The Gift

Joel Edgerton's directorial debut is a solid thriller about the sins of the past. It's sleek, smart, and well-acted. The climax is well thought out and justifies the slow buildup. It's the perfect resolution to the story and makes you wonder how your past might one day come back to affect your future.

Australian actor Joel Edgerton wrote, produced and directed this drama with thriller elements,. Rebecca Hall and Jason Bateman star as a married couple newly moved to Los Angeles. They run into a old high school classmate of Bateman's (Edgerton) who seems desperate to restart a friendship that Bateman can't remember them having. Hall begins to suspect that something isn't right with Edgerton and that her husband isn't telling the whole truth about their past.

This has all of the trappings of one of those late-80's "yuppie nightmare" thrillers that glutted the market for about eight years, with the upscale settings and work environments of the characters getting upset by a malignant outside force, a situation that draws the worst out of the victims. Bateman is clever casting, as he's one of the best actors in his age range at portraying borderline nice-at-heart-or-really-a-jerk characters, which here keeps the audience guessing. Edgerton is normally a very physical actor, but here he's reserved and quiet. Hall is very good as the woman at the center of this odd dynamic, and she has her own past issues to deal with. I think audiences going into this expecting a rollercoaster-ride thriller will be disappointed, and while I don't want to spoil where things go, I think it's advisable to let viewers know that this is more of a moralistic drama than a jump-scare chiller.

The gift isn't much of a gift at all. The gift to me was when I discovered Joel Edgerton is not only Gordo, the creepy stalker in the film, but also the writer/director of the piece. Wow! He certainly does a great job. Most directors might gravitate toward a role in their film that is endearing to the audience, Gordo couldn't be any further from that sort of character. Things that go bump in the night can usually be explained away. If you were in Simon and Robyn's case, you might find out your explanations are incorrect months or years later. So what were those creepy bumps for Simon and Robyn? Edgerton's script shows they are part of a larger, much darker, horrific beyond an R rated gift. You'll be surprised at the twist.

Robyn and Simon have just moved in to a posh 60's retro home and are settling in as a married couple. They receive numerous visits from Gordo who says he knew Simon in High School. We get the feeling their relationship was more ominous in nature than it appears to Robyn, who Gordo starts to form a platonic relationship with. Through a course of events, the film becomes a typical stalker thriller but eventually sets itself apart as a very clever, well written, and telling "human nature" account of who everybody "really" is (not just Gordo).

I really liked "The Gift" because I enjoy psychology. As the tale unravels we actually see perspectives we aren't meant to see. The obvious hero is far from it and the villain, while never a hero, becomes someone we can empathize with, though never fully. I thought the cast was amazing and the story really stays with you because of their performances. Jason Bateman does a great job in this thriller whereas he usually plays comedy parts. He can do a variety of roles. It's a perfect thriller but I thought it did take too long developing the story. I think it's over 2/3 of the way through before the typical stalker thriller stuff ends and you get into the genius of the film. For that reason it lost a star with me. Watch this creepy fun movie, I recommend it.

Here's a surprise: The Gift is a mature thriller that's more complex and classy than the trailers suggest. I don't know what caused the marketing department to make the film look like such a second-rate, cheap, predictable thriller that somehow had gotten ahold of talented actors, but now we know the truth. As Joel Edgerton's directorial debut, it's impressive, considering the sense of craft going on behind the camera. The cinematography is gorgeous and the pacing is that of a slow burn, but it's never dull. The premise is also deceptively simple, turning more intricate and involving as the film progresses.

Edgerton, who also wrote the screenplay, refuses to adhere to genre conventions, constantly subverting audience's expectations on how the story plays out. Red herrings, plot twists, shifting perspectives, and moral ambiguity ensue, but they never feel cheap. Like the best thrillers, The Gift evolves naturally and realistically. Edgerton and Rebecca Hall are great, but it is Jason Bateman who impresses. As a natural comedian actor, he plays one of his rare, serious roles to terrific effect. But I digress. You should go into this film with a clean slate, but know that it is a rare, intelligent thriller that doesn't cheat or spoonfeed its audience. And in that regard, Joel Edgerton has given us a gift, indeed.

Billed as a mystery and a thriller, Joel Edgerton's The Gift is indeed both of those and more. The sub genre might be "home invasion" of a figurative and a real kind, reminiscent of The Hand That Rocks the Cradle. Equally so it's a home horror film, for some of the traditional tropes of that genre are in place (e.g., missing dog, running faucet) waiting around the corner of any room so to speak.

Super security salesman Simon (Jason Bateman) is happily married to interior designer Robyn (Rebecca Hall). Their new LA home is wall to wall windows, all the better for bad forces to look in and to ironically comment on the lack of transparency inside the home as well as a security expert's vulnerability. Then Simon's old high school friend, weirdo Gordo (Joel Edgerton), visits with gifts and memories of a troubled past.

Their home is indeed invaded, not just by nerdy, strange Gordo, who has a bad habit of showing up at odd times and gaining access at even odder ones, but by the past, which is creeping up on the couple despite Simon's will to leave it all behind and Gordo's to "let bygones be bygones." The film bears its tensions well, distributing its exposition of the past in the present slowly.

The Gift doesn't just give the present a chance to come to terms with the past; it also comments on privacy, security, and bullying while serving up a fine stew of ironies and suspense. As for bullying, not the first time in a thriller, it plays out from high school days to adult days in a surprisingly subtle way, forcing us over the long haul of the film's 108 minutes to see it lurking like a clichéd ghost or murderer.

Marriage is also a subject in this taut film, namely how much do we really know about our partners or anyone close to us? This film could make anyone a skeptic about the goodness of your fellow travelers. Speaking of which, Gordo is the outsider, whom writer Flannery O'Connor liked to write about because "he changes things." Gordo is an agent of change, an avenging angel of the past and a messenger for the future.

Smart thriller for late summer.