Get Out

Jordan Peele's strong directorial debut got well deserved Oscar attention, as it's unique, intelligent, and often times subtle storytelling made for a well layered, suspenseful film experience.

It is hard to say one actor out of the supporting roles stuck out as they all performed so well, but Daniel Kaluuya in the lead role as Chris was superb. His usage of facial expression and body language played so well to his character, and in a movie with plenty of good qualities about it he shines.

Jordan Peele also uses a lot of subtle imagery that contributes well to the themes and tone of his story, which is notably impressive especially for a first time director and make for rewarding second, third and maybe even more repeat viewings.

This movie is not without faults however, as there is a handful of times where characters inexplicably act strange seemingly just for the audience, and like most horror movies coming out recently it has it's pointless, shrill music stabs to emphasize a silly jump scare.

Despite it's faults, I would still highly recommend this one to anyone looking for an intriguing story.

Jordan Peele's directorial debut is an exhilarating horror thriller that also manages to spark laughter and comment on social issues. The cinematography, tropes, and soundtrack echo horror, but the film finds abundant moments of comic relief like when a father reassures the main character he isn't racist by claiming, "I would have voted for Obama for a third term." Before the plot delves into a traditional horror frenzy, it mines the horrors of racism. The social commentary plays on audience expectations and results in both humor and suspense. Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.

Satire doesn't get much darker than this, a perspective derived from the opposite of bliss, the frictions and prejudice society draws, to control and manipulate, exploit and ignore.

What would you do, if someone took control of you, could control you're every move, set the tempo to your groove, had the first and final say, how you went about your day, chose the things that you would do, when and where, with what, with who. If you tried to make a stand, put a halt or raise a hand, the mighty structures that surround, would envelop and impound, one for all and all for one, will ensure you'll soon be gone, but be under little doubt, that you're never getting out.

An outstanding piece of cinema and satirical observation with added barbs.

the newest film made by jordan peele lives out to the hype that it made.horror comedy is one of the hardest genres(or sub genres) to make a movie about.some good examples would be evil dead 2 and scream.the film actually takes a subject like racism and makes it into a parody of itself.the comedy of the movie is actually really subtle and your'e not gonna walk into the movie and start laughing as a joke comes along.its a realization that can be made while watching the film or after you watched it.it can't be really called a satire of horror movies because it uses the horror movie clichés more than once but the good part is that i doesn't annoy you like a lot of horror movies do.one of the strengths of the movie is that you don't need to be an American to understand the story.a basic knowledge about racism will be enough.but for the clues and metaphors that are in the movie you need to pay more attention and know a little bit more.there are no jokes in the movie and even the comedy relief character lil rel howery doesn't make jokes but sells its comedy by his performance which makes him actually funny and not just an annoying side character like we see mostly in the movies right now.the performances are great and the character choices are rational and logical unlike most horror movies we see today.allison williams does a pretty good job and actually nails the character far more better than i expected.the cinematography is pretty good but it got distracting in two or three places of the movie but it wasn't boring and actually kept the movie pretty good looking.the twists of the movie will actually kinda predictable but that wasn't what the movie was about and i didn't expected to be shocked since the movie doesn't take itself to seriously but serious enough to keep the plot going.the CGI blood were kinda distracting and the movie got slow in a few places but it had the pay-off and you were rewarded after the scenes.the movie is well made and deserves a second viewing in some time and i would recommend it to horror fans or if your'e a fan of subtle humor and comedy.

Get Out is an intense, unnerving movie that keeps you on the edge of the seat --- only if you are satisfied with an adrenal rush and not looking for any depth in the characters or the story. It's a great production done with superb acting, music and visual arrangement, but as a movie about racism it just doesn't go beyond.

It starts with the romance between Rosie and Chris, the sweet white girlfriend and the talented African-American photographer, where Rosie asks Chris to spend a weekend at her posh parents' country house. It's just a weekend, but as things get awry, it escalates to be a matter of life or death. The backdrop can be easily taken as a trope for racial relations/tension in America, but contrary to what Peele the director aspired to do, this movie just couldn't provoke any discussion or shed light on the touchy issues. To have the guests "locked up" in a grandiose house with two distinct camps of the white and the black is also a scene that occurs in Tarantino's Django Unchained. While Django Unchained uses a fictional story to unveil the cruelty and injustice of black slavery, Get Out feels more like a sorcerer's tale that manages to carry the label of racism because the victim happens to be a black. The characters are diabolical and psychotic, but they are also flat and uninspiring. They might carry a secret agenda, but it just makes them look like an underground cult group who somehow has a bit of a supernatural power – it must be because some of the things they do are scientifically impossible, e.g. the surgery scene. Their persona and the things that they can physically do – hypnosis by the mother and surgeries by the father – are just not representative at all. They do not carry any association to racists or the xenophobic. In fact, they are also kind of dumb to have that kind of video conferencing set-up in the room where the victim gets to talk to the perpetrator. It works well if the movie wants to create suspense or terror by paying tribute to the horror classic Saw, but again, it doesn't add any depth to an intellectual reflection on racism.

Some people comment that the film commits dogmatic stereotypes. I think the only stereotype used here is that the black and the white are by default at war with each other. Yet, it's used more as a convenient trick to shove the audience into this them-versus-us mentality so we get as suspicious as Chris. The horror is real, the acting is fantastic and does send the chill off your spine, but it doesn't stimulate your thinking or perpetuate any racial prejudices. If this movie is played in a virtual reality movie house, it's top notch; but if it attempts to be meaningful, it is not.