Tatsuki Fujimoto Anthologie 17-26
Titre original : Tatsuki Fujimoto 17-26
- Série télévisée
- 2025–
- Tous publics avec avertissement
Ajouter une intrigue dans votre langue8 short stories created by Tatsuki Fujimoto when he was 17 - 26 years old8 short stories created by Tatsuki Fujimoto when he was 17 - 26 years old8 short stories created by Tatsuki Fujimoto when he was 17 - 26 years old
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The Japanese Love, Death & Robots - A Thrilling Ride of Imagination
This anthology truly earns the nickname "the Japanese Love, Death & Robots." Each of the eight shorts, written by Tatsuki Fujimoto, opens a door to a completely different world-one moment surreal and chaotic, the next intimate and human. From the frantic violence of A Couple Clucking Chickens Were Still Kickin' in the Schoolyard to the bittersweet absurdity of Love Is Blind, every story feels fresh, daring, and unpredictable.
What ties them together is Fujimoto's signature blend of raw emotion and visual invention. He has an uncanny ability to turn madness into meaning-to find tenderness in brutality and humor in tragedy. The result is an anthology that doesn't just entertain; it disorients, challenges, and moves you.
Each short bursts with its own rhythm and energy, yet together they form a cohesive exploration of love, loss, and the strange beauty of being alive. Fujimoto's worlds are filled with contradictions-violent yet poetic, absurd yet deeply human-and it's in these contradictions that his genius shines most clearly.
By the time the credits roll, you're left exhilarated and oddly reflective, caught between laughter and melancholy. Love, Death & Robots may have inspired it, but Fujimoto's vision pushes further-reminding us that animation can be as emotionally layered, unpredictable, and profound as life itself.
What ties them together is Fujimoto's signature blend of raw emotion and visual invention. He has an uncanny ability to turn madness into meaning-to find tenderness in brutality and humor in tragedy. The result is an anthology that doesn't just entertain; it disorients, challenges, and moves you.
Each short bursts with its own rhythm and energy, yet together they form a cohesive exploration of love, loss, and the strange beauty of being alive. Fujimoto's worlds are filled with contradictions-violent yet poetic, absurd yet deeply human-and it's in these contradictions that his genius shines most clearly.
By the time the credits roll, you're left exhilarated and oddly reflective, caught between laughter and melancholy. Love, Death & Robots may have inspired it, but Fujimoto's vision pushes further-reminding us that animation can be as emotionally layered, unpredictable, and profound as life itself.
Absurd, Tragic, and Deeply Human
A Couple Clucking Chickens Were Still Kickin' in the Schoolyard blends absurd humor with a bleak sense of humanity's limits. What starts as a surreal spectacle slowly reveals something heartbreakingly real. The animation magnifies that tension, turning Fujimoto's dark wit into a meditation on compassion, cruelty, and the small dignity of survival. It's bizarre, funny, and quietly devastating.
A Masterclass in Adaptation, True to the Manga and Full of Creativity
This adaptation shows exactly how to translate manga into motion. It keeps Fujimoto's spirit intact while enriching every scene with visual innovation. The kinetic chaos of A Couple Clucking Chickens Were Still Kickin' in the Schoolyard becomes even more visceral through sharp contrasts and dynamic cuts. Woke-Up-as-a-Girl Syndrome glows with light that mirrors inner transformation, and Mermaid Rhapsody's underwater world is hauntingly beautiful. These aren't just faithful adaptations - they're reinventions that deepen the original works.
A Worthwhile Investment of Time..
Eight stories, Eight feelings, Eight experiences..! It's great to see that, the school-time stories of talented authors like 'Tatsuki Fujimoto' will also get adaptations, that too with eye-catching visuals and animation.. And I'm surprised to think that at the age of 17 to 26, such unique and strange ideas actually came to his mind or how..! Maybe this is why we saw 'Chainsaw Man' from him later.. It won't give you time to get bored, to breathe or blink.. So you should enjoy Pure Talent without delay..
A mastermind author.
Im glad Fujimoto is getting most of his work animated. Its really beautiful to see. This anthology series is a very special nod to everything that came after. He is so immensely gifted at storytelling in such a unique yet vibrant way it still blows me away to this day. Now all I need is Goodbye Eri to touch a movie theater screen and end in an explosion. Thank You Tatsuki Fujimoto.
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