IMDb रेटिंग
6.3/10
24 हज़ार
आपकी रेटिंग
विक्टोरियन लंदन में, एक स्कॉटलैंड यार्ड इंस्पेक्टर गोरी की एक श्रृंखला के पीछे परपीड़क हत्यारे का शिकार करता है, जैक द रिपर जैसी हत्याएं।विक्टोरियन लंदन में, एक स्कॉटलैंड यार्ड इंस्पेक्टर गोरी की एक श्रृंखला के पीछे परपीड़क हत्यारे का शिकार करता है, जैक द रिपर जैसी हत्याएं।विक्टोरियन लंदन में, एक स्कॉटलैंड यार्ड इंस्पेक्टर गोरी की एक श्रृंखला के पीछे परपीड़क हत्यारे का शिकार करता है, जैक द रिपर जैसी हत्याएं।
- पुरस्कार
- 8 कुल नामांकन
Daniel Cerqueira
- Evening Post Reporter
- (as Daniel Cerquiera)
फ़ीचर्ड समीक्षाएं
I wanted to love this. And I feel like I should have. But I didn't. I was interested in it enough to see it all the way through the end to find out the conclusion of the central mystery. Why was it just okay? I'm not sure. The performances were strong, and the period sets and costumes were amazing, but I would find my mind drifting throughout it, a lot. Too much. So I can only chalk it up to the script and the directing. The shots themselves in the movie were good. It looked beautiful.
But for whatever reason, I was never fully pulled in. And I think this was in large part because the crimes of the Limehouse Golem were all told as flashbacks essentially, there was no real suspense, except for one scene near the very end that I won't spoil. So yeah, ultimately I think the storytelling structure diminished the sense of suspense that should have been present in the story. The movie is also pretty violent/gory in those flashbacks, btw. That neither raised nor lowered my overall score of it, but it was violent enough that it's worth noting.
But for whatever reason, I was never fully pulled in. And I think this was in large part because the crimes of the Limehouse Golem were all told as flashbacks essentially, there was no real suspense, except for one scene near the very end that I won't spoil. So yeah, ultimately I think the storytelling structure diminished the sense of suspense that should have been present in the story. The movie is also pretty violent/gory in those flashbacks, btw. That neither raised nor lowered my overall score of it, but it was violent enough that it's worth noting.
Despite being yet another film set in London (yawn) The Limehouse Golem is atmospheric and will certainly hold your attention. This is partly due to the detailed scenic constructions that create a dark, intimate atmosphere but also due to the excellent casting. Juan Carlos Medina brings out the best in the cast. Watch how he uses the actors' eyes to communicate directly with the audience via the camera lens. Oliva Cooke, alternately resembling Emma Watson and Julia Roberts, glows and sparkles and then freezes as the film jumps between her recalled memory and her jail cell. Sadly, the usually wonderful Bill Nighy only hints at his customary quirkiness and the inferred gayness of Nighy's Inspector Kildare and Daniel May's gentle George Flood seems strangely pointless. The interplay between audience the stage of the music hall and the audience draws the cinema audience right into the heart of the action. The music hall scenes are beautifully re-imagined and are a joy to watch. Douglas Booth turns in a beautifully sensitive portrayal of Dan Leno that reminded me of Eddie Redmayne in the Danish Girl.
Despite the fact that the film is a little under-written - I worked out the identity of the Golem about one third of the way through the film -
this is a very enjoyable and convincing tale that is well told. My major criticism of the film is that it is overlong. Sometimes less is more and the film would have benefited by tighter editing of the final scenes where fantasy and fact become confused leading to the audience being not quite sure what is happening.
Overall, though, a very enjoyable couple of hours spent in the cinema and please, film producers,let's have more films like this. But please also remember that London was not the only location in the UK where dark deeds happened in Victorian times. There was, and is, life and interest outside London.
Despite the fact that the film is a little under-written - I worked out the identity of the Golem about one third of the way through the film -
this is a very enjoyable and convincing tale that is well told. My major criticism of the film is that it is overlong. Sometimes less is more and the film would have benefited by tighter editing of the final scenes where fantasy and fact become confused leading to the audience being not quite sure what is happening.
Overall, though, a very enjoyable couple of hours spent in the cinema and please, film producers,let's have more films like this. But please also remember that London was not the only location in the UK where dark deeds happened in Victorian times. There was, and is, life and interest outside London.
