Ajouter une intrigue dans votre langueThis is the story of a man's bravery to cover the world at war, and what it takes to get images published for the world to see. This is Jason P. Howe's story of survival and change.This is the story of a man's bravery to cover the world at war, and what it takes to get images published for the world to see. This is Jason P. Howe's story of survival and change.This is the story of a man's bravery to cover the world at war, and what it takes to get images published for the world to see. This is Jason P. Howe's story of survival and change.
- Réalisation
- Scénario
- Casting principal
- Polly Sherman
- (images d'archives)
- Self
- (images d'archives)
- Self
- (voix)
- Self
- (voix)
- Self
- (voix)
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In fact, my wife and I were stuck by how the whole film was very reserved, and handled the sensitive subject matter with care and respect. I felt that Jason showed a vulnerable and human side to himself, wracked by years of conflict photography.
It is a very sobering film, and makes you realise how dangerous, silly, and REAL war is.
I was very impressed that the director and writer managed to string together a very strong and cogent thread from Jason's body cam / helmet cam footage. This is often a very difficult task, and they achieve it brilliantly. It feels like the footage has been shot for the purpose of the film, which is not the case. It often feels sometimes like the viewer is the one wearing the helmet, thus immersing themself in the battlefield and within Jason's story.
Jason Howe isn't deified in this film, and neither is he absolved from his own complicity in the consumption of war. He admits it openly. It is a good film about a flawed man, and worth your time.
Whilst reflecting on a day when a man lost both of his legs, serving his country, Jason feels the need to reiterate how valued he was in the ensuing CASEVAC, whilst staring forlornly into the middle distance. They shook his hand! Why couldn't more photo-journo's be like him?!
I'm glad I chose to rent this documentary rather than to buy it outright. I got a chance to see the footage that I wanted to see, although there wasn't much of it - plenty of airtime for monologues in CPs and wide angle shots of Jason putting his kit on, though. A boring and self-absorbed piece of work.
Le saviez-vous
- Citations
Tim Page - War Photographer: What the MOD, DOD or whoever the fuck they are... doesn't want... they don't want war to be unappetising. Its got to remain good, because otherwise you can't get people to join up anymore... no more draft.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- A Good Day to Die
- Lieux de tournage
- Afghanistan(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 980 000 $US (estimé)
- Durée1 heure 27 minutes
- Couleur
- Black and White(original 35 mm prints)
- Mixage