Humans

Enjoyed all three series.

Plenty of food for thought, and more straightforward understandable than something similar like the big budget Westworld.

Female leads were terrific especially Katherine Parkinson,Gemma Chan and the best of all Emily Berington.

Gaah! I can't wait for the next episode! It is building tension ju-u-u-st right: Creepy, heart rending, asking the big questions about life and love and what constitutes consciousness, in other words it just couldn't be better. It also feels like perhaps it actually is building towards a specific future point, rather than just bumbling along and making stuff up as it goes. I am very excited to see where they're taking us, and how current loyalties may shift..? (I hope so!) Very well made, very well acted, just well-crafted in every way. Who said the art of good Science Fiction is dead? It seems to be experiencing a renaissance right now in response to all the boring 'miserealism' of recent times - huzzah!

From the beginning, the premise of this show, the writing, the acting, the twists and the human message were engrossing, and they have remained more so over the last three seasons, and by the way, very relevant: the stakes feel real and relatable to today's issues throughout.

Certainly, there is no evading comparisons to Black Mirror, as both shows are explorations of technological advances of the near future. Whereas Black Mirror is more of a warning of the potential pitfalls of technology, HUMANS is more about society's adjustment to human displacement not only in the economic realm, but also in other intrinsically human dimensions: sharing with -or relinquishing to- our own creations our place at the top of the totem pole is a struggle full of pain, fear, contradictions, inspiration and hope. Furthermore, unlike Black Mirror, HUMANS has a continuous story line with recurring characters, which allows more emotional engagement with their cause. Even the villains in HUMANS aren't black and white and their motivations do make sense, even when their actions are reprehensible.

This is a show every Political Political Science, Sociology or Philosophy courses should make young people watch and talk about. And for your average Sci-fi fan out there, this is a smart show with a lot of heart, in more ways than one.

Highly recommended.

I expected this series to be an "I Robot" lite, but in fact I am impressed with the first episode both from its acting and the completeness of this initial 'view' into an alternative world. Keeping my fingers crossed it will maintain this standard. Although I know this was adapted from a Swedish series I'm deliberately staying away from it for now. The opening episode certainly seems to have captured the sense of atmosphere and something impending that Scandinavians do so well. With a cast which is more than able to add some heft to the 'human' side of the story - it was equally gratifying to see the 'synthetics' pull off the difficult balancing act between machine behavior and enough 'emotional' content to set the series up for some dramatic juxtapositions. Although there is a small level of "adult" content I think its use, given the use of technology in our own world, was both relevant and all too believable.

First, this is the kind of series the Brits have shown a knack for, riffing off normal life situations into something creepy and unexpected. (See for example UTOPIA, the original UK version, also reviewed by this scribe.) So even though this is a clone of a European show, it is a natural for English audiences.

Second, the casting of Bill Hurt suggests to the cynically-minded that series was done with a pre-sale to the US market already in the works, with Hurt's job to make the transition more comfortable and discourage yet another "forced cloning" of the show in the US market, a move that more often than not wastes money and creates an inferior product.

Third, the casting is to die for. Gemma Chan is perfectly cast as the main "bot" and reminds this cranky old reviewer of what happened when Barbara Eden first appeared as a family "genie" in the US decades ago. It is now agreed by TV historians that subliminally this appealed to many male viewers who stayed loyal to the show for reasons well beyond the story arc.

And Colin Morgan, once the Merlin of legend, is an under-rated actor who can only make the show better over time.

Looks like a winner to me.