Baby Driver
Après avoir été contraint de travailler pour un patron du crime, un jeune chauffeur se retrouve impliqué dans un cambriolage voué à l'échec.Après avoir été contraint de travailler pour un patron du crime, un jeune chauffeur se retrouve impliqué dans un cambriolage voué à l'échec.Après avoir été contraint de travailler pour un patron du crime, un jeune chauffeur se retrouve impliqué dans un cambriolage voué à l'échec.
- Réalisation
- Scénariste
- Stars
- Nommé pour 3 Oscars
- 43 victoires et 66 nominations au total
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Shear Heart Attack
Baby Driver .. it's got a great soundtrack lots of crazy car chases maaaan and lots of mad dialogue..... i so wanted to like this film ....it's a Tarantino derivative , the dialogue is forced and full of cliches. I was not at all interested in any of the characters,, what the ducks was the joe character all about .. maybe I missed something. Ps liked the songs and the revolution of the iPod.
Technical brilliance overshadowed by poor story and characters!
Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
Edgar Wright has done it again,but this time it's his best!
Baby Driver is one hell of a film,I was lucky enough to go to preview of this film and it was worth it.This film uses music the way no other film has ever, It's stylish and has a cast that bring it to life especially Ansel Elgort,Jamie Foxx,Jon Hamm and Kevin Spacey bring a performance that almost tops all their others.The film has exciting car chases and intense moments that leave you on the edge of your seat just acing to know what happens,the final act is probably where Baby Driver shines in all it's glory.Period. Overall this film is a film for everyone,it has music that makes you want to get up and dance right there in the theater.I give Baby Driver a 10/10,go and see it now.
There's no doubt some impressive work here, some cleverly designed sequences and some tasty long takes with some lively dynamism.
However Edgar Wright is a director that seems to get more immature as opposed to maturing with his audience as his films go on.
Baby Driver, a film idea that was, no doubt, pulled from a drawer of high concept, high-school ideas from Mr. Wright, has that sort of aged 90's Tarantino vibe, from the musical OTT dialogue, attention to soundtrack, and the Natural Born Killers style star-crossed main characters. Unfortunately that makes the idea very dated and the promise of a musical car-chase movie a bit of misdirection. It's more of a 90's gangster film with a painful hipster hand guiding it, interspersed with music videos made of car chases.
There's some humour, neat little ideas, satisfying and creative moments, but they're unpleasantly jammed in to a a few moulds that don't do some of the core concepts justice. Lily James is a delight but her character is shortchanged, the idea of replacing core characters for each job is nonsensical probably to get rid of actors to other commitments. And the less said about the two dimensional Darling and Kevin Spacey the better.
Baby Driver, a film idea that was, no doubt, pulled from a drawer of high concept, high-school ideas from Mr. Wright, has that sort of aged 90's Tarantino vibe, from the musical OTT dialogue, attention to soundtrack, and the Natural Born Killers style star-crossed main characters. Unfortunately that makes the idea very dated and the promise of a musical car-chase movie a bit of misdirection. It's more of a 90's gangster film with a painful hipster hand guiding it, interspersed with music videos made of car chases.
There's some humour, neat little ideas, satisfying and creative moments, but they're unpleasantly jammed in to a a few moulds that don't do some of the core concepts justice. Lily James is a delight but her character is shortchanged, the idea of replacing core characters for each job is nonsensical probably to get rid of actors to other commitments. And the less said about the two dimensional Darling and Kevin Spacey the better.
Little more than a mix tape with dull characters and clichés attached to it
I read an early tweet that described Baby Driver as 'a mix-tape with a film attached to it' and that proved to be an accurate comment. The tweeter may have thought this was a good thing, but I certainly don't.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
Le saviez-vous
- AnecdotesDirector Edgar Wright once parked his car in a parking garage, only to realise that, by complete coincidence, the car next to him had a stylised "BABY ON BOARD" sign, with Baby's (Ansel Elgort) face taken from the film's poster. Wright left a note on the car's windshield that read, "From the director of Baby Driver, I approve!!!", complete with his signature.
- GaffesDarling is shot in the right arm. Minutes later when she's eating in the diner, her right arm has no blood on it, and her jacket has no hole in it where she was just shot.
- Crédits fousThe "ding" in the opening Sony logo turns into the sound of Baby's tinnitus.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: Baby Driver (2017)
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- How long is Baby Driver?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Baby, el aprendiz del crimen
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 34 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 107 825 862 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 553 320 $US
- 2 juil. 2017
- Montant brut mondial
- 226 945 087 $US
- Durée
- 1h 53min(113 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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