
Courtesy of Warner Bros. Entertainment Inc.
Commentaire à la une
I saw Quentin Tarantino's 8th film on opening night in 70 mm, intermission and all. It was pretty big and fantastic, if not a little bit exhausting. Thankfully, the intermission allowed for a bathroom break.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
- Shanghai_Samurai
- 29 mai 2019
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Les Huit salopards
- Lieux de tournage
- Schmid Ranch, Telluride, Colorado, États-Unis(exterior scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 54 117 416 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 610 676 $US
- 27 déc. 2015
- Montant brut mondial
- 161 217 616 $US
- Durée2 heures 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.76 : 1
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