Outlaws and Angels

This film follows a group of bank robbers, a posse chasing them and a family whose home the robbers invade.

Without giving spoilers, this has a decent story to it but you need to be a real trooper to make it to the end. The pace of this is painfully slow. I don't know, maybe the slow pace is meant to convey a psychological theme. It didn't work for me though because even if that was the case, it still could've moved along better. I liked the story and hated the pace.

Criminales e Angelis! That might as well have been the name of this film that oddly pays homage to the classic Spaghetti Westerns. Unsavoury characters, ultra violence, twisty plot, offensive scenes it had it all. You couldn't like any of these people. Even the supposed lawmen were unsavoury. One almost expected everyone in the film to be dubbed except for a few main characters. Dubbing might have helped (or subtitles) as it seemed that almost everyone mumbled but you got the drift.

A band of outlaws (criminales) rob a bank in some dusty unnamed western town complete with hoods. Innocent people get killed (they are just bystanders after all). They escape but one of them is hit as they leave town. From there on its a rough ride as they wind up holing up with a christian family and everything becomes twisty, and ugly with gore and scenes enough to make you cringe. But the sets are great and the feel of being trapped in a place with a band of outlaws, a screaming christian mother and the very unsavoury minister of a father with their two daughters.

To give it even better feel of a being a spaghetti western there is the Clint Eastwood connection. Clint's former live-in Francis Fisher plays a somewhat hysteric christian woman while the daughter of Clint's and Francis's years together Francesca Eastwood is the the Angeli of the title. And what an Angeli she makes. Francis Fisher also played Ruth Dewitt Bukater, Rose's mother in Titanic and Strawberry Alice in Eastwood's Unforgiven.

As gore piles upon gore and cringing scenes pile on cringing scenes and the body count rises one is reminded that others can do what Tarantino and Peckinpah have done before. You can't like any these characters but you do admire the way the actors play them making it all seem too real. Just like the old spaghetti westerns.

JT Mollner musta honed his writer / director skills in the eight years tween his 2016 debut "Outlaws And Angels" and his follow-up "Strange Darling", as the latter thriller rocks, but the former western is flawed & overlong. In 1887 New Mexico, Chad Michael Murray's violent bank robbing gang (inc Keith Loneker & Steven Michael Quezada) evade lawman Luke Wilson (solid) by holding up in the remote homestead of Ben Browder, Teri Polo and their teenage girls Francesca Eastwood (good) & Madisen Beaty... where tones & elements of "The Beguiled" & "Deliverance" unfold, tho way too sluggishly. It carries Mollner's distinctive style ok, but "Strange Darling" it ain't.

The present movie is the final elaboration of a shorter piece called 'Henry John and the Little Bug', released about seven years ago by the same Author, JT Mollner, a peculiar kind of film maker.

The final full-length result is peculiar too, but very well acted and very well written. It deals with miserable beings living miserable lives and is a paradigmatic story of how misery, love and egoism can bring anyone to perdition, given the wrong circumstances.

There isn't much pity in Author's heart for his own characters and not many of them will make it through the end. But there is love, as in any great artist's eye, even though of a strange and desperate sort.

It's certainly not for everyone.

Low budget, bloody, dark, and disturbing. Although, the blood was exaggerated and cartoonish like a comic book movie.

The costumes were dirty and and lived in. The houses/sets looked like real shacks. Everybody and everything looked legitimately dusty, sweaty, and lived in. Living in the Southwest you get to realizing that nothing is ever clean.

The blood might put off some older folks, but I think that this is pretty normal for an independent film in our post Terintino, made-for-cable world.

The cinematography was surprisingly good. The editing was tight. Well directed, edited, and acted.

There were even a couple pretty songs. I kinda wish that they had leaned in to that a little more, but that might have made it too cheesy, so maybe not.

Sort of a modern Treasure of Sierra Modre. The literal bloody money bags were almost too heavy handed.

Also, that's Clint Eastwood's real life granddaughter as the main young woman. Her mother (his daughter) was even in it (but not as her mother).