Baby Driver

However Edgar Wright is a director that seems to get more immature as opposed to maturing with his audience as his films go on.

Baby Driver, a film idea that was, no doubt, pulled from a drawer of high concept, high-school ideas from Mr. Wright, has that sort of aged 90's Tarantino vibe, from the musical OTT dialogue, attention to soundtrack, and the Natural Born Killers style star-crossed main characters. Unfortunately that makes the idea very dated and the promise of a musical car-chase movie a bit of misdirection. It's more of a 90's gangster film with a painful hipster hand guiding it, interspersed with music videos made of car chases.

There's some humour, neat little ideas, satisfying and creative moments, but they're unpleasantly jammed in to a a few moulds that don't do some of the core concepts justice. Lily James is a delight but her character is shortchanged, the idea of replacing core characters for each job is nonsensical probably to get rid of actors to other commitments. And the less said about the two dimensional Darling and Kevin Spacey the better.

Remember that movie you saw when you were a kid, and loved it? Loved it! Best movie ever! You told all your friends about it, the great music, the cool characters, the gear cars? You talked about it for years, for decades, and then it turned up again, so you dragged your family to see a cool movie that was done right. And as you sat through it for the second time, you wondered "What happened to the movie I saw when I was a kid? This is nothing at all like it! The lines are stupid, the music is lame and the actors are gargoyles! What happened to it?"

This is that movie. It's not the movie you saw, it's the movie you remembered. It's got great music and great cars that dance, and actors who behave like Steve MacQueen, and Kevin Spacey shoots the really bad guys -- not the bank robbers, those are the heroes, but the really bad guys, and says "I was in love once." Edgar Wright -- whom I know from the movies he directed Simon Pegg in -- has directed a gangster-car-chase-teen-love movie that does what Justin Lin, Guy Ritchie and those other hot directors tried to do, but could not. Yeah. This is the movie you remembered.

There is never a dull moment in this action crime film about a getaway driver who has his own unlimited getaway soundtrack but who also wants to break free from the crime boss who owns his life.

There is enough style and visceral strut in this film that it neutralizes the one or two credibility gaps in the plot. Ansel Elgort is great as the title character, but Jamie Foxx steals the film with a lively performance as the loose cannon in the crew. Performances all around are solid and the dialogue is so rife with dueling wits, it's like watching a recurring display of verbal fireworks. These firecracker scenes of competitive criminals showing off their bravado are just as exciting as the chase scenes through downtown Atlanta.

The film also banks heavily on a heady, omnipresent soundtrack that keeps the tempo perpetually hyperactive. A word of caution: The action can be tough going at times; the film revels in its permanent state of anarchy before ultimately developing a mean streak. But for all the blistering gunfire and screeching tires, this is not a one-note film. It has its moments of quietly boiling tension and eerie backstory flashbacks. It's a film that wears its attitude on its sleeve and doesn't shrivel into conventionality. Not an absolute bull's eye, but recommended to everyone who wants a good rush.

Baby Driver .. it's got a great soundtrack lots of crazy car chases maaaan and lots of mad dialogue..... i so wanted to like this film ....it's a Tarantino derivative , the dialogue is forced and full of cliches. I was not at all interested in any of the characters,, what the ducks was the joe character all about .. maybe I missed something. Ps liked the songs and the revolution of the iPod.

Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.

In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.