Eat Me

Originally I was approached to have this reviewed on a horror site that I manage. After watching it, though, it seemed to be hard to place it in any one genre, and especially horror. This isn't because it is bad at all. Quite the opposite, actually. This film was pretty much all over the charts. It has a lot of tension and suspense, moments of thriller, drama, and some of horror, but they are all tied neatly into a story that is very realistic. Overall, this film was really well shot, well written, well directed, and the acting is phenomenal. It is also very powerful for having only two actors for the majority of the film.

The story itself isn't really groundbreaking, but the portrayal of the characters and dialogue really shines. It's about a home intrusion that doesn't happen the way any of the parties involve think it will. The people who break into the house realize that the woman inside has taken a lot of pills, and passed out on the couch. One leaves, and the other is left there to watch over the situation. After coming to, she realizes what is happening and a lot of the film focuses on her and her captor in the house, and the interaction between them.

It's hard to say much about the film without giving too much away, but although this isn't an outright horror film, there were some great horror elements. One was very reminiscent of something you would see in "The Texas Chainsaw Massacre", and another notable scene involving a knife had some very satisfying cinematography for horror fans. Also there is the real life horror element that is the home intrusion and everything that can happen along with it.

All that being said, "Eat Me" is a very emotional film. It blends a lot of lines between genres, and in a very unexpected and unique way. While I wouldn't give it 10/10 as a straight horror film, it does deserve the rating based on the film quality as a whole, and the quality of the experience it provides which is nothing short of an amazing one, regardless of genre. For an indie film, this is a benchmark for quality, and I would highly recommend it to anyone.

This art piece is definitely a drama.

No horror. No mystery. There is some solid Good Girls-ish humor.

And I did not like the movie until more than halfway through its duration.

Even then, the plausibility is unacceptable. The dialogue would be excellent for NOT that situation.

This is not your usual run of the mill, "house invasion" movie. It is very different to anything you will have ever seen before within that genre. The scene is set with an attempted suicide superimposed by a house invasion. What follows is disturbing, comedic, and bizarre. You feel an uncomfortable witness to brutality and degradation, but the movie and tight acting holds your attention enough to see it though. It's an original and compelling movie, and leads us to question what our lives really account for.

A woman hides all her dildos and then decides to end it all by ingesting pills. After she passes out two men break in doing a home invasion. Things get a little weird from here on in.

A well done film which could have easily been a play since everything takes place in one room over the course of one night. It does get pretty crude and sick at times (golden showers, rapes etc.) then switches to people baring their souls, so it is an emotional rollercoaster.

The acting was top notch which really helped the overall dynamic. These are weird characters to pull off and they get the job done. The added bonus was the jazz score as sound effects in crucial scenes like the hammering of piano keys as someone's penis got bit.

You'll either enjoy this one or you'll think its just plain weird but a definite must see.

This disruptive, provocative flick is structured like a crime-drama - a suicidal single resident, a home intrusion, a violent sexual assault and off we go - but writer/star Jacqueline Wright and the director named Adrian Cruz never let anything settle, never let you feel that you've got it all figured out. They somehow manage to elevate their seemingly simple story and arguably even simpler production values into a multifaceted dissection of morality, power struggles and various implications of sexual deviance. Jacqueline Wright obviously knows which buttons to push, and she pushes them to save her life (or at least her career), but from some blatant dabblings into exploitation territory quite a few interesting thoughts emerge. The interplay between Wright and Brad Carter, who plays the youngest of the intruders, is at times stirring.