Imperium

This film should have been a bit better than it is - it's not bad, not bad at all - but it's just not quite as impact-full as it should be.

Some of the dialogue is quite deep and the films message is pertinent - hint, it's not really about neo nazi skinheads, well it is, but it's not really. It's about the true heart of fascism, beyond the history, myths and conspiracy.

What is interesting is that it makes you realise that victims are more likely fascists than bullies - that any group that claims to be the 'victim' is probably nurturing some level of fascism.

It's interesting food for thought but, as I mentioned, isn't quite as powerful as it could have been - just needed that little bit more.

This is all about compelling storytelling combining with just as compelling acting.

The basic plot of the film is nothing new, many films have covered this material.

Its the intricacies of the story that make it work, the interpersonal drama and tension are really powerful.

Potter excels again in this movie showing he is an actor to look for when he releases something. He doesn't always hit it out of the park but on this occasion, he does.

Radcliffe at first might seem like a poor choice to be cast as a skin head/Nazi, but in fact his characteristics make perfect sense in the film. Radcliffe is a young FBI agent that is chosen to infiltrate a local white power movement to prevent a credible domestic terror threat a la the Oklahoma City bombing from the 90s. This is not an action film with brawls and fire fights; this is a drama that tries to honestly show those involved in the white power movement. Overall this film is engaging and engrossing on its own, but also challenges itself by giving these social villains some screen time.

It is a very standard film in terms of plot, this is not a film to watch and expect twists and turns. But it tells a very compelling story through character. Each white power figure we see has their own ideas, goals and as the story progresses it shows us not only about white power, but racism and any type of extremism as well. Sam Trammell, Chris Sullivan and Tracy Letts are all brilliant in pulling us into their lives and succeeding in avoiding the obvious stereotypes that all too easily could happen. The scenes of Edward Norton trashing convenience stores and killing from American History X are left out, these are men with families, family/financial problems, hopes, dreams and its fascinating to see how their sometimes noble goals are corrupted into extreme racism.

The weak point is the ending, and everything has to be knotted up in a 2 hour film. This has the feel of the first 2 episodes of an HBO mini-series. I was left only somewhat satisfied, and genuinely curious about what would happen to each character next – and I guess that is good film making.

Eye opening and well directed. If you are looking for a drama with almost no action, that mostly avoids cliché pitfalls (other than the obvious but well enough done ending) then this is your flick!

Or maybe you do expect it. I guess in a way, maybe you do, because I did too. But it's still nicely told with a pace that may not suit everyone, because it's not fast paced and tries to stay as grounded to reality as possible. While characters in the film are not described as people in the real life, I'm pretty sure you'll guess one or two inspirations from "news" programs.

So this is actually balanced and truly fair in its depictions, without promoting that notion and not delivering. Again, this is a thriller and it is about the performances and they are exceptional. Daniel Radcliffe has grown up to become something else than a wizard. He's showing that he's able to do more. Are you ready for it?

Daniel Radcliffe as a FBI agent and an extreme white supremacist, now that was a film I really had to see. Personally, I love undercover stories as they have inbuilt elements of excitement and uncertainty. You're wondering constantly whether the covert operation is going to be a success or a failure.

Even with a shaved head and gangster clothes, Radcliffe lacked menace, fury and vitriol one might expect from a white supremacist. His eyes emanate a childlike innocence that is difficult to overcome even by vulgar behaviour and foul language. He doesn't astound, but I was quite engrossed in his performance. I cared about him and I wanted him to succeed.

I would have loved to see a deeper examination of infiltration strategies than what was in this film. It employs tips from the well – known book: Dale Carnegie's 'How to win friends and influence people', and doesn't go beyond that. By being as simple as it is, it takes away the intrigue of an undercover story.

There were some nail-biting scenes and clever dialogue that held my attention. We do get to delve into the mindsets of several white supremacists. The finale, however, felt very rushed. It came across as very sudden and I questioned its plausibility. It seems that the writers just needed a quick and thrilling end to the story without considering whether it is consistent with what they have developed earlier, both story and character wise.

I admire Radcliffe's tenacity to take on such a role. Even though the film wasn't a profound artwork, he does well in trying to break the seemingly immutable image of him as Harry Potter. Anyone who is used to seeing him as the boy who lived would be pleasantly surprised.