It Comes at Night

This was beautifully created and a suspenseful setting but was deeply lacking in storyline. So little actually occurred that I was already confused 40 mins in. If it weren't for Joel Edgerton I would have shut this down 1/3 of the way in. It was confusing, incongruent and frankly a little boring. I patiently waited though and saw it through. Alas the climax was so disappointing I was in shock... and it didn't even happen at night!!! What the hell was coming at night??? Nothing came... even during the day. Not cool... not a horror film, barely a thriller, just a shame.

This movie doesn't fail to scare; worse, it blatantly doesn't even try.

I don't know if I'm more disappointed by movies that you can tell will be crap just by looking at the lighting and camera-work, or a movie that's actually pretty decent in terms of techy stuff and casting and acting and atmosphere and yet miserably fails to deliver. Yeah I think it's the latter. At least with cheap looking movies you know the risk.

If you look at this as a movie that explores "the human condition" or something like that, you might find some merit in it. However, it's advertised as a horror movie, which, by definition, needs to at least TRY to scare audiences. Such a disappointment.

All in all I'm just left wondering what the critics must have watched to give this such high scores. I'll think twice in the future before I watch something trusting Joel Edgerton's name.

A beautifully shot, lovely scored and well-acted film. Shame it is dull and disappointing. I'm all for psychological horror but I really think this film has been misrepresented as genres it just cannot live up to. A few nightmare sequences does not a horror make! Honestly, I feel like it is a great film in its own right but my expectations left me feeling as through it was three quarters of what it could have been. I feel so guilty saying this, but temper your expectations. I wish I had too. If that doesn't turn you off, then go for it - it really is a well-made movie and does do a good job of creating tensions, despite the lack of payoff.

What a letdown. I can't say it was a huge letdown because that would imply that I expected it to be great, but it is a let down which means I expected it to be decent.

The movie starts with a family burying the grandfather who'd succumbed to an illness. Judging by how the family made sure to wear masks to do the job they were afraid of this illness and wanted to take every precaution. This contagion tale focuses solely on this family but then broadens its focus to include another family. It's a strange dynamic because two families are trying to coexist in a post-apocalyptic era in which distrust is far more common than trust.

That's the setup. Where do they take it from there? I'll answer that. Nowhere. This movie goes no-where. It was a total farce, a total bait and switch. Scary movies in general are pretty lousy (although I keep coming back) but at least most of them have a definite aim, a definite goal. This seemed to be aimless and goal-less. I waited for something to materialize that I could sink my teeth into. Even if it tasted bitter or sour at least it would be something of substance. This movie had no substance just appetizer after appetizer to keep you seated. In the end this movie offered nothing but a grand dead end.

Good grief, is this the feel-bad movie of the year or what?

A family of survivalists have holed themselves up in an isolated house in the wake of some biological incident, the details of which are left vague, but which has resulted in a virus that kills anyone who contracts it. When another survivor with a family stumbles upon them, they must then decide whether or not to turn their backs or extend a helping hand. It's a parable that examines where the instinct to protect oneself and those he loves ends and the impulse for basic human decency begins.

I guess I'd have to say that "It Comes at Night" was effectively done, because it left me feeling absolutely awful, and I had trouble shaking it. But I would also have trouble shaking the image of someone getting run over by a car -- no one would have to present it artistically for it to get to me. The final moments of "It Comes at Night" go places few movies dare to go, but it might make a viewer have to decide whether it's dramatically satisfying or cheaply manipulative.

Grade: C