A good-looking gaslit Victorian murder mystery set in 1880 with a classy cast of actors (including Bill Nighy and Eddie Marsan) and suspects (including Karl Marx and George Gissing), a powerhouse performance by Olivia Cooke as a music hall actress and pioneer of male impersonation; and a satisfying conclusion.
Based on the book of the same name. The late 1800s murder mystery, revolving around a young woman and an old cop who is investigating a series of murders. Elizabeth Cree had not had a best childhood, but she almost reached to her dream to become a best actress in the town. Then suddenly a murder jeopardise everything she had worked so hard. Now she has to cooperate with a detective to come out of the mess. But the tale takes a twist at every corner, making more complication for her freedom. How this puzzle is solved was told with a final twist that flips the whole scenario upside down.
First of all, I love such costume drama. The atmosphere was awesome. Well maintained suspense, along with a good pace of the story narration. From all it's the actors, especially for me, it's the Olivia Cooke. Bill Nighy was not bad too. Despite he's one of the main character, Cooke stole the show. But the film was not a masterpiece. From an entertainment perspective, it delivered. I think it was a good adaptation. The only weak point is, most people would guess the end twist. It was intentional. But overall film was decent.
6/10
First of all, I love such costume drama. The atmosphere was awesome. Well maintained suspense, along with a good pace of the story narration. From all it's the actors, especially for me, it's the Olivia Cooke. Bill Nighy was not bad too. Despite he's one of the main character, Cooke stole the show. But the film was not a masterpiece. From an entertainment perspective, it delivered. I think it was a good adaptation. The only weak point is, most people would guess the end twist. It was intentional. But overall film was decent.
6/10
Well crafted movie with a beautiful cast, good aesthetics and some nicely twisted elements made for a enjoyable watch even tho from my point of view, the ending is quite predictable from the very start. It was rather obvious the destination, yet the journey remained suspenseful and filled with little hidden gems here and there.
Bill Nighy is one great actor, I'm sadden by the fact that he didn't manage to make a bigger splash earlier, but even now, his presence on the screen brings so much force, so much seriosity, that you take everything in deeper and leaves behind quite an impact with every line he says. He was perfectly cast here, as the other actors too, a diversity and character development that I loved from the very start.
Of course I will recommend this movie, but bare in mind, there is close to no horror here, you will find no such thing, but only the horror of man. What man is capable of, his hideous crimes, selfishness, but has nothing to do with jump scares or tension.
Cheers!
Bill Nighy is one great actor, I'm sadden by the fact that he didn't manage to make a bigger splash earlier, but even now, his presence on the screen brings so much force, so much seriosity, that you take everything in deeper and leaves behind quite an impact with every line he says. He was perfectly cast here, as the other actors too, a diversity and character development that I loved from the very start.
Of course I will recommend this movie, but bare in mind, there is close to no horror here, you will find no such thing, but only the horror of man. What man is capable of, his hideous crimes, selfishness, but has nothing to do with jump scares or tension.
Cheers!
क्या आपको पता है
- ट्रिवियाThe role portrayed by Bill Nighy was initially given to Alan Rickman, but the latter had to pull out of the project due to ill-health, which eventually led to his untimely death from pancreatic cancer in January 2016. At the end of the end credits, the following dedication appears on the screen: "This film is dedicated to the memory of Alan Rickman".
- गूफ़The great Dan Leno first appeared on stage in 1884 - so he became popular in the late 1880s and 1890s. Karl Marx died in 1883, one year before Dan Leno first took to the stage. There could be no point in time when someone could meet both Karl Marx and a successful, popular Dan Leno.
- क्रेज़ी क्रेडिटTypo in the cast: The character Bluebeard appears as "Bluebead" (without the R).
- कनेक्शनFeatured in Projector: The Limehouse Golem (2017)
- साउंडट्रैकWhat Did She Know About Railways?
Written by C. G. Cotes
Music by Bennett Scott
Performed by Olivia Cooke
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Limehouse Golem?Alexa द्वारा संचालित
- What did Lizzie say in Hebrew (?) that offended the Jews in the audience?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Los Misteriosos Asesinatos de Limehouse
- फ़िल्माने की जगहें
- Dalton Mills, Dalton Lane, Keighley, ब्रैडफोर्ड, वेस्ट यॉर्कशर, इंग्लैंड, यूनाइटेड किंगडम(Victorian Streets, Theatre and Docklands)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $23,27,419
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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