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susan-269

A rejoint le mai 2005

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Évaluations180

Note de susan-269
Alerte rouge
6,98
Alerte rouge
Premier contact
7,99
Premier contact
Wedding Bell Blues
6,45
Wedding Bell Blues
The Sehlat Who Ate Its Tail
8,37
The Sehlat Who Ate Its Tail
Through the Lens of Time
7,56
Through the Lens of Time
The Passing Bells
6,85
The Passing Bells
Masters of the Air
7,88
Masters of the Air
The Elysian Kingdom
6,23
The Elysian Kingdom
Those Old Scientists
8,94
Those Old Scientists
Comes the Inquisitor
8,04
Comes the Inquisitor
Tolkien
6,88
Tolkien
The Deconstruction of Falling Stars
7,63
The Deconstruction of Falling Stars
Gone Quiet
7,95
Gone Quiet
Posse Comitatus
9,19
Posse Comitatus
Still Mine
7,47
Still Mine
Today's Special
6,68
Today's Special
Million Dollar Baby
8,16
Million Dollar Baby
Un homme d'exception
8,28
Un homme d'exception
Gladiator
8,58
Gladiator
La Liste de Schindler
9,08
La Liste de Schindler
Danse avec les loups
8,08
Danse avec les loups
Miss Daisy et son chauffeur
7,38
Miss Daisy et son chauffeur
Un homme pour l'éternité
7,78
Un homme pour l'éternité
La Mélodie du bonheur
8,19
La Mélodie du bonheur
My Fair Lady
7,77
My Fair Lady

Avis3

Note de susan-269
Muriel

Muriel

7,3
6
  • 14 nov. 2007
  • Complex movie

    From the pictures and descriptions, I was expecting a light, feel-good romantic comedy. "Muriel's Wedding" is most definitely not that. It has some romance. It has some comedy, mostly dark. It also has characters who are very cruel to each other, situations that are gut-wrenchingly tragic, and a main character who is dishonest and pathetic as often as she is noble. That being said, the movie does have texture and unpredictability. It's original and mostly believable, unlike most feel-good romantic comedies. But it is not cinematic wedding cake. In fact, it's more like fruit cake, with some sweetness, some unexpected bitter bits, more than a few nuts. I came away with the same impression I get from fruitcake, appreciating the complexity, but not really having enjoyed the experience.
    Prêchi-prêcha

    Prêchi-prêcha

    6,7
    8
  • 11 avr. 2006
  • Why the disciples were sent out in twos

    Mark Dolson is an eager Catholic seminarian who throws himself-- body, mind, and emotion-- fully into everything he does. Father Tim Farley has fallen into a comfortable rut in his suburban parish, where he is loved and valued precisely because he doesn't make waves. Mark torments his teachers with unanswerable questions and unending intellectual debate. Father Farley relies on practiced clichés and vanilla humor to fill the air during the sermon slot of his morning services. When no other priest will take Mark on as a parish intern, the bishop gives him to Father Farley.

    The pairing of Zeljko Ivanek and Jack Lemmon is perfect in this character-driven film. The characters are multi-layered, and the issues they wrestle with are as pertinent now as they were in 1984.
    Les cendres du temps

    Les cendres du temps

    7,0
    6
  • 30 avr. 2005
  • A slow dance of color and regret

    Without a doubt, Ashes of Time is a beautiful, deeply felt movie. The acting and cinematography are outstanding. The color and camera angles are poetic. But the DVD quality is barely acceptable and the plot, what there is of it, is very confusing. The movie is less a journey from point A to point B than it is a dream-like dance around a central theme: regret for the way we treat those we love.

    For those who would watch the movie for the martial arts-- the main characters are mostly swordsmen and martial artists-- the movie is less than satisfying. The fight scenes are highly stylized, employing fast cuts, blurs of motion, and disorienting lighting and camera angles. The fight scenes are more about camera technique than martial arts technique.

    Ashes of Time is not a movie that can be absorbed in one viewing. For many viewers, though, it will be worth a second or even third.

    Données d’analyse

    Note de susan-269

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